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María Luisa Soriano

Editor

Works as
Editor
Titles
10 on MovieCove · 43 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Up 2% in 30 days

What are María Luisa Soriano's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Survival and Power.

Genres

Adventure3 titlesTypical Midcredits score: 8th percentile
: browse their Adventure movies
Drama2 titlesTypical Midcredits score: 33rd percentile, at or above their average across these genres
: browse their Drama movies
Horror2 titlesTypical Midcredits score: 13th percentile
: browse their Horror movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Survival
45%
Power
13%
Morality
13%
Bonds
11%
Self
10%
Ideas
4%
Society
3%
Survival4 titles, browse their movies with this themeViolence2 titles, browse their movies with this themeJustice2 titles, browse their movies with this themeFriendship2 titles, browse their movies with this theme

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category
Wry: How sincerely it treats its story and characters, from ironic to earnest. Browse their wry movies.
Tone · Sincerity
ironicearnest

A split, not a type: Ironic 2 · Wry 1 · Earnest 5

Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 4 · Serious 1 · Dark 3

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 1 · Stylized 4 · Heightened 3

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 4 · Charged 2 · Intense 2

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 4 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 2 · Some laughs 3 · Funny 3

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 5 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 7 · Engaged 0 · Full focus 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 6 · Open-ended 1 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Absurd
5
Tense
5
Thrilling
4
Dread
2
Melancholic
2
Other
1

How their films linger

Fun6 titles, browse their movies with this aftertasteFeel-good4 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertaste

How their films end · 4 with a twist

  • Happy5
  • Bittersweet2
  • Tragic1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch María Luisa Soriano's films?

As of October 24, 2026, 8 of their 10 MovieCove titles stream on a subscription or free service, most on Tubi (7).

Also on these channels

Subscription and free streaming for María Luisa Soriano's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

43 credits, 10 with a MovieCove page.

  • Los invitados (not in the MovieCove catalog yet)(1987)

    Editor

  • Pájaros de ciudad (not in the MovieCove catalog yet)(1983)

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  • Las chicas del bingo (not in the MovieCove catalog yet)(1982)

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  • Zombie Lake(1981)

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    Midcredits score: 1st percentile of all films

  • Beyond Terror (not in the MovieCove catalog yet)(1980)

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  • Paco the Infallible (not in the MovieCove catalog yet)(1979)

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  • Una mujer y un cobarde (not in the MovieCove catalog yet)(1979)

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  • Where Time Began(1977)

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    Midcredits score: 16th percentile of all films

  • Three Days in November (not in the MovieCove catalog yet)(1977)

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  • Amor casi... libre (not in the MovieCove catalog yet)(1976)

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  • El in... moral (not in the MovieCove catalog yet)(1976)

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  • Make Crazy... Not War (not in the MovieCove catalog yet)(1976)

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  • The Case of Cabaret (not in the MovieCove catalog yet)(1975)

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  • The Mummy's Revenge (not in the MovieCove catalog yet)(1975)

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  • School of Death (not in the MovieCove catalog yet)(1975)

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  • All the Screams of Silence (not in the MovieCove catalog yet)(1975)

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  • If You Shoot… You Live! (not in the MovieCove catalog yet)(1975)

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  • Naked Weekend (not in the MovieCove catalog yet)(1974)

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  • The Godfather and His Goddaughters (not in the MovieCove catalog yet)(1974)

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  • El último proceso en París (not in the MovieCove catalog yet)(1974)

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  • Curse of the Devil(1973)

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    Midcredits score: 25th percentile of all films

  • The Specter of Terror (not in the MovieCove catalog yet)(1973)

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  • Pisito de solteras (not in the MovieCove catalog yet)(1973)

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  • Dracula, Prisoner of Frankenstein (not in the MovieCove catalog yet)(1972)

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  • The Corpse Packs His Bags (not in the MovieCove catalog yet)(1972)

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  • Vampyros Lesbos(1971)

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    Midcredits score: 32nd percentile of all films

  • Préstame quince días (not in the MovieCove catalog yet)(1971)

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  • Marta (not in the MovieCove catalog yet)(1971)

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  • Necrophagous (not in the MovieCove catalog yet)(1971)

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  • Los hombres las prefieren viudas (not in the MovieCove catalog yet)(1970)

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  • Prana (not in the MovieCove catalog yet)(1970)

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  • Arizona Colt, Hired Gun(1970)

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    Midcredits score: 36th percentile of all films

  • Count Dracula(1970)

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    Midcredits score: 30th percentile of all films

  • S.O.S Invasion (not in the MovieCove catalog yet)(1969)

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  • Monegros (not in the MovieCove catalog yet)(1969)

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  • Kiss Me Monster(1969)

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    Midcredits score: 8th percentile of all films

  • Two Undercover Angels(1969)

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    Midcredits score: 19th percentile of all films

  • The Castle of Fu Manchu(1969)

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    Midcredits score: 1st percentile of all films

  • Kill Them All and Come Back Alone(1968)

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    Midcredits score: 51st percentile of all films

  • Residence for Spies (not in the MovieCove catalog yet)(1968)

    Assistant Editor

  • Los celos y el duende (not in the MovieCove catalog yet)(1967)

    Assistant Editor

  • A Gangster From Brooklyn (not in the MovieCove catalog yet)(1966)

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  • Left Handed Johnny West (not in the MovieCove catalog yet)(1965)

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Career shape

A full career of 40 titles from 1965 to 1987.

Highest rated

Count Dracula (1970)

Midcredits 30th

By role

only this rolewith another role
Editing38 of 40: 38 only editing, 0 with another role · typical Midcredits score19thOther crew2 of 40: 2 only other crew, 0 with another role

By decade

1960s9 · crew1970s26 · crew1980s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do María Luisa Soriano's films land?

Their typical MovieCove film has a Midcredits score in the 22nd percentile, the median of all 10; across their 8 films with reception data, the typical film sits in the 26th percentile for acclaim.

Acclaim · how much people like their films

26thpercentile
Typical film, the median of 8

Approval · how many liked their films

12thpercentile
Typical film, the median of 8

Reach · how many have seen their films

61stpercentile
Typical film, the median of 8

Midcredits score across 10 titles, by percentile

  • 50th to 74th1
  • 25th to 49th4
  • Below 25th5

Shape of the crowd

6 of their 10 titles are Mixed.

  • Universally Panned1
  • Broadly Agreed3
  • Mixed6

Most divisive · editor

Zombie Lake (1981)

63rd percentile spread · 74% rated it 4 or lower

Most loved · editor

Kill Them All and Come Back Alone (1968)

Midcredits 51st · 44% liked

Reviewers score the pacing 36/100 in their films, across 8 reviewed titles; fans 46, detractors 26. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does María Luisa Soriano work with?

People who share at least 2 of María Luisa Soriano's MovieCove titles, grouped by what they did on them; Jesús Franco shares the most, 5.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers