
Matt Willis
Actor · Died March 30, 1989, aged 75 · Fredericksburg, Virginia, USA
Matt Willis was an American actor. After a long film career, he returned to his hometown where he lived a quiet, sober life. In 1965, he was employed as an advertising salesman for WQVA, a radio station in Quantico, Virginia.
Biography from TMDB.
- October 16, 1913
- March 30, 1989 (aged 75)
- Fredericksburg, Virginia, USA
- Actor
- 20 on MovieCove · 43 credits in all
What are Matt Willis' films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
Light 3 · Serious 3 · Dark 0
Grounded 2 · Stylized 3 · Heightened 1
Gentle 1 · Charged 5 · Intense 0
Steady 4 · Shifting 2 · Whiplash 0
A split, not a type: Straight-faced 4 · Some laughs 1 · Funny 1
Slow burn 3 · Even-paced 3 · Relentless 0
Casual 3 · Engaged 3 · Full focus 0
A split, not a type: Easy watch 2 · Affecting 4 · Heavy 0
Resolved 5 · Open-ended 1 · Ambiguous 0
Roles they play
- Allyas Link Wyman in The Spirit of Stanford (1942)
- Allyas Andreas Obry in The Return of the Vampire (1943)
Moods and endings
- Happy4
- Bittersweet1
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Matt Willis' films?
As of October 24, 2026, 7 of their 20 MovieCove titles stream on a subscription or free service, most on Tubi (5).
Subscription and free streaming for Matt Willis' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
43 credits, 20 with a MovieCove page.
Midcredits score: 57th percentile of all films
Breakthrough (not in the MovieCove catalog yet)(1950)

The Mutineers (not in the MovieCove catalog yet)(1949)

Home in San Antone (not in the MovieCove catalog yet)(1949)

Shep Comes Home (not in the MovieCove catalog yet)(1948)

So Dear to My Heart(1948)
Midcredits score: 61st percentile of all films
The Noose Hangs High(1948)
Midcredits score: 74th percentile of all films
Radio Romeo (not in the MovieCove catalog yet)(1947)

High Wall (not in the MovieCove catalog yet)(1947)

Blonde Savage (not in the MovieCove catalog yet)(1947)

The Burning Cross (not in the MovieCove catalog yet)(1947)
The Son of Rusty (not in the MovieCove catalog yet)(1947)

It's a Joke, Son!(1947)
Midcredits score: 44th percentile of all films
Vacation in Reno (not in the MovieCove catalog yet)(1946)

Singing on the Trail (not in the MovieCove catalog yet)(1946)

Strange Voyage (not in the MovieCove catalog yet)(1946)

Mr. Noisy (not in the MovieCove catalog yet)(1946)

Blonde Alibi(1946)
Midcredits score: 34th percentile of all films (provisional, few ratings)
A Walk in the Sun(1945)
Midcredits score: 73rd percentile of all films
Scarlet Street(1945)
Midcredits score: 97th percentile of all films
Dangerous Partners (not in the MovieCove catalog yet)(1945)

Forever Yours (not in the MovieCove catalog yet)(1945)

The Mark of the Whistler(1944)
Midcredits score: 64th percentile of all films
Louisiana Hayride (not in the MovieCove catalog yet)(1944)

A Guy Named Joe(1943)
Midcredits score: 76th percentile of all films
The Ghost That Walks Alone (not in the MovieCove catalog yet)(1944)
Midcredits score: 48th percentile of all films
Corvette K-225(1943)
Midcredits score: 68th percentile of all films
Stage Door Canteen(1943)
Midcredits score: 56th percentile of all films
She Has What It Takes (not in the MovieCove catalog yet)(1943)

The Mysterious Doctor (not in the MovieCove catalog yet)(1943)

It Ain't Hay(1943)
Midcredits score: 69th percentile of all films
Mug Town (not in the MovieCove catalog yet)(1942)

The Spirit of Stanford(1942)
Midcredits score: 3rd percentile of all films (provisional, few ratings)
Overland to Deadwood (not in the MovieCove catalog yet)(1942)

Invisible Agent(1942)
Midcredits score: 32nd percentile of all films
The Spoilers(1942)
Midcredits score: 67th percentile of all films
In Old California(1942)
Midcredits score: 50th percentile of all films
Saboteur(1942)
Midcredits score: 84th percentile of all films
About Face (not in the MovieCove catalog yet)(1942)

A Tragedy at Midnight (not in the MovieCove catalog yet)(1942)

The Fleet's In(1942)
Midcredits score: 70th percentile of all films
Swamp Water(1941)
Midcredits score: 78th percentile of all films
Career shape
Star power in the 74th percentile of 239,109 people with a billed film role, over a full career of 43 titles from 1941 to 1951.
Film career
- 1941Screen debut· Swamp Water
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Matt Willis' films land?
Their typical MovieCove film has a Midcredits score in the 66th percentile, the median of all 20; across their 6 films with reception data, the typical film sits in the 53rd percentile for acclaim.
- 75th and up4
- 50th to 74th11
- 25th to 49th4
- Below 25th1
Shape of the crowd
15 of their 20 titles are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser15
- Broadly Agreed1
- Mixed3
Reviewers score the acting 72/100 in their films, across 5 reviewed titles; fans 79, detractors 49. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Matt Willis work with?
People who share at least 2 of Matt Willis' MovieCove titles, grouped by what they did on them; Mario Castelnuovo-Tedesco shares the most, 2.
Composers and cinematographers
- Mario Castelnuovo-TedescoShared titles: The Mark of the Whistler (1944), The Return of the Vampire (1943)See all 2 shared titles with Mario Castelnuovo-Tedesco
- John StumarShared titles: The Return of the Vampire (1943), The Spirit of Stanford (1942)See all 2 shared titles with John Stumar
Producers
- Sam WhiteShared titles: The Return of the Vampire (1943), The Spirit of Stanford (1942)See all 2 shared titles with Sam White



