
Marie Windsor
Actor · Died December 10, 2000, aged 80 · Marysvale, Utah, USA
From Wikipedia, the free encyclopedia Marie Windsor (born Emily Marie Bertelsen; December 11, 1919 – December 10, 2000) was an actress known as "The Queen of the Bs" because she appeared in so many B-movies and film noirs. After working for several years as a telephone operator, a stage and radio actress, and a bit and extra player in films, Windsor began playing feature parts on the big screen in 1947. Her first film contract, with Warner Bros. in 1942, resulted from her writing jokes and submitting them to Jack Benny. Windsor said she submitted the gags under the name M.E. Windsor "because I was afraid he might be prejudiced against a woman gag writer." When Benny finally met Windsor, "he was stunned by her good looks" and had a producer sign her to a contract. After a tenure with Metro-Goldwyn-Mayer in which the studio "signed her, put her in two small roles and then promptly forgot her", she signed a seven-year contract with The Enterprise Studios in 1948. The actress' first memorable role was in 1948 with John Garfield in Force of Evil playing seductress Edna Tucker. She had roles in numerous 1950s film noirs, notably The Sniper, The Narrow Margin, City That Never Sleeps, and Stanley Kubrick's heist movie, The Killing, in which she played Elisha Cook Jr.'s scheming wife. She also made a foray into science fiction with the 1953 release of Cat-Women of the Moon. Windsor co-starred with Randolph Scott in The Bounty Hunter (1954). Later, Windsor moved to television. She appeared in 1954 as Belle Starr in the premiere episode of Stories of the Century. In 1962, she played Ann Jesse, a woman dying in childbirth, in the episode "The Wanted Man" of Lawman. She appeared on programs such as Maverick, Bat Masterson, Perry Mason, Bourbon Street Beat, The Incredible Hulk, Rawhide, General Hospital, Salem's Lot (TV miniseries), and Murder, She Wrote. Windsor worked consistently through the 1960s and 1970s, and remained on screen once or so annually up to the 1990s, playing her final role at 72 in 1991. Windsor has a star at 1549 N. Vine Street in the Motion Pictures section of the Hollywood Walk of Fame. It was dedicated January 19, 1983. She was among the 500 stars nominated for selection as one of the 50 greatest American screen legends, as part of the American Film Institute's 100 years. In 1987, Windsor received the Los Angeles Drama Critics Circle Award for best actress for her work in The Bar Off Melrose. She also received the Ralph Morgan Award from the Screen Actors Guild for her service on the organization's board of directors.
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Biography from TMDB.
- December 11, 1919
- December 10, 2000 (aged 80)
- Marysvale, Utah, USA
- Actor
- 68 on MovieCove · 121 credits in all
What are Marie Windsor's films like?
Across their 33 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 3 · Earnest 27
Light 10 · Serious 12 · Dark 11
A split, not a type: Grounded 17 · Stylized 15 · Heightened 1
Gentle 7 · Charged 19 · Intense 7
Steady 17 · Shifting 15 · Whiplash 1
A split, not a type: Straight-faced 19 · Some laughs 9 · Funny 5
Slow burn 11 · Even-paced 22 · Relentless 0
Casual 22 · Engaged 11 · Full focus 0
Easy watch 17 · Affecting 13 · Heavy 3
Resolved 28 · Open-ended 5 · Ambiguous 0
Roles they play
Usually the Shapeshifter: 4 of 14 analyzed roles.
Show the 14 rolesHide the roles
- Threshold guardianas Doll Brown in Hellfire (1949)
- Shapeshifteras Cara in Outpost in Morocco (1949)
- Shadowas Fran Sterling in Japanese War Bride (1952)
- Heraldas Mrs. Frankie Neall in The Narrow Margin (1952)
- Heroas Iron Mae McLeod in Outlaw Women (1952)
- Shapeshifteras Helen Salinger in Cat-Women of the Moon (1953)
- Allyas Laura Thompson in The Tall Texan (1953)
- Shadowas Anne McCormick in Trouble Along the Way (1953)
- Tricksteras Alice Williams in The Bounty Hunter (1954)
- Shapeshifteras Madame Rontru in Abbott and Costello Meet the Mummy (1955)
- Shadowas Sherry Peatty in The Killing (1956)
- Shapeshifteras Julia Parry in The Girl in Black Stockings (1957)
- Allyas Gwen in The Unholy Wife (1957)
- Tricksteras Cora Johnson in Day of the Badman (1958)
Moods and endings
- Happy13
- Bittersweet15
- Tragic3
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Marie Windsor's films?
As of October 24, 2026, 28 of their 68 MovieCove titles stream on a subscription or free service, most on Tubi (16).
- Support Your Local Gunfighter (1971) · actor · free
- Bonanza (1959) · actor · free
- Eyes in the Night (1942) · actor · free
- The Rebel (1959) · actor · free
- Little Big Horn (1951) · actor · free
- Bat Masterson (1958) · actor · free
- Cahill U.S. Marshal (1973) · actor · free
- The Incredible Hulk (1977) · actor · free
- The Tall Texan (1953) · actor · free
- Charlie's Angels (1976) · actor · free
- The Girl in Black Stockings (1957) · actor · free
- The Silver Star (1955) · actor · free
- +4 more
- IndieFlix, show their 2 titles on IndieFlix
- ScreenPix, show their 2 titles on ScreenPix
- Shout! TV, show their 2 titles on Shout! TV
- Best Westerns Ever, show their title on Best Westerns Ever
- Cineverse, show their title on Cineverse
- Great American Pure Flix, show their title on Great American Pure Flix
- Howdy, show their title on Howdy
Subscription and free streaming for Marie Windsor's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
121 credits, 68 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

Supercarrier (not in the MovieCove catalog yet)(1988)

Commando Squad(1987)
Midcredits score: 4th percentile of all films
J.O.E. and the Colonel(1985)
Midcredits score: 5th percentile of all films
Murder, She Wrote(1984)
Midcredits score: 67th percentile of all shows
Tales from the Darkside (not in the MovieCove catalog yet)(1984)

Scarecrow and Mrs. King(1983)
Midcredits score: 53rd percentile of all shows
Simon & Simon (not in the MovieCove catalog yet)(1981)

Lovely But Deadly (not in the MovieCove catalog yet)(1981)

The Perfect Woman (not in the MovieCove catalog yet)(1981)

Salem's Lot(1979)
Midcredits score: 38th percentile of all shows
The Incredible Hulk(1977)
Midcredits score: 51st percentile of all shows
Lou Grant (not in the MovieCove catalog yet)(1977)

Freaky Friday(1976)
Midcredits score: 50th percentile of all films
Charlie's Angels(1976)
Midcredits score: 30th percentile of all shows
Hearts of the West(1975)
Midcredits score: 61st percentile of all films
The Outfit(1973)
Midcredits score: 81st percentile of all films
Cahill U.S. Marshal(1973)
Midcredits score: 58th percentile of all films
Police Story (not in the MovieCove catalog yet)(1973)
Midcredits score: 70th percentile of all films
One More Train to Rob(1971)
Midcredits score: 27th percentile of all films
Alias Smith and Jones (not in the MovieCove catalog yet)(1971)

Wild Women (not in the MovieCove catalog yet)(1970)
Midcredits score: 45th percentile of all films
Bracken's World (not in the MovieCove catalog yet)(1969)

Hawaii Five-O(1968)
Midcredits score: 69th percentile of all shows
Adam-12(1968)
Midcredits score: 78th percentile of all shows
The Outsider (not in the MovieCove catalog yet)(1968)

Mannix(1967)
Midcredits score: 71st percentile of all shows
Chamber of Horrors(1966)
Midcredits score: 39th percentile of all films
Batman(1966)
Midcredits score: 71st percentile of all shows
The F.B.I. (not in the MovieCove catalog yet)(1965)

The Legend of Jesse James (not in the MovieCove catalog yet)(1965)

Branded (not in the MovieCove catalog yet)(1965)

Bedtime Story(1964)
Midcredits score: 69th percentile of all films
Mail Order Bride(1964)
Midcredits score: 45th percentile of all films
Critic's Choice(1963)
Midcredits score: 33rd percentile of all films
Midcredits score: 12th percentile of all films
Paradise Alley (not in the MovieCove catalog yet)(1962)

Shotgun Slade (not in the MovieCove catalog yet)(1959)

Hawaiian Eye (not in the MovieCove catalog yet)(1959)

Bourbon Street Beat (not in the MovieCove catalog yet)(1959)

The Alaskans (not in the MovieCove catalog yet)(1959)

The Rebel(1959)
Midcredits score: 67th percentile of all shows
Bonanza(1959)
Midcredits score: 69th percentile of all shows
Rawhide (not in the MovieCove catalog yet)(1959)

77 Sunset Strip (not in the MovieCove catalog yet)(1958)

Bat Masterson(1958)
Midcredits score: 60th percentile of all shows
Yancy Derringer (not in the MovieCove catalog yet)(1958)

Bronco (not in the MovieCove catalog yet)(1958)

Island Women (not in the MovieCove catalog yet)(1958)

Day of the Badman(1958)
Midcredits score: 55th percentile of all films
The Story of Mankind(1957)
Midcredits score: 11th percentile of all films
Midcredits score: 28th percentile of all films
The Parson and the Outlaw (not in the MovieCove catalog yet)(1957)

Maverick(1957)
Midcredits score: 86th percentile of all shows
Perry Mason(1957)
Midcredits score: 95th percentile of all shows
The Unholy Wife(1957)
Midcredits score: 29th percentile of all films
The Killing(1956)
Midcredits score: 97th percentile of all films
Swamp Women (not in the MovieCove catalog yet)(1956)

Matinee Theater (not in the MovieCove catalog yet)(1955)

No Man's Woman (not in the MovieCove catalog yet)(1955)

Two-Gun Lady (not in the MovieCove catalog yet)(1955)

Cheyenne(1955)
Midcredits score: 79th percentile of all shows
Gunsmoke (not in the MovieCove catalog yet)(1955)

The Life and Legend of Wyatt Earp (not in the MovieCove catalog yet)(1955)
Midcredits score: 54th percentile of all films
The Silver Star(1955)
Midcredits score: 26th percentile of all films
Climax! (not in the MovieCove catalog yet)(1954)

The Bounty Hunter(1954)
Midcredits score: 67th percentile of all films
The Whistler (not in the MovieCove catalog yet)(1954)

Hell's Half Acre(1954)
Midcredits score: 47th percentile of all films
Stories of the Century (not in the MovieCove catalog yet)(1954)

The Eddie Cantor Story (not in the MovieCove catalog yet)(1953)

City Detective (not in the MovieCove catalog yet)(1953)

Cat-Women of the Moon(1953)
Midcredits score: 3rd percentile of all films
So This Is Love(1953)
Midcredits score: 33rd percentile of all films
City That Never Sleeps(1953)
Midcredits score: 69th percentile of all films
Trouble Along the Way(1953)
Midcredits score: 71st percentile of all films
The Tall Texan(1953)
Midcredits score: 36th percentile of all films
The Jungle (not in the MovieCove catalog yet)(1952)

The Sniper(1952)
Midcredits score: 81st percentile of all films
The Narrow Margin(1952)
Midcredits score: 94th percentile of all films
Outlaw Women(1952)
Midcredits score: 14th percentile of all films
Japanese War Bride(1952)
Midcredits score: 54th percentile of all films
Schlitz Playhouse of Stars (not in the MovieCove catalog yet)(1951)

Two Dollar Bettor (not in the MovieCove catalog yet)(1951)

Hurricane Island (not in the MovieCove catalog yet)(1951)

Little Big Horn(1951)
Midcredits score: 62nd percentile of all films
Frenchie(1950)
Midcredits score: 56th percentile of all films
Double Deal (not in the MovieCove catalog yet)(1950)
Lux Video Theatre (not in the MovieCove catalog yet)(1950)

Force of Evil(1948)
Midcredits score: 87th percentile of all films
The Showdown (not in the MovieCove catalog yet)(1950)

Dakota Lil (not in the MovieCove catalog yet)(1950)

The Fighting Kentuckian(1949)
Midcredits score: 55th percentile of all films
Hellfire(1949)
Midcredits score: 69th percentile of all films
Midcredits score: 47th percentile of all films
Outpost in Morocco(1949)
Midcredits score: 14th percentile of all films
The Three Musketeers(1948)
Midcredits score: 83rd percentile of all films
The Pirate(1948)
Midcredits score: 76th percentile of all films
On an Island with You(1948)
Midcredits score: 39th percentile of all films
Song of the Thin Man(1947)
Midcredits score: 76th percentile of all films
Midcredits score: 79th percentile of all films
The Hucksters(1947)
Midcredits score: 69th percentile of all films
Living in a Big Way(1947)
Midcredits score: 47th percentile of all filmsI Love My Wife BUT! (not in the MovieCove catalog yet)(1947)
I Love My Husband, But! (not in the MovieCove catalog yet)(1946)

Follow the Leader (not in the MovieCove catalog yet)(1944)

Let's Face It(1943)
Midcredits score: 40th percentile of all films
Pilot #5 (not in the MovieCove catalog yet)(1943)

Cinderella Swings It (not in the MovieCove catalog yet)(1943)
Midcredits score: 74th percentile of all films
Eyes in the Night(1942)
Midcredits score: 68th percentile of all films
The Big Street(1942)
Midcredits score: 56th percentile of all films
Parachute Nurse (not in the MovieCove catalog yet)(1942)

Flying with Music (not in the MovieCove catalog yet)(1942)

The Lady or the Tiger? (not in the MovieCove catalog yet)(1942)

Four Jacks and a Jill(1942)
Midcredits score: 20th percentile of all films
Joan of Paris(1942)
Midcredits score: 73rd percentile of all films
Weekend for Three (not in the MovieCove catalog yet)(1941)

All-American Co-Ed(1941)
Midcredits score: 12th percentile of all films
Career shape
Star power in the 97th percentile of 239,109 people with a billed film role, over a full career of 121 titles from 1941 to 1988; peak year 1972.
Film career
Peak 1972 · steadily prominent in film for years. Top draw in 4 MovieCove titles. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1942Screen debut· Eyes in the Night
- 1952Breakout· The Narrow Margin
- 1952Career best· The Narrow Margin
- 1956First top-billed film· Swamp Women
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Marie Windsor's films land?
Their typical MovieCove film has a Midcredits score in the 54th percentile, the median of all 53; across their 33 films with reception data, the typical film sits in the 51st percentile for acclaim.
- 75th and up13
- 50th to 74th29
- 25th to 49th17
- Below 25th9
Shape of the crowd
37 of their 68 titles are Crowd Pleasers.
- Universally Loved4
- Universally Panned1
- Crowd Pleaser37
- Broadly Agreed13
- Mixed13
Reviewers score the acting 65/100 in their films, across 32 reviewed titles; fans 75, detractors 44. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Marie Windsor work with?
People who share at least 2 of Marie Windsor's MovieCove titles, grouped by what they did on them; Paul Fix shares the most, 4.
Directors
- Burt KennedyShared titles: Support Your Local Gunfighter (1971), The Good Guys and the Bad Guys (1969), Mail Order Bride (1964)See all 3 shared titles with Burt Kennedy

- John H. AuerShared titles: Hell's Half Acre (1954), City That Never Sleeps (1953)See all 2 shared titles with John H. Auer

Writers
- James Edward GrantShared titles: Support Your Local Gunfighter (1971), Trouble Along the Way (1953)See all 2 shared titles with James Edward Grant

- Steve FisherShared titles: Hell's Half Acre (1954), City That Never Sleeps (1953)See all 2 shared titles with Steve Fisher
Actors
- Paul FixShared titles: Mail Order Bride (1964), Hellfire (1949), The Fighting Kentuckian (1949), Force of Evil (1948)See all 4 shared titles with Paul Fix

- John WayneShared titles: Cahill U.S. Marshal (1973), Trouble Along the Way (1953), The Fighting Kentuckian (1949)See all 3 shared titles with John Wayne

- John DehnerShared titles: Support Your Local Gunfighter (1971), Critic's Choice (1963), The Girl in Black Stockings (1957)See all 3 shared titles with John Dehner

- Mel WellesShared titles: Commando Squad (1987), Abbott and Costello Meet the Mummy (1955)See all 2 shared titles with Mel Welles

Composers and cinematographers
- Hans J. SalterShared titles: Bedtime Story (1964), Day of the Badman (1958), Abbott and Costello Meet the Mummy (1955), Frenchie (1950)See all 4 shared titles with Hans J. Salter
- R. Dale ButtsShared titles: Hell's Half Acre (1954), City That Never Sleeps (1953), Hellfire (1949)See all 3 shared titles with R. Dale Butts
- Elmer BernsteinShared titles: Cahill U.S. Marshal (1973), Cat-Women of the Moon (1953)See all 2 shared titles with Elmer Bernstein

- Joseph F. BirocShared titles: Cahill U.S. Marshal (1973), The Tall Texan (1953)See all 2 shared titles with Joseph F. Biroc

Producers
- Samuel BischoffShared titles: The Bounty Hunter (1954), Outpost in Morocco (1949)See all 2 shared titles with Samuel Bischoff




