Princess Anne Wiazemsky (14 May 1947 - 5 October 2017) was a French actress, of the Russian Rurikid family of Princes Vyazemsky-Counts Levashov. Through her mother, she is the granddaughter of François Mauriac. She appeared in Robert Bresson's Au hasard Balthazar (1966) and in Godard's films La Chinoise (1967) and Week End (1967). She was married to Jean-Luc Godard between 1967 and 1979; they divorced. Wiazemsky is also an author. She has written several novels: Canines (1993), Une Poignée de Gens, Aux Quatre Coins du Monde and Hymnes à l’Amour (1996). The 2003 film All the Fine Promises, directed by Jean-Paul Civeyrac and starring Valérie Crunchant and Bulle Ogier, is based on Hymnes à l'Amour. Her 2007 novel, Jeune Fille, is based on her experience starring in Au hasard Balthazar at the age of 18. Description above from the Wikipedia article Anne Wiazemsky, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Biography from TMDB.
- May 14, 1947
- October 5, 2017 (aged 70)
- Berlin, West Germany
- Actor and writer, also director
- 11 on MovieCove · 44 credits in all
What are Anne Wiazemsky's films like?
Across their 10 MovieCove titles with a thematic analysis, their films lean Self and Power.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
A split, not a type: Ironic 3 · Wry 1 · Earnest 6
Light 1 · Serious 4 · Dark 5
A split, not a type: Grounded 4 · Stylized 2 · Heightened 4
Gentle 1 · Charged 6 · Intense 3
Steady 2 · Shifting 7 · Whiplash 1
Straight-faced 6 · Some laughs 4 · Funny 0
Slow burn 7 · Even-paced 3 · Relentless 0
A split, not a type: Casual 1 · Engaged 3 · Full focus 6
A split, not a type: Easy watch 3 · Affecting 3 · Heavy 4
Resolved 2 · Open-ended 1 · Ambiguous 7
Roles they play
Usually the Ally: 2 of 3 analyzed roles.
- Allyas Marie in Au hasard Balthazar (1966)
- Heroas Véronique in The Chinese (1967)
- Allyas Ida in Pigsty (1969)
Moods and endings
- Happy1
- Bittersweet1
- Tragic3
- Ambiguous5
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Anne Wiazemsky's films?
As of October 24, 2026, 8 of their 11 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (7).
Subscription and free streaming for Anne Wiazemsky's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
44 credits, 11 with a MovieCove page; 10 appearances as themselves are hidden until asked for.
Godard Mon Amour(2017)
Midcredits score: 62nd percentile of all films
Call Me Elisabeth (not in the MovieCove catalog yet)(2006)
Mag Bodard, un destin(2005)
Les Anges 1943, histoire d'un film (not in the MovieCove catalog yet)(2004)
All the Fine Promises (not in the MovieCove catalog yet)(2003)
U.S. Go Home (not in the MovieCove catalog yet)(1995)
Ville étrangère (not in the MovieCove catalog yet)(1988)
Le Testament d'un poète juif assassiné (not in the MovieCove catalog yet)(1988)
Qui trop embrasse... (not in the MovieCove catalog yet)(1986)
She Spent So Many Hours Under the Sun Lamps (not in the MovieCove catalog yet)(1985)
Rendez-vous(1985)
Midcredits score: 51st percentile of all films
The Hospital of Leningrad (not in the MovieCove catalog yet)(1983)
Frogs (not in the MovieCove catalog yet)(1983)
Même les mômes ont du vague à l'âme (not in the MovieCove catalog yet)(1980)
The Imprint of Giants (not in the MovieCove catalog yet)(1980)
L'Enfant Secret (not in the MovieCove catalog yet)(1979)
Flesh Color (not in the MovieCove catalog yet)(1978)
La Passion (not in the MovieCove catalog yet)(1978)
Civil Wars in France (not in the MovieCove catalog yet)(1978)
My Heart Is Red (not in the MovieCove catalog yet)(1977)
The Extradition (not in the MovieCove catalog yet)(1975)
The Truth About the Imaginary Passion of an Unknown (not in the MovieCove catalog yet)(1974)
The Last Train(1973)
Midcredits score: 78th percentile of all films
George Who? (not in the MovieCove catalog yet)(1973)
Return from Africa (not in the MovieCove catalog yet)(1973)
The Big Departure (not in the MovieCove catalog yet)(1972)
All's Well(1972)
Midcredits score: 68th percentile of all films
L'inchiesta (not in the MovieCove catalog yet)(1971)
Struggle in Italy (not in the MovieCove catalog yet)(1971)
Vladimir and Rosa (not in the MovieCove catalog yet)(1971)
Raphael or the Debauched One (not in the MovieCove catalog yet)(1971)
Wind from the East (not in the MovieCove catalog yet)(1970)
Capricci (not in the MovieCove catalog yet)(1969)
The Seed of Man (not in the MovieCove catalog yet)(1969)
Pigsty(1969)
Midcredits score: 71st percentile of all filmsLes Gauloises bleues (not in the MovieCove catalog yet)(1969)
Les vieilles lunes (not in the MovieCove catalog yet)(1969)
One + One(1968)
Midcredits score: 59th percentile of all films
Bonnot's Gang (not in the MovieCove catalog yet)(1968)
Teorema(1968)
Midcredits score: 83rd percentile of all films
Weekend(1967)
Midcredits score: 78th percentile of all films
Lamiel (not in the MovieCove catalog yet)(1967)
The Chinese(1967)
Midcredits score: 82nd percentile of all films
Au hasard Balthazar(1966)
Midcredits score: 94th percentile of all films
Career shape
Star power in the 97th percentile of 239,109 people with a billed film role, over a full career of 44 titles from 1966 to 2017; peak year 1966.
Film career
Peak 1966 · fewer prominent film roles lately. Top draw in 3 MovieCove titles. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1966Screen debut· Au Hasard Balthazar
- 1966First top-billed film· Au Hasard Balthazar
Billing
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Anne Wiazemsky's films land?
Their typical MovieCove film has a Midcredits score in the 75th percentile, the median of the 10 of 11 with a score; across their 9 films with reception data, the typical film sits in the 74th percentile for acclaim.
- 75th and up5
- 50th to 74th5
Shape of the crowd
8 of their 10 titles are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser8
- Mixed1
Reviewers score the acting 67/100 in their films, across 9 reviewed titles; fans 74, detractors 44. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Anne Wiazemsky's work okay for kids?
Across up to 5 MovieCove titles with content scores, sex & nudity runs heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Anne Wiazemsky work with?
People who share at least 2 of Anne Wiazemsky's MovieCove titles, grouped by what they did on them; Jean-Luc Godard shares the most, 3.
Directors
- Jean-Luc GodardShared titles: All's Well (1972), One + One (1968), The Chinese (1967)See all 3 shared titles with Jean-Luc Godard
- Pier Paolo PasoliniShared titles: Pigsty (1969), Teorema (1968)See all 2 shared titles with Pier Paolo Pasolini
Actors
- Jean-Louis TrintignantShared titles: Rendez-vous (1985), The Last Train (1973)See all 2 shared titles with Jean-Louis Trintignant
- Nike ArrighiShared titles: The Last Train (1973), One + One (1968)See all 2 shared titles with Nike Arrighi
- Jean-Pierre LéaudShared titles: Pigsty (1969), The Chinese (1967)See all 2 shared titles with Jean-Pierre Léaud
- Luigi BarbiniShared titles: Pigsty (1969), Teorema (1968)See all 2 shared titles with Luigi Barbini
Composers, cinematographers and editors
- Philippe SardeShared titles: Rendez-vous (1985), The Last Train (1973)See all 2 shared titles with Philippe Sarde
- Giuseppe RuzzoliniShared titles: Pigsty (1969), Teorema (1968)See all 2 shared titles with Giuseppe Ruzzolini
- Nino BaragliShared titles: Pigsty (1969), Teorema (1968)See all 2 shared titles with Nino Baragli
Mixed roles
- Mag BodardShared titles: Mag Bodard, un destin (2005), Au hasard Balthazar (1966)See all 2 shared titles with Mag Bodard