Jean Wiener (or Wiéner) (19 March 1896, 14th arrondissement of Paris – 8 June 1982, Paris) was a French pianist and composer. Wiener was trained at the Conservatoire de Paris, where he studied alongside Darius Milhaud, and worked with Erik Satie. He then embarked on a career as concert impresario, composer and pianist. He was the house pianist at the Gaya bar, and later at Le Boeuf sur le Toit. In 1924, a chance encounter with Clement Doucet (who succeeded him at Le Boeuf) brought him into the world of popular music. Already a jazz enthusiast, Wiener found fame with Doucet in the music hall s of Europe as a piano duo, under the name "Wiener et Doucet" in which they performed classical music, hot dance and jazz. The two friends recorded many duos between 1925 and 1937. After the end of the war in 1945, Wiener devoted himself fully to composition, notably film music (working on more than 300), as well as the opening theme music for ORTF's film history program "History speechless" (History without words). He was of some significance in the promotion of new music, both by his friends in the Les Six (Milhaud, Poulenc, etc.), and by composers such as Schoenberg, Berg and Webern. His compositions involve the use of jazz informed by French wit and elegance. His daughter, Elizabeth Wiener, is an actress, singer and singer-songwriter. Jean Wiener published his memoirs in 1978 as Allegro Appassionato. Source: Article "Jean Wiener" from Wikipedia in English, licensed under CC-BY-SA 3.0.
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Biography from TMDB.
- March 19, 1896
- June 8, 1982 (aged 86)
- Paris, France
- Composer and actor
- 13 on MovieCove · 82 credits in all
What are Jean Wiener's films like?
Across their 12 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 10
A split, not a type: Light 7 · Serious 2 · Dark 3
A split, not a type: Grounded 6 · Stylized 4 · Heightened 2
A split, not a type: Gentle 7 · Charged 1 · Intense 4
Steady 8 · Shifting 4 · Whiplash 0
A split, not a type: Straight-faced 6 · Some laughs 3 · Funny 3
Slow burn 9 · Even-paced 3 · Relentless 0
Casual 8 · Engaged 2 · Full focus 2
Easy watch 7 · Affecting 2 · Heavy 3
Resolved 11 · Open-ended 0 · Ambiguous 1
Moods and endings
- Happy7
- Bittersweet2
- Tragic3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Jean Wiener's films?
As of October 24, 2026, 2 of their 13 MovieCove titles stream on a subscription or free service, on The Criterion Channel (2).
Subscription and free streaming for Jean Wiener's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
82 credits, 13 with a MovieCove page; 4 appearances as themselves are hidden until asked for.

L'Âge de Monsieur est avancé (not in the MovieCove catalog yet)(1987)

Le Crime d'amour (not in the MovieCove catalog yet)(1982)
Love Letters in Somalia (not in the MovieCove catalog yet)(1982)

Duelle (Une Quarantaine) (not in the MovieCove catalog yet)(1976)

The Little Theatre of Jean Renoir (not in the MovieCove catalog yet)(1974)

On the Lam (not in the MovieCove catalog yet)(1971)

The Wedding Ring (not in the MovieCove catalog yet)(1971)

The Demise of Father Mouret (not in the MovieCove catalog yet)(1970)

Les Ajoncs (not in the MovieCove catalog yet)(1970)

Dieu a choisi Paris(1969)
Midcredits score: 54th percentile of all films (provisional, few ratings)
A Gentle Woman (not in the MovieCove catalog yet)(1969)

Les deux coquines (not in the MovieCove catalog yet)(1969)
Midcredits score: 58th percentile of all films
Mouchette(1967)
Midcredits score: 94th percentile of all films
The Golem (not in the MovieCove catalog yet)(1967)
Les filous (not in the MovieCove catalog yet)(1967)

Au hasard Balthazar(1966)
Midcredits score: 94th percentile of all films
Merlusse (not in the MovieCove catalog yet)(1965)

Lady L(1965)
Midcredits score: 27th percentile of all films
Our Agent Tiger (not in the MovieCove catalog yet)(1965)

Quatrevingt-treize (not in the MovieCove catalog yet)(1962)

Pantalaskas (not in the MovieCove catalog yet)(1960)

Stop the Massacre (not in the MovieCove catalog yet)(1959)

The Female(1958)
Midcredits score: 27th percentile of all films
Be Beautiful But Shut Up(1958)
Midcredits score: 36th percentile of all films
Ni vu, ni connu(1958)
Midcredits score: 81st percentile of all films
Seventh Heaven (not in the MovieCove catalog yet)(1958)

La création du monde(1958)
Midcredits score: 77th percentile of all films
Lovers of Paris (not in the MovieCove catalog yet)(1957)

Notre Dame, cathédrale de Paris (not in the MovieCove catalog yet)(1957)

La Garçonne (not in the MovieCove catalog yet)(1957)

Les Lumières du soir (not in the MovieCove catalog yet)(1956)

Deadlier Than the Male(1956)
Midcredits score: 93rd percentile of all films
Rencontre à Varsovie (not in the MovieCove catalog yet)(1956)

School for Love(1955)
Midcredits score: 14th percentile of all films
Station 307 (not in the MovieCove catalog yet)(1955)

Touchez pas au grisbi(1954)
Midcredits score: 96th percentile of all films
The Count of Monte Cristo (not in the MovieCove catalog yet)(1954)

Dust of Life (not in the MovieCove catalog yet)(1953)

Je suis un mouchard (not in the MovieCove catalog yet)(1953)

Forgotten Stones (not in the MovieCove catalog yet)(1952)

Under the Paris Sky (not in the MovieCove catalog yet)(1951)

The Century Is Fifty (not in the MovieCove catalog yet)(1950)

Rendezvous in July(1949)
Midcredits score: 78th percentile of all films
The Perfume of the Lady in Black (not in the MovieCove catalog yet)(1949)

L'Escadron blanc (not in the MovieCove catalog yet)(1949)

The Mark of the Day (not in the MovieCove catalog yet)(1949)
Zanzabelle in Paris (not in the MovieCove catalog yet)(1949)

L'Homme Que Nous Aimons Le Plus (not in the MovieCove catalog yet)(1949)

Panic (not in the MovieCove catalog yet)(1947)

Back Streets of Paris (not in the MovieCove catalog yet)(1946)
Nous continuons la France (not in the MovieCove catalog yet)(1946)

The Lightning Rod Thief (not in the MovieCove catalog yet)(1944)

The Passengers of Ursa Major (not in the MovieCove catalog yet)(1943)

The Scarecrow (not in the MovieCove catalog yet)(1943)

Le Voyageur de la Toussaint (not in the MovieCove catalog yet)(1943)

The Heart of a Nation (not in the MovieCove catalog yet)(1943)

Cristobal's Gold (not in the MovieCove catalog yet)(1940)

The Last Turning (not in the MovieCove catalog yet)(1939)

Behind the Facade (not in the MovieCove catalog yet)(1939)

The Woman at the End of the World (not in the MovieCove catalog yet)(1938)

Le Messager de la lumière (not in the MovieCove catalog yet)(1938)

De man zonder hart (not in the MovieCove catalog yet)(1937)
Nights of Fire (not in the MovieCove catalog yet)(1937)

L'Homme sans cœur (not in the MovieCove catalog yet)(1937)

The Man of the Day (not in the MovieCove catalog yet)(1937)

The Lower Depths (not in the MovieCove catalog yet)(1936)
Quand minuit sonnera (not in the MovieCove catalog yet)(1936)

Klokslag twaalf (not in the MovieCove catalog yet)(1936)

The Tomboy (not in the MovieCove catalog yet)(1936)

The Crime of Monsieur Lange (not in the MovieCove catalog yet)(1936)

Le Voyage imprévu (not in the MovieCove catalog yet)(1935)

La Bandera (not in the MovieCove catalog yet)(1935)

Phénomènes électriques (not in the MovieCove catalog yet)(1935)

The Adventurer (not in the MovieCove catalog yet)(1934)

Maria Chapdelaine (not in the MovieCove catalog yet)(1934)

S. S. Tenacity (not in the MovieCove catalog yet)(1934)

Knock, ou le triomphe de la médecine (not in the MovieCove catalog yet)(1933)
Une vie perdue (not in the MovieCove catalog yet)(1933)

The Man with the Hispano (not in the MovieCove catalog yet)(1933)

The Crazy Ray (not in the MovieCove catalog yet)(1925)

The Woman from Nowhere (not in the MovieCove catalog yet)(1922)
Career shape
A full career of 81 titles from 1922 to 1987.

Biggest box office
The Female (1958)

Highest rated
Touchez pas au grisbi (1954)

Most popular right now
Au hasard Balthazar (1966)
Film career
- 1965Screen debut· Lady L
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Jean Wiener's films land?
Their typical MovieCove film has a Midcredits score in the 77th percentile, the median of all 13; across their 12 films with reception data, the typical film sits in the 78th percentile for acclaim.
- 75th and up7
- 50th to 74th2
- 25th to 49th3
- Below 25th1
Shape of the crowd
4 of their 13 titles are Universally Loved.
- Universally Loved4
- Cult Classic1
- Crowd Pleaser3
- Broadly Agreed1
- Mixed4
Reviewers score the sound and music 67/100 in their films, across 6 reviewed titles; fans 74, detractors 35. The element that speaks to their work as a composer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Jean Wiener work with?
People who share at least 2 of Jean Wiener's MovieCove titles, grouped by what they did on them; Ghislain Cloquet shares the most, 3.
Directors
- Robert BressonShared titles: Mouchette (1967), Au hasard Balthazar (1966)See all 2 shared titles with Robert Bresson

- Julien DuvivierShared titles: The Female (1958), Deadlier Than the Male (1956)See all 2 shared titles with Julien Duvivier

- Marc AllégretShared titles: Be Beautiful But Shut Up (1958), School for Love (1955)See all 2 shared titles with Marc Allégret

- Jacques BeckerShared titles: Touchez pas au grisbi (1954), Rendezvous in July (1949)See all 2 shared titles with Jacques Becker

Writers
- Jean MarsanShared titles: Be Beautiful But Shut Up (1958), Ni vu, ni connu (1958)See all 2 shared titles with Jean Marsan
- Roger VadimShared titles: Be Beautiful But Shut Up (1958), School for Love (1955)See all 2 shared titles with Roger Vadim

- Maurice GriffeShared titles: Touchez pas au grisbi (1954), Rendezvous in July (1949)See all 2 shared titles with Maurice Griffe

Actors
- Jean-Paul BelmondoShared titles: Dieu a choisi Paris (1969), Be Beautiful But Shut Up (1958)See all 2 shared titles with Jean-Paul Belmondo

- Jean-Claude GuilbertShared titles: Mouchette (1967), Au hasard Balthazar (1966)See all 2 shared titles with Jean-Claude Guilbert

- Anne ColletteShared titles: Be Beautiful But Shut Up (1958), School for Love (1955)See all 2 shared titles with Anne Collette

- Brigitte BardotShared titles: The Female (1958), School for Love (1955)See all 2 shared titles with Brigitte Bardot

Cinematographers and editors
- Ghislain CloquetShared titles: The Diary of an Innocent Boy (1968), Mouchette (1967), Au hasard Balthazar (1966)See all 3 shared titles with Ghislain Cloquet
- Raymond LamyShared titles: Mouchette (1967), Au hasard Balthazar (1966)See all 2 shared titles with Raymond Lamy
- Armand ThirardShared titles: Be Beautiful But Shut Up (1958), Deadlier Than the Male (1956)See all 2 shared titles with Armand Thirard

- Suzanne de TroeyeShared titles: Be Beautiful But Shut Up (1958), School for Love (1955)See all 2 shared titles with Suzanne de Troeye
Producers
- Mag BodardShared titles: The Diary of an Innocent Boy (1968), Mouchette (1967), Au hasard Balthazar (1966)See all 3 shared titles with Mag Bodard
- Pierre CabaudShared titles: The Female (1958), Deadlier Than the Male (1956)See all 2 shared titles with Pierre Cabaud
- René BezardShared titles: The Female (1958), Deadlier Than the Male (1956)See all 2 shared titles with René Bezard
- Cino Del DucaShared titles: School for Love (1955), Touchez pas au grisbi (1954)See all 2 shared titles with Cino Del Duca
Mixed roles
- Yves RobertShared titles: Ni vu, ni connu (1958), School for Love (1955)See all 2 shared titles with Yves Robert

