Skip to content
MovieCove
Marco Vicario

Marco Vicario

Actor, writer, director and producer · Died September 10, 2020, aged 94 · Rome, Italy

Marco Vicario (20 September 1925 – 10 September 2020) was an Italian film actor, screenwriter, film producer and director. He appeared in 23 films between 1950 and 1958. He also wrote for 13 films, produced 12 and directed a further 11. He was born in Rome, Italy in September 1925. Vicario died in September 2020 at the age of 94.

Read more

Biography from TMDB.

Born
September 20, 1925
Died
September 10, 2020 (aged 94)
From
Rome, Italy
Works as
Actor, writer, director and producer
Titles
8 on MovieCove · 35 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Up 50% in 30 days

What are Marco Vicario's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Adventure2 titlesTypical Midcredits score: 22nd percentile
: browse their Adventure movies
Comedy2 titlesTypical Midcredits score: 71st percentile, at or above their average across these genres
: browse their Comedy movies
Crime2 titlesTypical Midcredits score: 23rd percentile
: browse their Crime movies
Horror2 titlesTypical Midcredits score: 55th percentile, at or above their average across these genres
: browse their Horror movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
32%
Morality
20%
Power
19%
Self
11%
Survival
11%
Ideas
8%
Romantic love3 titles, browse their movies with this themeAmbition2 titles, browse their movies with this themeGreed2 titles, browse their movies with this themeDeception2 titles, browse their movies with this themeDuty2 titles, browse their movies with this theme

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 4 · Serious 2 · Dark 2

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 2 · Stylized 2 · Heightened 4

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 3 · Charged 4 · Intense 1

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 5 · Shifting 3 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 4 · Some laughs 1 · Funny 3

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 2 · Even-paced 6 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 6 · Engaged 2 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 8 · Open-ended 0 · Ambiguous 0

Roles they play

1 analyzed role

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Thrilling
3
Dread
2
Joyful
2
Melancholic
2
Other
7

How their films linger

Fun3 titles, browse their movies with this aftertasteFeel-good3 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertasteBittersweet3 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertaste

How their films end · 5 with a twist

  • Happy3
  • Bittersweet2
  • Tragic2
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Marco Vicario's films?

As of October 24, 2026, 5 of their 8 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Marco Vicario's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

35 credits, 8 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Unfaithfully Yours (not in the MovieCove catalog yet)(1982)

    Director · Writer

  • The Persian Lamb Coat (not in the MovieCove catalog yet)(1980)

    Director · Screenplay

  • Wifemistress (not in the MovieCove catalog yet)(1977)

    Director · Co-Writer

  • Erotomania (not in the MovieCove catalog yet)(1974)

    Director · Writer

  • The Sensual Man (not in the MovieCove catalog yet)(1973)

    Director · Screenplay

  • Homo Eroticus (not in the MovieCove catalog yet)(1971)

    Director · Producer · Writer

  • The Married Priest (not in the MovieCove catalog yet)(1970)

    Director · Producer · Writer

  • Machine Gun McCain(1969)

    Producer

    Midcredits score: 44th percentile of all films

  • Seven Times Seven(1969)

    Producer

    Midcredits score: 75th percentile of all films

  • Seven Golden Men Strike Again (not in the MovieCove catalog yet)(1966)

    Director · Producer · Writer

  • 7 uomini d'oro(1965)

    Director · Producer · Writer

    Midcredits score: 66th percentile of all films

  • Le ore nude (not in the MovieCove catalog yet)(1964)

    Director · Producer · Writer

  • Castle of Blood(1964)

    Executive Producer

    Midcredits score: 74th percentile of all films

  • Mondo Inferno (not in the MovieCove catalog yet)(1964)

    Director · Story · Writer

  • Horror Castle(1963)

    Producer

    Midcredits score: 35th percentile of all films

  • The Fall of Rome (not in the MovieCove catalog yet)(1963)

    Producer

  • Alone Against Rome (not in the MovieCove catalog yet)(1962)

    Producer

  • The Wonders of Aladdin(1961)

    Adaptation

    Midcredits score: 20th percentile of all films

  • Slave of Rome(1961)

    Producer · Writer

    Midcredits score: 23rd percentile of all films

  • Saranno uomini (not in the MovieCove catalog yet)(1957)

    as Aldo

  • Alone in the Streets (not in the MovieCove catalog yet)(1956)

    as Fiance

  • Playa prohibida (not in the MovieCove catalog yet)(1956)

    Actor

  • Non scherzare con le donne (not in the MovieCove catalog yet)(1955)

    as Mario

  • Songs from all over Italy (not in the MovieCove catalog yet)(1955)

    Actor

  • The Two of Us (not in the MovieCove catalog yet)(1955)

    as Beto Avilés

  • Divisione Folgore (not in the MovieCove catalog yet)(1954)

    as Paratrooper

  • The Island Monster(1954)

    as Ten. Mario Andreani

    Midcredits score: 1st percentile of all films

  • Madonna delle rose (not in the MovieCove catalog yet)(1953)

    as Renato

  • Rivalità (not in the MovieCove catalog yet)(1953)

    as Il dottor Roberto Ferrero

  • Soli per le strade (not in the MovieCove catalog yet)(1953)

    as Vincenzo

  • The Eternal Chain (not in the MovieCove catalog yet)(1952)

    as Sandro Ronchi

  • Rome 11:00 (not in the MovieCove catalog yet)(1952)

    Actor

  • Appointment for Murder (not in the MovieCove catalog yet)(1952)

    as Giorgio Morelli

  • Half a Century of Song (not in the MovieCove catalog yet)(1952)

    Actor

  • La storia del fornaretto di Venezia (not in the MovieCove catalog yet)(1952)

    as il fornaretto Pietro Tasca

Career shape

A full career of 34 titles from 1952 to 1982.

Highest rated

Castle of Blood (1964)

Midcredits 74th

Most popular right now

The Wonders of Aladdin (1961)

Film career

  • 1952Screen debut· Rome 11:00

By role

only this rolewith another role
Acting15 of 34: 15 only acting, 0 with another roleDirecting11 of 34: 0 only directing, 11 with another roleWriting13 of 34: 2 only writing, 11 with another roleProducing10 of 34: 6 only producing, 4 with another role

34 titles, 11 with more than one role.

By decade

1950s15 · acting1960s12 · crew1970s5 · crew1980s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Marco Vicario's films land?

Their typical MovieCove film has a Midcredits score in the 40th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 45th percentile for acclaim.

Acclaim · how much people like their films

45thpercentile
Typical film, the median of 8

Approval · how many liked their films

35thpercentile
Typical film, the median of 8

Reach · how many have seen their films

52ndpercentile
Typical film, the median of 8

Midcredits score across 8 titles, by percentile

  • 75th and up1
  • 50th to 74th2
  • 25th to 49th2
  • Below 25th3

Shape of the crowd

None of their 8 titles divides audiences: 3 are Crowd Pleasers.

  • Universally Panned1
  • Crowd Pleaser3
  • Broadly Agreed3
  • Mixed1

Most loved · producer

Seven Times Seven (1969)

Midcredits 75th · 70% liked

Reviewers score the acting 63/100 in their films, across 8 reviewed titles; fans 72, detractors 44. The element that speaks to their work as an actor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Marco Vicario work with?

People who share at least 2 of Marco Vicario's MovieCove titles, grouped by what they did on them; Rossana Podestà shares the most, 3.

Directors

Writers

Actors

Composers, cinematographers and editors