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Jim Sotos

Director and producer

Works as
Director and producer
Titles
4 on MovieCove · 6 credits in all
TMDB popularity, last 38 days to Oct 27Down 24% in 30 days

What are Jim Sotos' films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Themes

share of theme weight
Self
43%
Bonds
24%
Society
24%
Survival
9%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 1 · Dark 1

Grounded 4 · Stylized 0 · Heightened 0

Gentle 2 · Charged 2 · Intense 0

Steady 1 · Shifting 2 · Whiplash 1

Straight-faced 1 · Some laughs 2 · Funny 1

Slow burn 2 · Even-paced 2 · Relentless 0

Casual 2 · Engaged 2 · Full focus 0

Resolved 3 · Open-ended 1 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Absurd
3
Tense
2
Joyful
1
Warm
1
Dread
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jim Sotos' films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Jim Sotos' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 4 with a MovieCove page.

  • Beverly Hills Brats(1989)

    Director

    Midcredits score: 2nd percentile of all films
  • Hot Moves(1984)

    Director · Producer

    Midcredits score: 20th percentile of all films
  • Sweet Sixteen(1982)

    Director · Producer

    Midcredits score: 13th percentile of all films
  • Texas Lightning(1981)

    Producer

    Midcredits score: 4th percentile of all films
  • The Super Weapon (not in the MovieCove catalog yet)(1976)

    Director

  • Forced Entry (not in the MovieCove catalog yet)(1975)

    Director · Producer

Career shape

A full career of 5 titles from 1975 to 1989.

By role

only this rolewith another role
Directing5 of 5: 2 only directing, 3 with another roleProducing3 of 5: 0 only producing, 3 with another role

5 titles, 3 with more than one role — directing and producing overlap on 3 of them.

By decade

1970s2 · crew1980s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Jim Sotos' films land?

Their typical MovieCove film has a Midcredits score in the 9th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 12th percentile for acclaim.

Acclaim · how much people like their films

12thpercentile
Typical film, the median of 4

Approval · how many liked their films

10thpercentile
Typical film, the median of 4

Reach · how many have seen their films

40thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • Below 25th4

Reviewers score the atmosphere 48/100 and the pacing 35/100 in their films, across 4 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Jim Sotos work with?

People who share at least 2 of Jim Sotos' MovieCove titles, grouped by what they did on them; Drake Silliman shares the most, 3.

Composers and editors

Producers