Daniel Dare
Producer · Died November 20, 1996, aged 91 · New York City, New York, USA
Danny Dare started as actor on the stage in New York in the 1920s and became dance director in 1929, his works include Sweet Adelaide and Crazy Quilt. He also wrote vaudeville sketches and produced them. Since 1935 he was working as choreographer in Hollywood, his best remembered work is Holiday Inn (1942). Since 1945 he was also producer.
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Biography from TMDB.
- March 20, 1905
- November 20, 1996 (aged 91)
- New York City, New York, USA
- Producer
- 10 on MovieCove · 19 credits in all
What are Daniel Dare's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 4
Light 5 · Serious 0 · Dark 0
Grounded 2 · Stylized 3 · Heightened 0
Gentle 4 · Charged 1 · Intense 0
Steady 3 · Shifting 2 · Whiplash 0
Straight-faced 0 · Some laughs 1 · Funny 4
Slow burn 1 · Even-paced 4 · Relentless 0
Casual 5 · Engaged 0 · Full focus 0
Easy watch 5 · Affecting 0 · Heavy 0
Resolved 5 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy5
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Daniel Dare's films?
As of October 24, 2026, 5 of their 10 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Daniel Dare's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
19 credits, 10 with a MovieCove page.
Road to Bali(1952)
Midcredits score: 62nd percentile of all films
Death Valley Days (not in the MovieCove catalog yet)(1952)
Isn't It Romantic(1948)
Midcredits score: 14th percentile of all films
Road to Rio (not in the MovieCove catalog yet)(1947)
Variety Girl(1947)
Midcredits score: 58th percentile of all films
My Favorite Brunette(1947)
Midcredits score: 72nd percentile of all films
Ladies' Man (not in the MovieCove catalog yet)(1947)
Midcredits score: 65th percentile of all films
Kitty (not in the MovieCove catalog yet)(1945)
Duffy's Tavern (not in the MovieCove catalog yet)(1945)
Bring on the Girls(1945)
Midcredits score: 39th percentile of all films
Up in Arms(1944)
Midcredits score: 52nd percentile of all films
Lady of Burlesque(1943)
Midcredits score: 48th percentile of all films
Panama Hattie(1942)
Midcredits score: 40th percentile of all films
Ziegfeld Girl(1941)
Midcredits score: 69th percentile of all films
The Main Event (not in the MovieCove catalog yet)(1938)
Over the Counter (not in the MovieCove catalog yet)(1932)
Such Men Are Dangerous (not in the MovieCove catalog yet)(1930)
Let's Go Places (not in the MovieCove catalog yet)(1930)
Career shape
A full career of 19 titles from 1930 to 1952.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Daniel Dare's films land?
Their typical MovieCove film has a Midcredits score in the 55th percentile, the median of all 10; across their 5 films with reception data, the typical film sits in the 59th percentile for acclaim.
- 50th to 74th6
- 25th to 49th3
- Below 25th1
Shape of the crowd
6 of their 10 titles are Crowd Pleasers.
- Crowd Pleaser6
- Mixed4
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Daniel Dare work with?
People who share at least 2 of Daniel Dare's MovieCove titles, grouped by what they did on them; Bob Hope shares the most, 3.
Actors
- Bob HopeShared titles: Road to Bali (1952), My Favorite Brunette (1947), Variety Girl (1947)See all 3 shared titles with Bob Hope
- Dorothy LamourShared titles: Road to Bali (1952), My Favorite Brunette (1947), Variety Girl (1947)See all 3 shared titles with Dorothy Lamour
- Bing CrosbyShared titles: Road to Bali (1952), Variety Girl (1947)See all 2 shared titles with Bing Crosby
- Billy De WolfeShared titles: Isn't It Romantic (1948), Our Hearts Were Growing Up (1946)See all 2 shared titles with Billy De Wolfe
Composers, cinematographers and editors
- Lionel LindonShared titles: Isn't It Romantic (1948), My Favorite Brunette (1947), Variety Girl (1947)See all 3 shared titles with Lionel Lindon
- Joseph J. LilleyShared titles: Road to Bali (1952), Variety Girl (1947)See all 2 shared titles with Joseph J. Lilley
- LeRoy StoneShared titles: Isn't It Romantic (1948), Variety Girl (1947)See all 2 shared titles with LeRoy Stone
- Stuart ThompsonShared titles: Variety Girl (1947), Our Hearts Were Growing Up (1946)See all 2 shared titles with Stuart Thompson