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Kim Waltrip

Kim Waltrip

Producer and actor

Kim Waltrip is a Producer and Director. Her projects include the revolutionary trio of films "The Disappearance of Eleanor Rigby" Him, Her and Them, starring Jessica Chastain, James McAvoy, Viola Davis and William Hurt. The films "Him" and "Her" Premiered at the Toronto Film Festival and "Them" was in competition in the Un Certain Regard category at the 2014 Cannes Film Festival. Other projects include, "Hit & Run" starring Dax Shepard, Kristen Bell and Bradley Cooper, "Back in the Day" starring Michael Rosenbaum, Morena Baccarin, Harland Williams and Nick Swardson. Her newest film, "Walk to Vegas" based on the true story about Hollywood big shots who will bet on anything is having its World Premiere at the Palm Springs International Film Festival. Other notable films include "A Very Mary Christmas" starring Elliott Gould, Cloris Leachman, Linda Gray, Gene Simmons, Della Reese, Fred Willard, Cybil Shepherd, Lainie Kazan and Olesya Rulin, "Adopt a Sailor," starring Bebe Neuwirth, Peter Coyote and Ethan Peck, "An Evergreen Christmas," featuring the legendary Robert Loggia, "I Didn't Come Here to Die," "A Thousand Cuts," the PBS special "Diahann Carroll, The Lady, The Music, The Legend," and many more, plus a variety of commercials and music videos with plenty of projects in development.

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Biography from TMDB.

Works as
Producer and actor
Titles
17 on MovieCove · 25 credits in all

What are Kim Waltrip's films like?

Across their 16 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 16 films
ToneFeelDemandtheir average · filled zone: the category

Light 11 · Serious 2 · Dark 3

Grounded 9 · Stylized 5 · Heightened 2

Gentle 6 · Charged 9 · Intense 1

A split, not a type: Steady 8 · Shifting 6 · Whiplash 2

A split, not a type: Straight-faced 5 · Some laughs 5 · Funny 6

A split, not a type: Slow burn 9 · Even-paced 6 · Relentless 1

Casual 11 · Engaged 5 · Full focus 0

Resolved 12 · Open-ended 4 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
6
Absurd
7
Tense
6
Melancholic
5
Bittersweet
5
Other
13

How their films end · 2 with a twist

  • Happy9
  • Bittersweet5
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Kim Waltrip's films?

As of October 24, 2026, 13 of their 17 MovieCove titles stream on a subscription or free service, most on Tubi (10).

Subscription and free streaming for Kim Waltrip's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

25 credits, 17 with a MovieCove page.

  • Never Alone(2022)

    Producer

    Midcredits score: 33rd percentile of all films (provisional, few ratings)
  • The Bellmen(2020)

    Producer

    Midcredits score: 16th percentile of all films
  • 7 Days to Vegas(2019)

    Producer

    Midcredits score: 36th percentile of all films
  • Heaven & Hell(2018)

    as Pregnant Bank Victim

    Midcredits score: 12th percentile of all films
  • Bachelor Lions(2018)

    Executive Producer

    Midcredits score: 31st percentile of all films
  • Still Single (not in the MovieCove catalog yet)(2016)

    Consulting Producer

  • Midcredits score: 39th percentile of all films
  • Back in the Day(2014)

    Producer

    Midcredits score: 17th percentile of all films
  • Like a Country Song(2014)

    Producer

    Midcredits score: 51st percentile of all films
  • Live Nude Girls(2014)

    Producer

    Midcredits score: 16th percentile of all films
  • Midcredits score: 51st percentile of all films
  • Jerome's Bouquet (not in the MovieCove catalog yet)(2013)

    Executive Producer

  • Midcredits score: 75th percentile of all films
  • Midcredits score: 75th percentile of all films
  • Hit and Run(2012)

    Producer

    Midcredits score: 44th percentile of all films
  • A Thousand Cuts (not in the MovieCove catalog yet)(2012)

    Producer

  • Expecting Mary (not in the MovieCove catalog yet)(2010)

    Producer

  • Midcredits score: 25th percentile of all films
  • Return of the Outlaws (not in the MovieCove catalog yet)(2009)

    as Sally

  • Adopt a Sailor(2008)

    Line Producer

    Midcredits score: 74th percentile of all films
  • Pretty Smart(1987)

    as Sara Gentry

    Midcredits score: 15th percentile of all films
  • Nights in White Satin (not in the MovieCove catalog yet)(1987)

    as Stevie Hughes

  • Bubba Until It Hurts (not in the MovieCove catalog yet)(1985)

    Actor

  • Cheers(1982)

    Show 1 episode · as Woman

    Midcredits score: 86th percentile of all shows
  • Jack and Jill (not in the MovieCove catalog yet)

    Executive Producer

Career shape

A full career of 17 titles, 16 of them dated from 1982 to 2019.

Film career

  • 1987Screen debut· Pretty Smart

By role

only this rolewith another role
Acting6 of 17: 6 only acting, 0 with another roleProducing11 of 17: 11 only producing, 0 with another role · typical Midcredits score38th

By decade

1980s4 · acting2000s2 · 1 acting · 1 crew2010s10 · 1 acting · 9 crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Kim Waltrip's films land?

Their typical MovieCove film has a Midcredits score in the 35th percentile, the median of all 16; across their 16 films with reception data, the typical film sits in the 35th percentile for acclaim.

Acclaim · how much people like their films

35thpercentile
Typical film, the median of 16

Approval · how many liked their films

40thpercentile
Typical film, the median of 16

Reach · how many have seen their films

45thpercentile
Typical film, the median of 16

Midcredits score across 17 titles, by percentile

  • 75th and up3
  • 50th to 74th3
  • 25th to 49th6
  • Below 25th5

Reviewers score the acting 57/100 in their films, across 13 reviewed titles; fans 74, detractors 34. The element that speaks to their work as an actor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Kim Waltrip's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity4 titlesmedian 55 · moderateMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Kim Waltrip work with?

People who share at least 2 of Kim Waltrip's MovieCove titles, grouped by what they did on them; Jim Casey shares the most, 7.

Directors

Actors

Composers, cinematographers and editors

Producers