Eiichi Yamamoto

What are Eiichi Yamamoto's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Survival and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Eiichi Yamamoto's films?

As of October 28, 2026, none of Eiichi Yamamoto's 6 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Eiichi Yamamoto's titles on MovieCove; rent and buy are not counted.

Filmography

6 credits, 6 with a MovieCove page.

• 

  Odin: Photon Space Sailer Starlight(1985)

  Director · Writer

  Midcredits score: 19th percentile of all films19^th
• 

  Final Yamato(1983)

  Producer · Writer

  Midcredits score: 72nd percentile of all films72^nd
• 

  Space Battleship Yamato(1977)

  Writer

  Midcredits score: 75th percentile of all films75^th
• 

  Belladonna of Sadness(1973)

  Director · Writer

  Midcredits score: 88th percentile of all films88^th
• 

  Cleopatra(1970)

  Director

  Midcredits score: 41st percentile of all films41^st
• 

  A Thousand & One Nights(1969)

  Director

  Midcredits score: 60th percentile of all films60^th

Career shape

Across their 6 MovieCove titles from 1969 to 1985.

Biggest box office

A Thousand & One Nights (1969)

$806K worldwide

Highest rated

Belladonna of Sadness (1973)

Midcredits 88^th

Most popular right now

A Thousand & One Nights (1969)

How do Eiichi Yamamoto's films land?

Their typical MovieCove film has a Midcredits score in the 66^th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 70^th percentile for acclaim.

Shape of the crowd

3 of their 6 titles are Crowd Pleasers.

132

• Cult Classic1
• Crowd Pleaser3
• Mixed2

Most divisive · writer, producer

Final Yamato (1983)

78^th percentile spread · 19% rated it 4 or lower

Most loved · director, writer

Belladonna of Sadness (1973)

Midcredits 88^th · 75% liked

Reviewers score the atmosphere 67/100 and the pacing 30/100 in their films, across 6 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Eiichi Yamamoto's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Eiichi Yamamoto work with?

People who share at least 2 of Eiichi Yamamoto's MovieCove titles, grouped by what they did on them; Toshio Masuda shares the most, 3.