George Webber
Cinematographer · Died August 29, 1967, aged 91 · Kingston, Ontario, Canada
- May 10, 1876
- August 29, 1967 (aged 91)
- Kingston, Ontario, Canada
- Cinematographer
- 5 on Motif · 61 credits in all
What are George Webber's films like?
Across their 5 Motif titles with a thematic analysis, their films lean Bonds and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
Light 4 · Serious 0 · Dark 1
Grounded 5 · Stylized 0 · Heightened 0
Gentle 4 · Charged 0 · Intense 1
Steady 3 · Shifting 2 · Whiplash 0
Straight-faced 1 · Some laughs 3 · Funny 1
Slow burn 3 · Even-paced 2 · Relentless 0
Casual 3 · Engaged 2 · Full focus 0
Easy watch 4 · Affecting 1 · Heavy 0
Resolved 3 · Open-ended 1 · Ambiguous 1
Moods and endings
- Happy2
- Tragic1
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch George Webber's films?
As of October 24, 2026, all 5 Motif titles stream on a subscription or free service, most on MGM+ (5).
Subscription and free streaming for George Webber's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
61 credits, 5 with a Motif page.
All I Need Is a Conference! (not in the Motif catalog yet)(1954)
The Fight Never Ends (not in the Motif catalog yet)(1948)
Boy! What a Girl!(1947)
Midcredits score: 24th percentile of all films
Sepia Cinderella(1947)
Midcredits score: 15th percentile of all films
Follies Girl (not in the Motif catalog yet)(1943)
Murder on Lenox Avenue(1941)
Midcredits score: 3rd percentile of all films
Murder with Music(1941)
Midcredits score: 6th percentile of all films
Sunday Sinners (not in the Motif catalog yet)(1940)
Jitterbugs (not in the Motif catalog yet)(1938)
The Birth of a Baby (not in the Motif catalog yet)(1938)
Money on Your Life (not in the Motif catalog yet)(1938)
The Miss They Missed (not in the Motif catalog yet)(1938)
The Smart Way (not in the Motif catalog yet)(1937)
Bashful Ballerina (not in the Motif catalog yet)(1937)
Will You Stop? (not in the Motif catalog yet)(1937)
Dental Follies (not in the Motif catalog yet)(1937)
Mixed Magic (not in the Motif catalog yet)(1936)
The Chemist (not in the Motif catalog yet)(1936)
Blue Blazes (not in the Motif catalog yet)(1936)
The Old Camp Ground (not in the Motif catalog yet)(1935)
Moon Over Manhattan (not in the Motif catalog yet)(1935)
Downhill (not in the Motif catalog yet)(1934)
Midnight(1934)
Midcredits score: 23rd percentile of all films
I Know Everybody and Everybody's Racket (not in the Motif catalog yet)(1933)
Smart Work (not in the Motif catalog yet)(1931)
Howdy Broadway (not in the Motif catalog yet)(1929)
Syncopation (not in the Motif catalog yet)(1929)
East Side, West Side (not in the Motif catalog yet)(1927)
The Music Master (not in the Motif catalog yet)(1927)
Fine Manners (not in the Motif catalog yet)(1926)
Love 'Em and Leave 'Em (not in the Motif catalog yet)(1926)
Stage Struck (not in the Motif catalog yet)(1925)
Night Life of New York (not in the Motif catalog yet)(1925)
Madame Sans-Gêne (not in the Motif catalog yet)(1925)
Wages of Virtue (not in the Motif catalog yet)(1924)
The Purple Highway (not in the Motif catalog yet)(1923)
The Exciters (not in the Motif catalog yet)(1923)
The Little Red Schoolhouse (not in the Motif catalog yet)(1923)
The Snow Bride (not in the Motif catalog yet)(1923)
Head Over Heels (not in the Motif catalog yet)(1922)
Cinderella of the Hills (not in the Motif catalog yet)(1921)
The Concert (not in the Motif catalog yet)(1921)
What Happened To Rosa (not in the Motif catalog yet)(1920)
Just Out of College (not in the Motif catalog yet)(1920)
The Slim Princess (not in the Motif catalog yet)(1920)
Pinto (not in the Motif catalog yet)(1920)
Jinx (not in the Motif catalog yet)(1919)
Lord and Lady Algy (not in the Motif catalog yet)(1919)
Upstairs (not in the Motif catalog yet)(1919)
The City of Comrades (not in the Motif catalog yet)(1919)
A Man And His Money (not in the Motif catalog yet)(1919)
Go West, Young Man (not in the Motif catalog yet)(1918)
Thirty a Week (not in the Motif catalog yet)(1918)
The Eternal Mother (not in the Motif catalog yet)(1917)
The Man Without a Country (not in the Motif catalog yet)(1917)
The Candy Girl (not in the Motif catalog yet)(1917)
Pots-and-Pans Peggy (not in the Motif catalog yet)(1917)
A Modern Monte Cristo (not in the Motif catalog yet)(1917)
The Image Maker (not in the Motif catalog yet)(1917)
Her Father's Gold (not in the Motif catalog yet)(1916)
The Million Dollar Mystery (not in the Motif catalog yet)(1914)
Career shape
A full career of 58 titles from 1914 to 1954.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.
How do George Webber's films land?
Their typical Motif film has a Midcredits score in the 15th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 15th percentile for acclaim.
- Below 25th5
Shape of the crowd
3 of their 5 titles are Mixed.
- Universally Panned1
- Broadly Agreed1
- Mixed3
Reviewers score the cinematography 29/100 in their films, across 5 reviewed titles; fans 45, detractors 23. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does George Webber work with?
People who share at least 2 of George Webber's Motif titles, grouped by what they did on them; Vincent Valentini shares the most, 3.
Directors
- Arthur H. LeonardShared titles: Boy! What a Girl! (1947), Sepia Cinderella (1947)See all 2 shared titles with Arthur H. Leonard
Writers
- Vincent ValentiniShared titles: Boy! What a Girl! (1947), Sepia Cinderella (1947), Murder on Lenox Avenue (1941)See all 3 shared titles with Vincent Valentini
Actors
- Sheila GuyseShared titles: Boy! What a Girl! (1947), Sepia Cinderella (1947)See all 2 shared titles with Sheila Guyse
Editors
- Jack KempShared titles: Boy! What a Girl! (1947), Sepia Cinderella (1947)See all 2 shared titles with Jack Kemp
Producers
- Jack GoldbergShared titles: Boy! What a Girl! (1947), Sepia Cinderella (1947)See all 2 shared titles with Jack Goldberg
Mixed roles
- Augustus SmithShared titles: Murder on Lenox Avenue (1941), Murder with Music (1941)See all 2 shared titles with Augustus Smith