Takeshi Shirato

What are Takeshi Shirato's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Survival and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Takeshi Shirato's films?

As of October 28, 2026, none of Takeshi Shirato's 4 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Takeshi Shirato's titles on MovieCove; rent and buy are not counted.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Space Battleship Yamato Resurrection(2009)

  Director

  Midcredits score: 61st percentile of all films61^st
• 

  Lupin III: Farewell to Nostradamus(1995)

  Director

  Midcredits score: 78th percentile of all films78^th
• 

  Odin: Photon Space Sailer Starlight(1985)

  Director

  Midcredits score: 19th percentile of all films19^th
• 

  Final Yamato(1983)

  Director

  Midcredits score: 72nd percentile of all films72^nd

Career shape

Across a limited sample of 4 MovieCove titles from 1983 to 2009.

Biggest box office

Space Battleship Yamato Resurrection (2009)

$4.3M worldwide

Highest rated

Lupin III: Farewell to Nostradamus (1995)

Midcredits 78^th

How do Takeshi Shirato's films land?

Their typical MovieCove film has a Midcredits score in the 67^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 71^st percentile for acclaim.

Shape of the crowd

2 of their 4 titles are Cult Classics.

211

• Cult Classic2
• Crowd Pleaser1
• Mixed1

Most divisive · director

Final Yamato (1983)

78^th percentile spread · 19% rated it 4 or lower

Most loved · director

Lupin III: Farewell to Nostradamus (1995)

Midcredits 78^th · 67% liked

Reviewers score the atmosphere 60/100 and the pacing 37/100 in their films, across 3 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Takeshi Shirato work with?

People who share at least 2 of Takeshi Shirato's MovieCove titles, grouped by what they did on them; Yoshinobu Nishizaki shares the most, 3.