André Tabet
- Writer
- 8 on MovieCove
What are André Tabet's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Morality and Power.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 6
Light 6 · Serious 0 · Dark 2
Grounded 2 · Stylized 6 · Heightened 0
A split, not a type: Gentle 5 · Charged 1 · Intense 2
A split, not a type: Steady 4 · Shifting 3 · Whiplash 1
Straight-faced 2 · Some laughs 1 · Funny 5
Slow burn 3 · Even-paced 5 · Relentless 0
Casual 6 · Engaged 2 · Full focus 0
Easy watch 6 · Affecting 1 · Heavy 1
Resolved 8 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy4
- Bittersweet1
- Tragic2
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch André Tabet's films?
As of October 24, 2026, 2 of their 8 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for André Tabet's titles on MovieCove; rent and buy are not counted.
Filmography
8 credits, 8 with a MovieCove page.
The Oldest Profession(1967)
Midcredits score: 25th percentile of all films
Midcredits score: 97th percentile of all films
The Secret Killer(1965)
Midcredits score: 62nd percentile of all films
The Sucker(1965)
Midcredits score: 92nd percentile of all films
The Ravishing Idiot(1964)
Midcredits score: 28th percentile of all films
Witness in the City(1959)
Midcredits score: 79th percentile of all films
La ironía del dinero(1957)
Midcredits score: 37th percentile of all films
Midcredits score: 40th percentile of all films
Career shape
Across their 8 MovieCove titles from 1954 to 1967.
How do André Tabet's films land?
Their typical MovieCove film has a Midcredits score in the 51st percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 57th percentile for acclaim.
- 75th and up3
- 50th to 74th1
- 25th to 49th4
Shape of the crowd
None of their 8 titles divides audiences: 3 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser3
- Broadly Agreed1
- Mixed3
Reviewers score the dialogue 53/100 and the plot and story 44/100 in their films, across 7 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does André Tabet work with?
People who share at least 2 of André Tabet's MovieCove titles, grouped by what they did on them; Georges Tabet shares the most, 6.
Directors
- Gérard OuryShared titles: Don't Look Now... We're Being Shot At! (1966), The Sucker (1965), Witness in the City (1959)See all 3 shared titles with Gérard Oury
- Édouard MolinaroShared titles: The Ravishing Idiot (1964), Witness in the City (1959)See all 2 shared titles with Édouard Molinaro
Writers
- Georges TabetShared titles: The Oldest Profession (1967), Don't Look Now... We're Being Shot At! (1966), The Secret Killer (1965), The Sucker (1965), The Ravishing Idiot (1964), Witness in the City (1959)See all 6 shared titles with Georges Tabet
- Marcel JullianShared titles: Don't Look Now... We're Being Shot At! (1966), The Sucker (1965)See all 2 shared titles with Marcel Jullian
Actors
- BourvilShared titles: Don't Look Now... We're Being Shot At! (1966), The Sucker (1965)See all 2 shared titles with Bourvil
- Louis de FunèsShared titles: Don't Look Now... We're Being Shot At! (1966), The Sucker (1965)See all 2 shared titles with Louis de Funès
- Jacques MonodShared titles: The Ravishing Idiot (1964), Witness in the City (1959)See all 2 shared titles with Jacques Monod
- Henri VilbertShared titles: La ironía del dinero (1957), Ali Baba and the Forty Thieves (1954)See all 2 shared titles with Henri Vilbert
Composers and editors
- Monique IsnardonShared titles: The Ravishing Idiot (1964), Witness in the City (1959), La ironía del dinero (1957)See all 3 shared titles with Monique Isnardon
- Robert IsnardonShared titles: The Ravishing Idiot (1964), Witness in the City (1959), La ironía del dinero (1957)See all 3 shared titles with Robert Isnardon
- Michel LegrandShared titles: The Oldest Profession (1967), The Ravishing Idiot (1964)See all 2 shared titles with Michel Legrand
- Albert JurgensonShared titles: Don't Look Now... We're Being Shot At! (1966), The Sucker (1965)See all 2 shared titles with Albert Jurgenson
Producers
- Robert DorfmannShared titles: Don't Look Now... We're Being Shot At! (1966), The Sucker (1965)See all 2 shared titles with Robert Dorfmann
