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Ruth Vitale

Ruth Vitale

Producer

Works as
Producer
Titles
13 on MovieCove · 15 credits in all
TMDB popularity, last 38 days to Oct 27Down 15% in 30 days

What are Ruth Vitale's films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 12 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Grounded 8 · Stylized 3 · Heightened 1

Gentle 3 · Charged 6 · Intense 3

A split, not a type: Steady 5 · Shifting 7 · Whiplash 0

Straight-faced 5 · Some laughs 6 · Funny 1

Slow burn 5 · Even-paced 7 · Relentless 0

Casual 3 · Engaged 8 · Full focus 1

Resolved 7 · Open-ended 4 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Melancholic
7
Warm
4
Romantic
3
Dread
2
Other
12

How their films end · 3 with a twist

  • Happy3
  • Bittersweet5
  • Tragic2
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ruth Vitale's films?

As of October 24, 2026, 7 of their 13 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Subscription and free streaming for Ruth Vitale's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

15 credits, 13 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Audrey (not in the MovieCove catalog yet)(2014)

    Executive Producer

  • An American Crime(2007)

    Producer

    Midcredits score: 85th percentile of all films
  • Gummo(1997)

    Executive Producer

    Midcredits score: 68th percentile of all films
  • For Roseanna(1997)

    Executive Producer

    Midcredits score: 81st percentile of all films
  • Midcredits score: 75th percentile of all films
  • Mother Night(1996)

    Executive Producer

    Midcredits score: 81st percentile of all films
  • Twelfth Night(1996)

    Executive Producer

    Midcredits score: 83rd percentile of all films
  • Bed of Roses(1996)

    Thanks

    Midcredits score: 46th percentile of all films
  • Safe Passage (not in the MovieCove catalog yet)(1994)

    Executive Producer

  • Corrina, Corrina(1994)

    Executive Producer

    Midcredits score: 71st percentile of all films
  • Don Juan DeMarco(1994)

    Producer

    Midcredits score: 69th percentile of all films
  • Midcredits score: 30th percentile of all films
  • Call Me(1988)

    Executive Producer

    Midcredits score: 20th percentile of all films
  • And God Created Woman(1988)

    Producer

    Midcredits score: 9th percentile of all films
  • The Beat(1988)

    Producer

    Midcredits score: 33rd percentile of all films

Career shape

A full career of 9 titles from 1988 to 2014.

By role

only this rolewith another role
Producing8 of 9: 8 only producing, 0 with another role · typical Midcredits score76thOther crew1 of 9: 1 only other crew, 0 with another role

By decade

1980s1 · crew1990s7 · crew2010s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Ruth Vitale's films land?

Their typical MovieCove film has a Midcredits score in the 69th percentile, the median of all 13; across their 12 films with reception data, the typical film sits in the 70th percentile for acclaim.

Acclaim · how much people like their films

70thpercentile
Typical film, the median of 12

Approval · how many liked their films

70thpercentile
Typical film, the median of 12

Reach · how many have seen their films

71stpercentile
Typical film, the median of 12

Midcredits score across 13 titles, by percentile

  • 75th and up5
  • 50th to 74th3
  • 25th to 49th3
  • Below 25th2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Ruth Vitale's work okay for kids?

Across up to 6 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore3 titlesmedian 72 · intenseMedian of all films: 44
Sex & Nudity6 titles31–68 · median 56 · moderateheavier than most filmsMedian of all films: 32
Profanity3 titlesmedian 55 · moderateMedian of all films: 36
Alcohol & Drugs3 titlesmedian 63 · intenseMedian of all films: 33
Frightening / Intense3 titlesmedian 76 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Ruth Vitale work with?

People who share at least 2 of Ruth Vitale's MovieCove titles, grouped by what they did on them; Jonathan Weisgal shares the most, 3.

Composers

Producers