Edmond Ténoudji
- Producer
- 14 on MovieCove
What are Edmond Ténoudji's films like?
Across their 14 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 2 · Earnest 11
A split, not a type: Light 3 · Serious 4 · Dark 7
Grounded 4 · Stylized 8 · Heightened 2
Gentle 2 · Charged 7 · Intense 5
Steady 3 · Shifting 9 · Whiplash 2
Straight-faced 6 · Some laughs 7 · Funny 1
Slow burn 5 · Even-paced 9 · Relentless 0
Casual 5 · Engaged 8 · Full focus 1
A split, not a type: Easy watch 2 · Affecting 5 · Heavy 7
Resolved 9 · Open-ended 3 · Ambiguous 2
Moods and endings
- Happy3
- Bittersweet5
- Tragic5
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Edmond Ténoudji's films?
As of October 24, 2026, 3 of their 14 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Edmond Ténoudji's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
14 credits, 14 with a MovieCove page.

Passion of Love(1981)
Midcredits score: 75th percentile of all films
The Specialists(1969)
Midcredits score: 51st percentile of all films
Il ladro della Gioconda(1966)
Midcredits score: 11th percentile of all films
The Game Is Over(1966)
Midcredits score: 36th percentile of all films
Le chant du monde(1965)
Midcredits score: 18th percentile of all films
The Ape Woman(1964)
Midcredits score: 89th percentile of all films
The Conjugal Bed(1963)
Midcredits score: 71st percentile of all films
Un soir sur la plage(1961)
Midcredits score: 19th percentile of all films (provisional, few ratings)
Rocco and His Brothers(1960)
Midcredits score: 99th percentile of all films
Two Women(1960)
Midcredits score: 97th percentile of all films
Un amore a Roma(1960)
Midcredits score: 57th percentile of all films
Dangerous Liaisons(1959)
Midcredits score: 74th percentile of all films
This is Called Dawn(1956)
Midcredits score: 72nd percentile of all films
Une fille à croquer(1951)
Midcredits score: 16th percentile of all films (provisional, few ratings)
Career shape
Across their 14 MovieCove titles from 1951 to 1981.
How do Edmond Ténoudji's films land?
Their typical MovieCove film has a Midcredits score in the 64th percentile, the median of all 14; across their 14 films with reception data, the typical film sits in the 62nd percentile for acclaim.
- 75th and up4
- 50th to 74th5
- 25th to 49th1
- Below 25th4
Shape of the crowd
6 of their 14 titles are Crowd Pleasers.
- Universally Loved2
- Crowd Pleaser6
- Broadly Agreed2
- Mixed4
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Edmond Ténoudji work with?
People who share at least 2 of Edmond Ténoudji's MovieCove titles, grouped by what they did on them; Roger Vadim shares the most, 2.
Directors
- Roger VadimShared titles: The Game Is Over (1966), Dangerous Liaisons (1959)See all 2 shared titles with Roger Vadim

- Marco FerreriShared titles: The Ape Woman (1964), The Conjugal Bed (1963)See all 2 shared titles with Marco Ferreri

Writers
- Rafael AzconaShared titles: The Ape Woman (1964), The Conjugal Bed (1963)See all 2 shared titles with Rafael Azcona

- Massimo FranciosaShared titles: The Conjugal Bed (1963), Rocco and His Brothers (1960)See all 2 shared titles with Massimo Franciosa

- Pasquale Festa CampanileShared titles: The Conjugal Bed (1963), Rocco and His Brothers (1960)See all 2 shared titles with Pasquale Festa Campanile

Actors
- Jean-Louis TrintignantShared titles: Passion of Love (1981), Dangerous Liaisons (1959)See all 2 shared titles with Jean-Louis Trintignant

- Serge MarquandShared titles: The Specialists (1969), Le chant du monde (1965)See all 2 shared titles with Serge Marquand

- Marina VladyShared titles: Il ladro della Gioconda (1966), The Conjugal Bed (1963)See all 2 shared titles with Marina Vlady

- Achille MajeroniShared titles: The Ape Woman (1964), The Conjugal Bed (1963)See all 2 shared titles with Achille Majeroni

Composers and editors
- Armando TrovajoliShared titles: Passion of Love (1981), Two Women (1960)See all 2 shared titles with Armando Trovajoli

- Carlo RustichelliShared titles: Il ladro della Gioconda (1966), Un amore a Roma (1960)See all 2 shared titles with Carlo Rustichelli

- Victoria MercantonShared titles: The Game Is Over (1966), Dangerous Liaisons (1959)See all 2 shared titles with Victoria Mercanton
- Mario SerandreiShared titles: The Ape Woman (1964), Rocco and His Brothers (1960)See all 2 shared titles with Mario Serandrei
Producers
- Ottavio PoggiShared titles: Il ladro della Gioconda (1966), Le chant du monde (1965)See all 2 shared titles with Ottavio Poggi
- Carlo PontiShared titles: The Ape Woman (1964), Two Women (1960)See all 2 shared titles with Carlo Ponti

Mixed roles
- Vittorio De SicaShared titles: Two Women (1960), Un amore a Roma (1960)See all 2 shared titles with Vittorio De Sica


