Vincent Valentini
- Writer
- 6 on MovieCove · 9 credits in all
What are Vincent Valentini's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
Light 5 · Serious 0 · Dark 1
Grounded 6 · Stylized 0 · Heightened 0
Gentle 3 · Charged 3 · Intense 0
Steady 4 · Shifting 2 · Whiplash 0
Straight-faced 2 · Some laughs 3 · Funny 1
Slow burn 5 · Even-paced 1 · Relentless 0
Casual 5 · Engaged 1 · Full focus 0
Easy watch 4 · Affecting 2 · Heavy 0
Resolved 6 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet2
- Tragic1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Vincent Valentini's films?
As of October 24, 2026, all 6 MovieCove titles stream on a subscription or free service, most on MGM+ (6).
Subscription and free streaming for Vincent Valentini's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
9 credits, 6 with a MovieCove page.
Miracle in Harlem(1948)
Midcredits score: 30th percentile of all films
Sepia Cinderella(1947)
Midcredits score: 15th percentile of all films
Boy! What a Girl!(1947)
Midcredits score: 24th percentile of all films
Murder on Lenox Avenue(1941)
Midcredits score: 3rd percentile of all films
Sunday Sinners (not in the MovieCove catalog yet)(1940)
Paradise in Harlem(1939)
Midcredits score: 13th percentile of all films
Sex Madness(1934)
Midcredits score: 1st percentile of all filmsBack to the Sun (not in the MovieCove catalog yet)(1933)
Convict's Code (not in the MovieCove catalog yet)(1930)
Career shape
A full career of 8 titles from 1930 to 1948.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Vincent Valentini's films land?
Their typical MovieCove film has a Midcredits score in the 14th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 16th percentile for acclaim.
- 25th to 49th1
- Below 25th5
Shape of the crowd
5 of their 6 titles are Mixed.
- Universally Panned1
- Mixed5
Reviewers score the dialogue 34/100 and the plot and story 31/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Vincent Valentini work with?
People who share at least 2 of Vincent Valentini's MovieCove titles, grouped by what they did on them; Sheila Guyse shares the most, 3.
Directors
- Arthur H. LeonardShared titles: Boy! What a Girl! (1947), Sepia Cinderella (1947)See all 2 shared titles with Arthur H. Leonard
Actors
- Sheila GuyseShared titles: Miracle in Harlem (1948), Boy! What a Girl! (1947), Sepia Cinderella (1947)See all 3 shared titles with Sheila Guyse
- Jack CarterShared titles: Miracle in Harlem (1948), Sepia Cinderella (1947)See all 2 shared titles with Jack Carter
- Sybil LewisShared titles: Miracle in Harlem (1948), Boy! What a Girl! (1947)See all 2 shared titles with Sybil Lewis
- William GreavesShared titles: Miracle in Harlem (1948), Sepia Cinderella (1947)See all 2 shared titles with William Greaves
Cinematographers and editors
- George WebberShared titles: Boy! What a Girl! (1947), Sepia Cinderella (1947), Murder on Lenox Avenue (1941)See all 3 shared titles with George Webber
- Jack KempShared titles: Miracle in Harlem (1948), Boy! What a Girl! (1947), Sepia Cinderella (1947)See all 3 shared titles with Jack Kemp
- Don MalkamesShared titles: Miracle in Harlem (1948), Paradise in Harlem (1939)See all 2 shared titles with Don Malkames
Producers
- Jack GoldbergShared titles: Miracle in Harlem (1948), Boy! What a Girl! (1947), Sepia Cinderella (1947)See all 3 shared titles with Jack Goldberg
Mixed roles
- Joseph SeidenShared titles: Paradise in Harlem (1939), Sex Madness (1934)See all 2 shared titles with Joseph Seiden