Jonathan Weisgal
- Producer
- 12 on MovieCove
Known for
What are Jonathan Weisgal's films like?
Across their 12 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 2 · Earnest 8
A split, not a type: Light 7 · Serious 3 · Dark 2
Grounded 5 · Stylized 6 · Heightened 1
Gentle 4 · Charged 6 · Intense 2
A split, not a type: Steady 6 · Shifting 5 · Whiplash 1
Straight-faced 3 · Some laughs 5 · Funny 4
Slow burn 3 · Even-paced 9 · Relentless 0
Casual 7 · Engaged 4 · Full focus 1
Easy watch 7 · Affecting 2 · Heavy 3
Resolved 8 · Open-ended 4 · Ambiguous 0
Moods and endings
- Happy4
- Bittersweet6
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Jonathan Weisgal's films?
As of October 24, 2026, 5 of their 12 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Jonathan Weisgal's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
12 credits, 12 with a MovieCove page.

Hesher(2010)
Midcredits score: 76th percentile of all films
Midcredits score: 59th percentile of all films
Camp(2003)
Midcredits score: 55th percentile of all films
How High(2001)
Midcredits score: 54th percentile of all films
The Caveman's Valentine(2001)
Midcredits score: 35th percentile of all films
The Filth and the Fury(2000)
Midcredits score: 96th percentile of all films
Drowning Mona(2000)
Midcredits score: 31st percentile of all films
Pecker(1998)
Midcredits score: 63rd percentile of all films
For Roseanna(1997)
Midcredits score: 81st percentile of all films
Midcredits score: 75th percentile of all films
Twelfth Night(1996)
Midcredits score: 83rd percentile of all films
Curfew(1989)
Midcredits score: 6th percentile of all films
Career shape
A full career of 11 titles from 1989 to 2010.

Biggest box office
How High (2001)

Highest rated
The Filth and the Fury (2000)

Most popular right now
How High (2001)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Jonathan Weisgal's films land?
Their typical MovieCove film has a Midcredits score in the 61st percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 59th percentile for acclaim.
- 75th and up5
- 50th to 74th4
- 25th to 49th2
- Below 25th1
Shape of the crowd
6 of their 12 titles are Crowd Pleasers.
- Universally Loved1
- Universally Panned1
- Crowd Pleaser6
- Mixed4
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Jonathan Weisgal's work okay for kids?
Across up to 5 MovieCove titles with content scores, sex & nudity runs heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Jonathan Weisgal work with?
People who share at least 2 of Jonathan Weisgal's MovieCove titles, grouped by what they did on them; Danny DeVito shares the most, 4.
Producers
- Danny DeVitoShared titles: Camp (2003), How High (2001), The Caveman's Valentine (2001), Drowning Mona (2000)See all 4 shared titles with Danny DeVito

- Michael ShambergShared titles: Camp (2003), How High (2001), The Caveman's Valentine (2001), Drowning Mona (2000)See all 4 shared titles with Michael Shamberg

- Stacey SherShared titles: Camp (2003), How High (2001), The Caveman's Valentine (2001), Drowning Mona (2000)See all 4 shared titles with Stacey Sher

- Ruth VitaleShared titles: For Roseanna (1997), Love! Valour! Compassion! (1997), Twelfth Night (1996)See all 3 shared titles with Ruth Vitale
