- January 16, 1906
- August 5, 2006 (aged 100)
- Los Angeles, California, U.S
- Director, producer and editor
- 8 on MovieCove · 32 credits in all
What are Sam White's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 4
Light 3 · Serious 2 · Dark 0
Grounded 2 · Stylized 2 · Heightened 1
Gentle 1 · Charged 4 · Intense 0
A split, not a type: Steady 2 · Shifting 3 · Whiplash 0
A split, not a type: Straight-faced 3 · Some laughs 1 · Funny 1
Slow burn 4 · Even-paced 1 · Relentless 0
Casual 4 · Engaged 1 · Full focus 0
Easy watch 3 · Affecting 2 · Heavy 0
Resolved 5 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Sam White's films?
As of October 24, 2026, 6 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (5).
Subscription and free streaming for Sam White's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
32 credits, 8 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

White Comanche(1968)
Midcredits score: 6th percentile of all films
The Outer Limits(1963)
Midcredits score: 92nd percentile of all shows
77 Sunset Strip (not in the MovieCove catalog yet)(1958)

The Walter Winchell File (not in the MovieCove catalog yet)(1957)

Perry Mason(1957)
Midcredits score: 95th percentile of all showsAs We Forgive (not in the MovieCove catalog yet)(1952)

People Are Funny(1946)
Midcredits score: 24th percentile of all films
Midcredits score: 48th percentile of all films
After Midnight with Boston Blackie (not in the MovieCove catalog yet)(1943)

I Live on Danger (not in the MovieCove catalog yet)(1942)

The Spirit of Stanford(1942)
Midcredits score: 3rd percentile of all films (provisional, few ratings)
The Officer and the Lady (not in the MovieCove catalog yet)(1941)

Top of the Town(1937)
Midcredits score: 27th percentile of all films (provisional, few ratings)
The Champ's a Chump (not in the MovieCove catalog yet)(1936)

Wig-Wag (not in the MovieCove catalog yet)(1935)
Hunger Pains (not in the MovieCove catalog yet)(1935)
This Band Age (not in the MovieCove catalog yet)(1935)
Brick-a-Brac (not in the MovieCove catalog yet)(1935)
The Dancing Millionaire (not in the MovieCove catalog yet)(1934)
Ferry-Go-Round (not in the MovieCove catalog yet)(1934)

Contented Calves (not in the MovieCove catalog yet)(1934)
Love and Hisses (not in the MovieCove catalog yet)(1934)
Fishing for Trouble (not in the MovieCove catalog yet)(1934)
Love on a Ladder (not in the MovieCove catalog yet)(1934)

Air Tonic (not in the MovieCove catalog yet)(1933)

Hold Your Temper (not in the MovieCove catalog yet)(1933)

Fits in a Fiddle (not in the MovieCove catalog yet)(1933)
Kickin' the Crown Around (not in the MovieCove catalog yet)(1933)
Big Dame Hunting (not in the MovieCove catalog yet)(1932)

Conspiracy(1930)
Midcredits score: 19th percentile of all films
West of the Rio Grande (not in the MovieCove catalog yet)(1921)

Honeymoon Ranch (not in the MovieCove catalog yet)(1920)
Career shape
A full career of 31 titles from 1920 to 1968.
How do Sam White's films land?
Their typical MovieCove film has a Midcredits score in the 22nd percentile, the median of all 6; across their 5 films with reception data, the typical film sits in the 18th percentile for acclaim.
- 75th and up2
- 25th to 49th2
- Below 25th4
Shape of the crowd
4 of their 8 titles are Mixed.
- Universally Loved2
- Universally Panned1
- Crowd Pleaser1
- Mixed4
Reviewers score the atmosphere 48/100 and the pacing 38/100 in their films, across 4 reviewed titles. The element that speaks to their work as a director.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Sam White work with?
People who share at least 2 of Sam White's MovieCove titles; Matt Willis shares the most, 2.
- Matt WillisShared titles: The Return of the Vampire (1943), The Spirit of Stanford (1942)See all 2 shared titles with Matt Willis

- John StumarShared titles: The Return of the Vampire (1943), The Spirit of Stanford (1942)See all 2 shared titles with John Stumar



