Charles Spaak

What are Charles Spaak's films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Charles Spaak's films?

As of October 24, 2026, 1 of their 12 MovieCove titles stream on a subscription or free service, on The Criterion Channel (1).

• The Criterion Channel1 title, browse their movies on this service
  • Stormy Waters (1941) · writer

Subscription and free streaming for Charles Spaak's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 12 with a MovieCove page.

• 

  War Goddess(1973)

  Writer

  Midcredits score: 14th percentile of all films14^th
• 

  Cartouche(1962)

  Writer

  Midcredits score: 61st percentile of all films61^st
• 

  The Elusive Corporal(1962)

  Writer

  Midcredits score: 77th percentile of all films77^th
• 

  Two Are Guilty(1962)

  Writer

  Midcredits score: 76th percentile of all films76^th
• 

  Love and the Frenchwoman(1960)

  Writer

  Midcredits score: 34th percentile of all films34^th
• 

  Adorable Sinner(1959)

  Writer

  Midcredits score: 39th percentile of all films39^th
• 

  The Seven Deadly Sins(1952)

  Writer

  Midcredits score: 50th percentile of all films50^th
• 

  We Are All Murderers(1952)

  Writer

  Midcredits score: 79th percentile of all films79^th
• 

  Man to Men(1948)

  Writer

  Midcredits score: 24th percentile of all films (provisional, few ratings)~24^th
• 

  Stormy Waters(1941)

  Writer

  Midcredits score: 85th percentile of all films85^th
• 

  Hatred(1938)

  Writer

  Midcredits score: 82nd percentile of all films82^nd
• 

  Grand Illusion(1937)

  Writer

  Midcredits score: 97th percentile of all films97^th

Career shape

Across their 12 MovieCove titles from 1937 to 1973.

Biggest box office

Grand Illusion (1937)

$24K worldwide

Highest rated

Grand Illusion (1937)

Midcredits 97^th

How do Charles Spaak's films land?

Their typical MovieCove film has a Midcredits score in the 69^th percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 68^th percentile for acclaim.

Shape of the crowd

7 of their 12 titles are Crowd Pleasers.

73

• Universally Loved1
• Crowd Pleaser7
• Broadly Agreed3
• Mixed1

Most divisive · writer

War Goddess (1973)

73^rd percentile spread · 39% rated it 4 or lower

Most loved · writer

Grand Illusion (1937)

Midcredits 97^th · 85% liked

Reviewers score the dialogue 60/100 and the plot and story 51/100 in their films, across 11 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Charles Spaak work with?

People who share at least 2 of Charles Spaak's MovieCove titles, grouped by what they did on them; Joseph Kosma shares the most, 5.