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Suzanne de Troeye

Editor · Died July 6, 1989, aged 81 · Vincennes, France

Suzanne de Troeye was born on 9 March 1908 in Vincennes, Val-de-Marne, France. She was an editor and assistant director, known for Toni (1935), Harvest (1937) and L'Homme de Londres (1943). She was married to Jean Wiener and Charles Moulin. She died on 6 July 1989 in Paris, France.

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Biography from TMDB.

Born
March 9, 1908
Died
July 6, 1989 (aged 81)
From
Vincennes, France
Works as
Editor
Titles
8 on MovieCove · 37 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 14% in 30 days

What are Suzanne de Troeye's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Comedy5 titlesTypical Midcredits score: 36th percentile
: browse their Comedy movies
Drama2 titlesTypical Midcredits score: 63rd percentile, at or above their average across these genres
: browse their Drama movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
34%
Morality
33%
Self
24%
Power
7%
Survival
3%
Romantic love4 titles, browse their movies with this themeDeception3 titles, browse their movies with this themeAmbition2 titles, browse their movies with this theme

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 6 · Serious 1 · Dark 1

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 6 · Stylized 2 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 5 · Charged 2 · Intense 1

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 6 · Shifting 2 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 3 · Some laughs 1 · Funny 4

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 4 · Even-paced 4 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 7 · Engaged 1 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 7 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Warm
5
Joyful
4
Romantic
3
Tense
2
Melancholic
2
Other
5

How their films linger

Feel-good5 titles, browse their movies with this aftertasteHopeful3 titles, browse their movies with this aftertasteFun3 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertaste

How their films end

  • Happy5
  • Bittersweet2
  • Tragic1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Suzanne de Troeye's films?

As of October 24, 2026, 4 of their 8 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (3).

Subscription and free streaming for Suzanne de Troeye's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

37 credits, 8 with a MovieCove page.

  • Highway Pick-Up (not in the MovieCove catalog yet)(1963)

    Editor

  • Hitch-Hike (not in the MovieCove catalog yet)(1962)

    Editor

  • Small Local Trains (not in the MovieCove catalog yet)(1960)

    Editor

  • Les affreux(1959)

    Editor

    Midcredits score: 15th percentile of all films (provisional, few ratings)

  • Be Beautiful But Shut Up(1958)

    Editor

    Midcredits score: 36th percentile of all films

  • Paris Music Hall (not in the MovieCove catalog yet)(1957)

    Editor

  • Plucking the Daisy(1956)

    Editor

    Midcredits score: 38th percentile of all films

  • School for Love(1955)

    Editor

    Midcredits score: 14th percentile of all films

  • Lady Chatterley's Lover(1955)

    Editor

    Midcredits score: 34th percentile of all films

  • Julietta (not in the MovieCove catalog yet)(1953)

    Editor

  • Unusual Tales (not in the MovieCove catalog yet)(1949)

    Editor

  • L'Homme Que Nous Aimons Le Plus (not in the MovieCove catalog yet)(1949)

    Editor

  • The Loves of Colette (not in the MovieCove catalog yet)(1948)

    Editor

  • L'Enquête du 58 (not in the MovieCove catalog yet)(1945)

    Editor

  • Father Goriot (not in the MovieCove catalog yet)(1945)

    Editor

  • The Liberation of Paris (not in the MovieCove catalog yet)(1944)

    Editor

  • First in Line (not in the MovieCove catalog yet)(1944)

    Editor

  • The London Man (not in the MovieCove catalog yet)(1943)

    Editor

  • Madame et le mort (not in the MovieCove catalog yet)(1943)

    Editor

  • Le Voyageur de la Toussaint (not in the MovieCove catalog yet)(1943)

    Editor

  • A Star to the Sun (not in the MovieCove catalog yet)(1943)

    Editor

  • Opéra-musette (not in the MovieCove catalog yet)(1942)

    Editor

  • Portrait of Innocence (not in the MovieCove catalog yet)(1941)

    Editor

  • The Human Beast(1938)

    Assistant Director · Editor

    Midcredits score: 92nd percentile of all films

  • The Baker's Wife (not in the MovieCove catalog yet)(1938)

    Editor

  • Heartbeat(1938)

    Editor

    Midcredits score: 88th percentile of all films

  • Harvest (not in the MovieCove catalog yet)(1937)

    Editor

  • César(1936)

    Editor

    Midcredits score: 92nd percentile of all films

  • Cigalon (not in the MovieCove catalog yet)(1935)

    Editor

  • Merlusse (not in the MovieCove catalog yet)(1935)

    Editor

  • Toni (not in the MovieCove catalog yet)(1935)

    Editor

  • Angele (not in the MovieCove catalog yet)(1934)

    Editor

  • Jofroi (not in the MovieCove catalog yet)(1934)

    Editor

  • Léopold le bien-aimé (not in the MovieCove catalog yet)(1934)

    Editor

  • Chotard and Co. (not in the MovieCove catalog yet)(1933)

    Editor

  • Mr Poirier's Son-in-Law (not in the MovieCove catalog yet)(1933)

    Editor

  • Boudu Saved from Drowning (not in the MovieCove catalog yet)(1932)

    Editor

Career shape

A full career of 35 titles from 1932 to 1963.

Biggest box office

César (1936)

$8.3K worldwide

Highest rated

César (1936)

Midcredits 92nd

Most popular right now

The Human Beast (1938)

By role

only this rolewith another role
Editing34 of 35: 34 only editing, 0 with another role · typical Midcredits score38thOther crew1 of 35: 1 only other crew, 0 with another role

By decade

1930s14 · crew1940s13 · crew1950s5 · crew1960s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Suzanne de Troeye's films land?

Their typical MovieCove film has a Midcredits score in the 37th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 45th percentile for acclaim.

Acclaim · how much people like their films

45thpercentile
Typical film, the median of 8

Approval · how many liked their films

30thpercentile
Typical film, the median of 8

Reach · how many have seen their films

41stpercentile
Typical film, the median of 8

Midcredits score across 8 titles, by percentile

  • 75th and up3
  • 25th to 49th3
  • Below 25th2

Shape of the crowd

3 of their 8 titles are Mixed.

  • Universally Loved1
  • Crowd Pleaser2
  • Broadly Agreed2
  • Mixed3

Most divisive · editor

Les affreux (1959)

63rd percentile spread · 37% rated it 4 or lower

Most loved · editor

César (1936)

Midcredits 92nd · 78% liked

Reviewers score the pacing 51/100 in their films, across 5 reviewed titles; fans 57, detractors 33. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Suzanne de Troeye work with?

People who share at least 2 of Suzanne de Troeye's MovieCove titles, grouped by what they did on them; Marc Allégret shares the most, 5.

Directors

Writers

Actors

Composers and cinematographers

Producers