Stuart Thompson
- Cinematographer
- 8 on MovieCove · 18 credits in all
What are Stuart Thompson's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 6
Light 7 · Serious 0 · Dark 0
Grounded 6 · Stylized 1 · Heightened 0
Gentle 7 · Charged 0 · Intense 0
Steady 6 · Shifting 1 · Whiplash 0
Straight-faced 0 · Some laughs 0 · Funny 7
Slow burn 1 · Even-paced 6 · Relentless 0
Casual 7 · Engaged 0 · Full focus 0
Easy watch 7 · Affecting 0 · Heavy 0
Resolved 7 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy7
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Stuart Thompson's films?
As of October 24, 2026, 1 of their 8 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Stuart Thompson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
18 credits, 8 with a MovieCove page.
Calypso Joe (not in the MovieCove catalog yet)(1957)
Your Jeweler's Showcase (not in the MovieCove catalog yet)(1952)
At War with the Army(1950)
Midcredits score: 26th percentile of all films
Dear Wife(1949)
Midcredits score: 63rd percentile of all films
Samba-Mania (not in the MovieCove catalog yet)(1948)
Variety Girl(1947)
Midcredits score: 58th percentile of all films
Champagne for Two (not in the MovieCove catalog yet)(1947)
Sweet and Low (not in the MovieCove catalog yet)(1947)
Ladies' Man (not in the MovieCove catalog yet)(1947)
Cross My Heart (not in the MovieCove catalog yet)(1946)
Midcredits score: 65th percentile of all films
The Bride Wore Boots(1946)
Midcredits score: 42nd percentile of all films
The Little Witch (not in the MovieCove catalog yet)(1945)
Out of This World(1945)
Midcredits score: 51st percentile of all films
So Proudly We Hail!(1943)
Midcredits score: 82nd percentile of all films
Emergency Squad (not in the MovieCove catalog yet)(1940)
We're in the Movies, Now! (not in the MovieCove catalog yet)(1939)
Death of a Champion(1939)
Midcredits score: 72nd percentile of all films (provisional, few ratings)
Career shape
A full career of 16 titles from 1939 to 1957.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Stuart Thompson's films land?
Their typical MovieCove film has a Midcredits score in the 61st percentile, the median of all 8; across their 7 films with reception data, the typical film sits in the 60th percentile for acclaim.
- 75th and up1
- 50th to 74th5
- 25th to 49th2
Shape of the crowd
5 of their 8 titles are Mixed.
- Universally Loved1
- Crowd Pleaser2
- Mixed5
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Stuart Thompson work with?
People who share at least 2 of Stuart Thompson's MovieCove titles, grouped by what they did on them; Diana Lynn shares the most, 3.
Directors
- Hal WalkerShared titles: At War with the Army (1950), Out of This World (1945)See all 2 shared titles with Hal Walker
Actors
- Diana LynnShared titles: Our Hearts Were Growing Up (1946), The Bride Wore Boots (1946), Out of This World (1945)See all 3 shared titles with Diana Lynn
- Billy De WolfeShared titles: Dear Wife (1949), Our Hearts Were Growing Up (1946)See all 2 shared titles with Billy De Wolfe
- Joan CaulfieldShared titles: Dear Wife (1949), Variety Girl (1947)See all 2 shared titles with Joan Caulfield
- Barbara StanwyckShared titles: Variety Girl (1947), The Bride Wore Boots (1946)See all 2 shared titles with Barbara Stanwyck
Composers and editors
- Joseph J. LilleyShared titles: At War with the Army (1950), Variety Girl (1947)See all 2 shared titles with Joseph J. Lilley
- Archie MarshekShared titles: Dear Wife (1949), Death of a Champion (1939)See all 2 shared titles with Archie Marshek
- Victor YoungShared titles: Our Hearts Were Growing Up (1946), Death of a Champion (1939)See all 2 shared titles with Victor Young
Producers
- Daniel DareShared titles: Variety Girl (1947), Our Hearts Were Growing Up (1946)See all 2 shared titles with Daniel Dare