
Sophie Stewart
Actor · Died June 6, 1977, aged 72 · Crieff, Perthshire, Scotland, UK
Sophie Stewart was born on 5 March 1905 in Crieff, Perthshire, Scotland, UK. She was an actress, known for The Inheritance (1947), Devil Girl from Mars (1954) and Marigold (1938). She was married to Ellis Irving. She died on 6 June 1977 in Cupar, Fife, Scotland, UK.
Biography from IMDb.
- March 5, 1905
- June 6, 1977 (aged 72)
- Crieff, Perthshire, Scotland, UK
- Actor
- 8 on MovieCove · 23 credits in all
What are Sophie Stewart's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Morality and Power.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 7
A split, not a type: Light 4 · Serious 2 · Dark 2
Grounded 4 · Stylized 4 · Heightened 0
Gentle 3 · Charged 3 · Intense 2
Steady 4 · Shifting 4 · Whiplash 0
Straight-faced 4 · Some laughs 4 · Funny 0
Slow burn 6 · Even-paced 2 · Relentless 0
Casual 3 · Engaged 5 · Full focus 0
Easy watch 5 · Affecting 2 · Heavy 1
Resolved 5 · Open-ended 2 · Ambiguous 1
Roles they play
- Allyas Celia in As You Like It (1936)
Moods and endings
- Happy3
- Bittersweet3
- Tragic1
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Sophie Stewart's films?
As of October 24, 2026, 6 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Sophie Stewart's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
23 credits, 8 with a MovieCove page.
Toff and Fingers (not in the MovieCove catalog yet)(1960)
Armchair Mystery Theatre (not in the MovieCove catalog yet)(1960)

No Time for Tears (not in the MovieCove catalog yet)(1957)

Battle Hell(1957)
Midcredits score: 79th percentile of all films
Theatre Night (not in the MovieCove catalog yet)(1957)

Devil Girl from Mars(1954)
Midcredits score: 13th percentile of all films
Made in Heaven (not in the MovieCove catalog yet)(1952)

Uncle Silas (not in the MovieCove catalog yet)(1947)

Strawberry Roan (not in the MovieCove catalog yet)(1944)

The Lamp Still Burns (not in the MovieCove catalog yet)(1943)

My Son, My Son! (not in the MovieCove catalog yet)(1940)

Nurse Edith Cavell(1939)
Midcredits score: 61st percentile of all films
Marigold (not in the MovieCove catalog yet)(1938)

Who Goes Next? (not in the MovieCove catalog yet)(1938)
Midcredits score: 17th percentile of all films
Under the Red Robe (not in the MovieCove catalog yet)(1937)

As You Like It(1936)
Midcredits score: 37th percentile of all films
Midcredits score: 76th percentile of all films
Things to Come(1936)
Midcredits score: 66th percentile of all films
Her Last Affaire(1935)
Midcredits score: 33rd percentile of all films
Maria Marten, or The Murder in the Red Barn (not in the MovieCove catalog yet)(1935)
City of Beautiful Nonsense (not in the MovieCove catalog yet)(1935)

Lord Edgware Dies (not in the MovieCove catalog yet)(1934)
Career shape
Star power in the 65th percentile of 239,109 people with a billed film role, over a full career of 23 titles from 1934 to 1960.
Film career
- 1936Screen debut· Things to Come
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Sophie Stewart's films land?
Their typical MovieCove film has a Midcredits score in the 49th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 57th percentile for acclaim.
- 75th and up2
- 50th to 74th2
- 25th to 49th2
- Below 25th2
Shape of the crowd
None of their 8 titles divides audiences: 4 are Crowd Pleasers.
- Crowd Pleaser4
- Broadly Agreed2
- Mixed2
Reviewers score the acting 58/100 in their films, across 8 reviewed titles; fans 70, detractors 34. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Sophie Stewart work with?
People who share at least 2 of Sophie Stewart's MovieCove titles, grouped by what they did on them; John Laurie shares the most, 3.
Writers
- Lajos BiróShared titles: The Return of the Scarlet Pimpernel (1937), The Man Who Could Work Miracles (1936)See all 2 shared titles with Lajos Biró

- H.G. WellsShared titles: The Man Who Could Work Miracles (1936), Things to Come (1936)See all 2 shared titles with H.G. Wells

Actors
- John LaurieShared titles: Devil Girl from Mars (1954), As You Like It (1936), Her Last Affaire (1935)See all 3 shared titles with John Laurie

- Margaretta ScottShared titles: The Return of the Scarlet Pimpernel (1937), Things to Come (1936)See all 2 shared titles with Margaretta Scott

- Edward ChapmanShared titles: The Man Who Could Work Miracles (1936), Things to Come (1936)See all 2 shared titles with Edward Chapman

- Felix AylmerShared titles: As You Like It (1936), Her Last Affaire (1935)See all 2 shared titles with Felix Aylmer

Cinematographers and editors
- William HornbeckShared titles: The Return of the Scarlet Pimpernel (1937), The Man Who Could Work Miracles (1936), Things to Come (1936)See all 3 shared titles with William Hornbeck
- Philip CharlotShared titles: The Return of the Scarlet Pimpernel (1937), The Man Who Could Work Miracles (1936)See all 2 shared titles with Philip Charlot
- Harold RossonShared titles: As You Like It (1936), The Man Who Could Work Miracles (1936)See all 2 shared titles with Harold Rosson

Producers
- Alexander KordaShared titles: The Return of the Scarlet Pimpernel (1937), The Man Who Could Work Miracles (1936), Things to Come (1936)See all 3 shared titles with Alexander Korda

- Herbert WilcoxShared titles: Battle Hell (1957), Nurse Edith Cavell (1939)See all 2 shared titles with Herbert Wilcox





