Dan Witt

What are Dan Witt's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Dan Witt's films?

As of October 24, 2026, 4 of their 8 MovieCove titles stream on a subscription or free service.

• Hallmark+2 titles, browse their movies on this service
  • The Summer of Ben Tyler (1996) · producer
  • The Runaway (2000) · producer
• Prime Video2 titles, browse their movies on this service
  • In the Blink of an Eye (1996) · writer
  • Cruel and Unusual (2001) · writer
• The Roku Channel2 titles, browse their movies on this service
  • In the Blink of an Eye (1996) · writer · free
  • Cruel and Unusual (2001) · writer · free
• Tubi2 titles, browse their movies on this service
  • In the Blink of an Eye (1996) · writer · free
  • Cruel and Unusual (2001) · writer · free

Subscription and free streaming for Dan Witt's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 8 with a MovieCove page.

• 

  Cruel and Unusual(2001)

  Writer

  Midcredits score: 5th percentile of all films5^th
• 

  Zebra Lounge(2001)

  Executive Producer

  Midcredits score: 12th percentile of all films12^th
• 

  The Runaway(2000)

  Producer

  Midcredits score: 60th percentile of all films60^th
• 

  A Crime of Passion (not in the MovieCove catalog yet)(1999)

  Producer
• 

  To Live Again (not in the MovieCove catalog yet)(1998)

  Writer
• 

  Nightmare Street (not in the MovieCove catalog yet)(1998)

  Teleplay
• 

  An Unfinished Affair (not in the MovieCove catalog yet)(1996)

  Producer · Writer
• 

  In the Blink of an Eye(1996)

  Writer

  Midcredits score: 31st percentile of all films31^st
• 

  The Summer of Ben Tyler(1996)

  Producer

  Midcredits score: 67th percentile of all films67^th
• 

  Telling Secrets (not in the MovieCove catalog yet)(1993)

  Producer
• 

  A Killing in a Small Town(1990)

  Producer

  Midcredits score: 64th percentile of all films64^th
• 

  Terror on Highway 91(1989)

  Producer · Story

  Midcredits score: 28th percentile of all films28^th
• 

  Oh! Heavenly Dog (not in the MovieCove catalog yet)(1980)

  as Mover No. 2
• 

  The Double McGuffin(1979)

  Producer

  Midcredits score: 65th percentile of all films65^th

Career shape

A full career of 11 titles from 1980 to 2002.

Highest rated

A Killing in a Small Town (1990)

Midcredits 64^th

Most popular right now

Zebra Lounge (2001)

How do Dan Witt's films land?

Their typical MovieCove film has a Midcredits score in the 46^th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 44^th percentile for acclaim.

Shape of the crowd

6 of their 8 titles are Mixed.

26

• Crowd Pleaser2
• Mixed6

Most divisive · producer

The Runaway (2000)

65^th percentile spread · 17% rated it 4 or lower

Most loved · producer

The Summer of Ben Tyler (1996)

Midcredits 67^th · 59% liked

Reviewers score the dialogue 43/100 and the plot and story 54/100 in their films, across 7 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Dan Witt work with?

People who share at least 2 of Dan Witt's MovieCove titles, grouped by what they did on them; Arthur Allan Seidelman shares the most, 2.