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Hans de Wolf

Producer

Works as
Producer
Titles
10 on MovieCove · 32 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Up 31% in 30 days

What are Hans de Wolf's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Themes

share of theme weight
Self
31%
Bonds
27%
Society
15%
Morality
15%
Power
9%
Survival
4%
Friendship3 titles, browse their movies with this themePrejudice3 titles, browse their movies with this themeBetrayal2 titles, browse their movies with this themeAmbition2 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this themeOppression2 titles, browse their movies with this themeComing of age2 titles, browse their movies with this theme

What they feel like to watch

their average across 10 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 3 · Serious 2 · Dark 5

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 8 · Stylized 1 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 7 · Intense 1

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 6 · Shifting 3 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 8 · Some laughs 2 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 7 · Even-paced 3 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 3 · Engaged 5 · Full focus 2

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 5 · Open-ended 4 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Warm
4
Hopeful
4
Melancholic
4
Dread
3
Other
8

How their films linger

Hopeful5 titles, browse their movies with this aftertasteBittersweet4 titles, browse their movies with this aftertasteThought-provoking3 titles, browse their movies with this aftertasteHaunting3 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertaste

How their films end

  • Happy3
  • Bittersweet3
  • Tragic1
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Hans de Wolf's films?

As of October 24, 2026, 6 of their 10 MovieCove titles stream on a subscription or free service, most on Tubi (2).

Also on these channels

Subscription and free streaming for Hans de Wolf's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

32 credits, 10 with a MovieCove page.

  • Laatste ronde(2024)

    Producer

    Midcredits score: 75th percentile of all films

  • Lost Transport(2022)

    Producer

    Midcredits score: 47th percentile of all films

  • Huda's Salon(2021)

    Producer

    Midcredits score: 54th percentile of all films

  • Dreamlife(2020)

    Producer

    Midcredits score: 27th percentile of all films (provisional, few ratings)

  • Wat is dan liefde (not in the MovieCove catalog yet)(2019)

    Producer

  • The Beast in the Jungle (not in the MovieCove catalog yet)(2019)

    Producer

  • The Reports on Sarah and Saleem(2018)

    Co-Producer

    Midcredits score: 85th percentile of all films

  • The Idol(2015)

    Co-Producer

    Midcredits score: 70th percentile of all films

  • Ventoux (not in the MovieCove catalog yet)(2015)

    Producer

  • Erbarme dich - Matthäus Passion Stories (not in the MovieCove catalog yet)(2015)

    Producer

  • Becoming Zlatan ...(2015)

    Producer

    Midcredits score: 66th percentile of all films

  • Nena (not in the MovieCove catalog yet)(2014)

    Producer

  • Greifensee (not in the MovieCove catalog yet)(2013)

    Producer

  • Bowy Is Inside (not in the MovieCove catalog yet)(2012)

    Producer

  • Over (not in the MovieCove catalog yet)(2012)

    Producer

  • Memory Lane (not in the MovieCove catalog yet)(2010)

    Producer

  • Heading West (not in the MovieCove catalog yet)(2010)

    Producer

  • Duska (not in the MovieCove catalog yet)(2007)

    Producer

  • De ordening(2003)

    Producer

    Midcredits score: 53rd percentile of all films

  • Offside(2006)

    Producer

    Midcredits score: 42nd percentile of all films

  • Johan (not in the MovieCove catalog yet)(2005)

    Producer

  • Bluebird (not in the MovieCove catalog yet)(2004)

    Producer

  • Oysters at Nam Kee's (not in the MovieCove catalog yet)(2002)

    Producer · Scenario Writer

  • R.I.P. (not in the MovieCove catalog yet)(2001)

    Producer

  • The Moving True Story of a Woman Ahead of Her Time (not in the MovieCove catalog yet)(2001)

    Producer

  • Ochtendzwemmers (not in the MovieCove catalog yet)(2001)

    Producer

  • Mates (not in the MovieCove catalog yet)(1999)

    Producer

  • The Stowaway (not in the MovieCove catalog yet)(1997)

    Producer

  • De langste reis (not in the MovieCove catalog yet)(1996)

    Producer

  • Antonia's Line(1995)

    Producer

    Midcredits score: 91st percentile of all films

  • Courzand (not in the MovieCove catalog yet)(1993)

    Producer

  • The Pointsman (not in the MovieCove catalog yet)(1986)

    Writer

Career shape

A full career of 28 titles from 1986 to 2024.

Biggest box office

Antonia's Line (1995)

$4.2M worldwide

Highest rated

Antonia's Line (1995)

Midcredits 91st

By role

only this rolewith another role
Writing2 of 28: 1 only writing, 1 with another roleProducing27 of 28: 26 only producing, 1 with another role · typical Midcredits score73rd

By decade

1980s1 · crew1990s5 · crew2000s9 · crew2010s12 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Hans de Wolf's films land?

Their typical MovieCove film has a Midcredits score in the 60th percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 62nd percentile for acclaim.

Acclaim · how much people like their films

62ndpercentile
Typical film, the median of 10

Approval · how many liked their films

58thpercentile
Typical film, the median of 10

Reach · how many have seen their films

57thpercentile
Typical film, the median of 10

Midcredits score across 10 titles, by percentile

  • 75th and up3
  • 50th to 74th4
  • 25th to 49th3

Shape of the crowd

5 of their 10 titles are Crowd Pleasers.

  • Universally Loved1
  • Cult Classic1
  • Crowd Pleaser5
  • Mixed3

Most divisive · producer

Dreamlife (2020)

81st percentile spread · 44% rated it 4 or lower

Most loved · producer

Antonia's Line (1995)

Midcredits 91st · 78% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Hans de Wolf work with?

People who share at least 2 of Hans de Wolf's MovieCove titles, grouped by what they did on them; Hanneke Niens shares the most, 7.

Directors

Actors

Composers, cinematographers and editors

Producers