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MovieCove

William P. Thompson

Editor

Works as
Editor
Titles
15 on MovieCove · 29 credits in all

What are William P. Thompson's films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Morality and Power.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 14 films
ToneFeelDemandtheir average · filled zone: the category

Light 12 · Serious 1 · Dark 1

Grounded 6 · Stylized 8 · Heightened 0

Gentle 1 · Charged 9 · Intense 4

Steady 6 · Shifting 7 · Whiplash 1

Straight-faced 9 · Some laughs 5 · Funny 0

Slow burn 2 · Even-paced 6 · Relentless 6

Casual 8 · Engaged 5 · Full focus 1

Resolved 14 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
11
Thrilling
8
Hopeful
3
Joyful
2
Melancholic
2
Other
5

How their films end · 2 with a twist

  • Happy12
  • Bittersweet2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch William P. Thompson's films?

As of October 24, 2026, 10 of their 15 MovieCove titles stream on a subscription or free service, most on Tubi (8).

Subscription and free streaming for William P. Thompson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

29 credits, 15 with a MovieCove page.

  • Savage Splendor (not in the MovieCove catalog yet)(1949)

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  • Behind Your Radio Dial (not in the MovieCove catalog yet)(1949)

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  • Web of Danger (not in the MovieCove catalog yet)(1947)

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  • Spoilers of the North (not in the MovieCove catalog yet)(1947)

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  • Midcredits score: 30th percentile of all films (provisional, few ratings)
  • Rio Grande Raiders (not in the MovieCove catalog yet)(1946)

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  • Midcredits score: 39th percentile of all films
  • Red River Renegades (not in the MovieCove catalog yet)(1946)

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  • One Exciting Week (not in the MovieCove catalog yet)(1946)

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  • Valley of the Zombies (not in the MovieCove catalog yet)(1946)

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  • Crime of the Century (not in the MovieCove catalog yet)(1946)

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  • Drums of Fu Manchu (not in the MovieCove catalog yet)(1943)

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  • Valley of Hunted Men (not in the MovieCove catalog yet)(1942)

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  • Stagecoach Express (not in the MovieCove catalog yet)(1942)

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  • South of Santa Fe(1942)

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    Midcredits score: 24th percentile of all films
  • Man from Cheyenne(1942)

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    Midcredits score: 57th percentile of all films
  • The Sombrero Kid(1942)

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    Midcredits score: 10th percentile of all films (provisional, few ratings)
  • Red River Valley(1941)

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    Midcredits score: 54th percentile of all films
  • Midcredits score: 79th percentile of all films
  • Jungle Girl (not in the MovieCove catalog yet)(1941)

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  • Adventures of Captain Marvel (not in the MovieCove catalog yet)(1941)

    Show 12 episodes · Editor

  • Midcredits score: 72nd percentile of all films
  • Midcredits score: 74th percentile of all films
  • Drums of Fu Manchu(1940)

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    Midcredits score: 62nd percentile of all films
  • Midcredits score: 79th percentile of all films
  • Midcredits score: 71st percentile of all films
  • Roarin' Lead(1936)

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    Midcredits score: 37th percentile of all films
  • The People's Enemy(1935)

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    Midcredits score: 28th percentile of all films (provisional, few ratings)
  • Woman in the Dark(1934)

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    Midcredits score: 35th percentile of all films

Career shape

A full career of 25 titles from 1934 to 1949.

By role

only this rolewith another role
Editing25 of 25: 25 only editing, 0 with another role · typical Midcredits score54th

By decade

1930s3 · crew1940s22 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do William P. Thompson's films land?

Their typical MovieCove film has a Midcredits score in the 54th percentile, the median of all 15; across their 14 films with reception data, the typical film sits in the 49th percentile for acclaim.

Acclaim · how much people like their films

49thpercentile
Typical film, the median of 14

Approval · how many liked their films

39thpercentile
Typical film, the median of 14

Reach · how many have seen their films

18thpercentile
Typical film, the median of 14

Midcredits score across 15 titles, by percentile

  • 75th and up2
  • 50th to 74th6
  • 25th to 49th5
  • Below 25th2

Reviewers score the pacing 59/100 in their films, across 13 reviewed titles; fans 67, detractors 41. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does William P. Thompson work with?

People who share at least 2 of William P. Thompson's MovieCove titles, grouped by what they did on them; John English shares the most, 5.

Directors

Writers

Actors

Composers and editors

Producers