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What are Edmond Ténoudji's films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 14 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 3 · Serious 4 · Dark 7

Grounded 4 · Stylized 8 · Heightened 2

Gentle 2 · Charged 7 · Intense 5

Steady 3 · Shifting 9 · Whiplash 2

Straight-faced 6 · Some laughs 7 · Funny 1

Slow burn 5 · Even-paced 9 · Relentless 0

Casual 5 · Engaged 8 · Full focus 1

A split, not a type: Easy watch 2 · Affecting 5 · Heavy 7

Resolved 9 · Open-ended 3 · Ambiguous 2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Edmond Ténoudji's films?

As of October 24, 2026, 3 of their 14 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Edmond Ténoudji's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 14 with a MovieCove page.

  • Passion of Love(1981)

    Producer

    Midcredits score: 75th percentile of all films
  • The Specialists(1969)

    Producer

    Midcredits score: 51st percentile of all films
  • Midcredits score: 11th percentile of all films
  • The Game Is Over(1966)

    Producer

    Midcredits score: 36th percentile of all films
  • Le chant du monde(1965)

    Producer

    Midcredits score: 18th percentile of all films
  • The Ape Woman(1964)

    Producer

    Midcredits score: 89th percentile of all films
  • The Conjugal Bed(1963)

    Producer

    Midcredits score: 71st percentile of all films
  • Un soir sur la plage(1961)

    Producer

    Midcredits score: 19th percentile of all films (provisional, few ratings)
  • Midcredits score: 99th percentile of all films
  • Two Women(1960)

    Producer

    Midcredits score: 97th percentile of all films
  • Un amore a Roma(1960)

    Producer

    Midcredits score: 57th percentile of all films
  • Dangerous Liaisons(1959)

    Producer

    Midcredits score: 74th percentile of all films
  • This is Called Dawn(1956)

    Producer

    Midcredits score: 72nd percentile of all films
  • Une fille à croquer(1951)

    Producer

    Midcredits score: 16th percentile of all films (provisional, few ratings)

Career shape

Across their 14 MovieCove titles from 1951 to 1981.

By role

only this rolewith another role
Producing14 of 14: 14 only producing, 0 with another role · typical Midcredits score64th

By decade

1950s3 · crew1960s10 · crew1980s1 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Edmond Ténoudji's films land?

Their typical MovieCove film has a Midcredits score in the 64th percentile, the median of all 14; across their 14 films with reception data, the typical film sits in the 62nd percentile for acclaim.

Acclaim · how much people like their films

62ndpercentile
Typical film, the median of 14

Approval · how many liked their films

67thpercentile
Typical film, the median of 14

Reach · how many have seen their films

45thpercentile
Typical film, the median of 14

Midcredits score across 14 titles, by percentile

  • 75th and up4
  • 50th to 74th5
  • 25th to 49th1
  • Below 25th4

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Edmond Ténoudji work with?

People who share at least 2 of Edmond Ténoudji's MovieCove titles, grouped by what they did on them; Roger Vadim shares the most, 2.

Directors

Writers

Actors

Composers and editors

Producers

Mixed roles