Tommy Vig
- Composer
- 4 on MovieCove
What are Tommy Vig's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Morality.
Themes
What they feel like to watch
A split, not a type: Ironic 1 · Wry 1 · Earnest 2
A split, not a type: Light 2 · Serious 1 · Dark 1
Grounded 3 · Stylized 1 · Heightened 0
Gentle 2 · Charged 2 · Intense 0
A split, not a type: Steady 2 · Shifting 1 · Whiplash 1
Straight-faced 1 · Some laughs 2 · Funny 1
Slow burn 3 · Even-paced 1 · Relentless 0
Casual 3 · Engaged 1 · Full focus 0
Easy watch 2 · Affecting 1 · Heavy 1
Resolved 4 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Tommy Vig's films?
As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Tommy Vig's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
4 credits, 4 with a MovieCove page.
Sweet Sixteen(1982)
Midcredits score: 13th percentile of all films
Midcredits score: 30th percentile of all films
They Call Me Bruce(1982)
Midcredits score: 29th percentile of all films
Texas Lightning(1981)
Midcredits score: 4th percentile of all films
Career shape
Across a limited sample of 4 MovieCove titles from 1981 to 1982.
Counts over their MovieCove titles; a title counts in every role they held on it.
How do Tommy Vig's films land?
Their typical MovieCove film has a Midcredits score in the 21st percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 24th percentile for acclaim.
- 25th to 49th2
- Below 25th2
Shape of the crowd
3 of their 4 titles are Mixed.
- Broadly Agreed1
- Mixed3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Tommy Vig work with?
People who share at least 2 of Tommy Vig's MovieCove titles, grouped by what they did on them; Drake Silliman shares the most, 2.
Cinematographers and editors
- Drake SillimanShared titles: Sweet Sixteen (1982), Texas Lightning (1981)See all 2 shared titles with Drake Silliman
- Gary GraverShared titles: The Kid with the Broken Halo (1982), Texas Lightning (1981)See all 2 shared titles with Gary Graver
Producers
- Jim SotosShared titles: Sweet Sixteen (1982), Texas Lightning (1981)See all 2 shared titles with Jim Sotos
- Sandy CharlesShared titles: Sweet Sixteen (1982), Texas Lightning (1981)See all 2 shared titles with Sandy Charles