- Director and producer
- 4 on MovieCove · 6 credits in all
What are Jim Sotos' films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 3
A split, not a type: Light 2 · Serious 1 · Dark 1
Grounded 4 · Stylized 0 · Heightened 0
Gentle 2 · Charged 2 · Intense 0
Steady 1 · Shifting 2 · Whiplash 1
Straight-faced 1 · Some laughs 2 · Funny 1
Slow burn 2 · Even-paced 2 · Relentless 0
Casual 2 · Engaged 2 · Full focus 0
Easy watch 1 · Affecting 2 · Heavy 1
Resolved 3 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Jim Sotos' films?
As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Jim Sotos' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
6 credits, 4 with a MovieCove page.

Beverly Hills Brats(1989)
Midcredits score: 2nd percentile of all films
Hot Moves(1984)
Midcredits score: 20th percentile of all films
Sweet Sixteen(1982)
Midcredits score: 13th percentile of all films
Texas Lightning(1981)
Midcredits score: 4th percentile of all films
The Super Weapon (not in the MovieCove catalog yet)(1976)

Forced Entry (not in the MovieCove catalog yet)(1975)
Career shape
A full career of 5 titles from 1975 to 1989.
How do Jim Sotos' films land?
Their typical MovieCove film has a Midcredits score in the 9th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 12th percentile for acclaim.
- Below 25th4
Shape of the crowd
2 of their 4 titles are Mixed.
- Universally Panned1
- Broadly Agreed1
- Mixed2
Reviewers score the atmosphere 48/100 and the pacing 35/100 in their films, across 4 reviewed titles. The element that speaks to their work as a director.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Jim Sotos work with?
People who share at least 2 of Jim Sotos' MovieCove titles, grouped by what they did on them; Drake Silliman shares the most, 3.
Composers and editors
- Drake SillimanShared titles: Hot Moves (1984), Sweet Sixteen (1982), Texas Lightning (1981)See all 3 shared titles with Drake Silliman
- Tommy VigShared titles: Sweet Sixteen (1982), Texas Lightning (1981)See all 2 shared titles with Tommy Vig
Producers
- Martin PerfitShared titles: Hot Moves (1984), Sweet Sixteen (1982)See all 2 shared titles with Martin Perfit
- Sandy CharlesShared titles: Sweet Sixteen (1982), Texas Lightning (1981)See all 2 shared titles with Sandy Charles