- Producer and composer
- 5 on MovieCove
What are Ray Ventura's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 4
Light 4 · Serious 0 · Dark 1
A split, not a type: Grounded 3 · Stylized 1 · Heightened 1
Gentle 3 · Charged 2 · Intense 0
Steady 4 · Shifting 1 · Whiplash 0
A split, not a type: Straight-faced 1 · Some laughs 1 · Funny 3
Slow burn 1 · Even-paced 4 · Relentless 0
Casual 5 · Engaged 0 · Full focus 0
Easy watch 4 · Affecting 1 · Heavy 0
Resolved 5 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy4
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Ray Ventura's films?
As of October 24, 2026, 1 of their 5 MovieCove titles stream on a subscription or free service, on The Criterion Channel (1).
Subscription and free streaming for Ray Ventura's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
5 credits, 5 with a MovieCove page.
Nous irons à Deauville(1962)
Midcredits score: 19th percentile of all films
Le capitaine Fracasse(1961)
Midcredits score: 37th percentile of all films
Love Is My Profession(1958)
Midcredits score: 66th percentile of all films
Plucking the Daisy(1956)
Midcredits score: 38th percentile of all films
Nous irons à Monte Carlo(1951)
Midcredits score: 33rd percentile of all films
Career shape
Across their 5 MovieCove titles from 1951 to 1962.
How do Ray Ventura's films land?
Their typical MovieCove film has a Midcredits score in the 37th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 48th percentile for acclaim.
- 50th to 74th1
- 25th to 49th3
- Below 25th1
Shape of the crowd
None of their 5 titles divides audiences: 2 are Broadly Agreed.
- Crowd Pleaser1
- Broadly Agreed2
- Mixed2
Reviewers score the sound and music 62/100 in their films, across 5 reviewed titles; fans 66, detractors 55. The element that speaks to their work as a composer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Ray Ventura work with?
People who share at least 2 of Ray Ventura's MovieCove titles, grouped by what they did on them; Paul Misraki shares the most, 3.
Actors
- Louis de FunèsShared titles: Nous irons à Deauville (1962), Le capitaine Fracasse (1961)See all 2 shared titles with Louis de Funès
- Brigitte BardotShared titles: Love Is My Profession (1958), Plucking the Daisy (1956)See all 2 shared titles with Brigitte Bardot
- Madeleine BarbuléeShared titles: Love Is My Profession (1958), Plucking the Daisy (1956)See all 2 shared titles with Madeleine Barbulée
Composers
- Paul MisrakiShared titles: Nous irons à Deauville (1962), Plucking the Daisy (1956), Nous irons à Monte Carlo (1951)See all 3 shared titles with Paul Misraki
