Paleis van Boem
- Composer
- 6 on MovieCove · 27 credits in all
What are Paleis van Boem's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Power and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
Light 1 · Serious 1 · Dark 4
Grounded 5 · Stylized 1 · Heightened 0
A split, not a type: Gentle 1 · Charged 2 · Intense 3
Steady 3 · Shifting 3 · Whiplash 0
Straight-faced 5 · Some laughs 1 · Funny 0
Slow burn 3 · Even-paced 3 · Relentless 0
Casual 1 · Engaged 4 · Full focus 1
A split, not a type: Easy watch 1 · Affecting 2 · Heavy 3
Resolved 3 · Open-ended 3 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet3
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Paleis van Boem's films?
As of October 24, 2026, 2 of their 6 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Paleis van Boem's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
27 credits, 6 with a MovieCove page.
Jackie & Oopjen (not in the MovieCove catalog yet)(2020)
Perfect Cadeau (not in the MovieCove catalog yet)(2019)
Riphagen (not in the MovieCove catalog yet)(2017)
Riphagen(2016)
Midcredits score: 84th percentile of all films
The Price of Sugar(2013)
Midcredits score: 72nd percentile of all films
I Love Hooligans (not in the MovieCove catalog yet)(2013)
The Gang of Oss(2011)
Midcredits score: 58th percentile of all films
Framed (not in the MovieCove catalog yet)(2010)
Sinterklaasjournaal: De Meezing Moevie (not in the MovieCove catalog yet)(2009)
Skin (not in the MovieCove catalog yet)(2008)
Nothing to Lose (not in the MovieCove catalog yet)(2008)
De ordening(2003)
Midcredits score: 53rd percentile of all films
Offside(2006)
Midcredits score: 42nd percentile of all films
Gruesome School Trip (not in the MovieCove catalog yet)(2005)
Anna II (not in the MovieCove catalog yet)(2005)
Don't Catch My Face (not in the MovieCove catalog yet)(2005)
Twee dromen (not in the MovieCove catalog yet)(2004)
Oh What a Nico (not in the MovieCove catalog yet)(2004)
Dutch Light (not in the MovieCove catalog yet)(2003)
Godforsaken! (not in the MovieCove catalog yet)(2003)
Paramaribo Papers (not in the MovieCove catalog yet)(2002)
Sinterklaasjournaal (not in the MovieCove catalog yet)(2001)
Escape from Paradise (not in the MovieCove catalog yet)(2001)
Oud Geld (not in the MovieCove catalog yet)(1998)
Character(1997)
Midcredits score: 95th percentile of all films
Pleidooi (not in the MovieCove catalog yet)(1993)
Vuurdoop (not in the MovieCove catalog yet)(1988)
Career shape
A full career of 27 titles from 1988 to 2020.
Biggest box office
The Price of Sugar (2013)
Highest rated
Character (1997)
Most popular right now
The Gang of Oss (2011)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Paleis van Boem's films land?
Their typical MovieCove film has a Midcredits score in the 65th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 63rd percentile for acclaim.
- 75th and up2
- 50th to 74th3
- 25th to 49th1
Shape of the crowd
4 of their 6 titles are Crowd Pleasers.
- Universally Loved1
- Cult Classic1
- Crowd Pleaser4
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Paleis van Boem work with?
People who share at least 2 of Paleis van Boem's MovieCove titles, grouped by what they did on them; Pieter Kuijpers shares the most, 2.
Directors
- Pieter KuijpersShared titles: Riphagen (2016), De ordening (2003)See all 2 shared titles with Pieter Kuijpers
Writers
- Paul Jan NelissenShared titles: Riphagen (2016), The Gang of Oss (2011)See all 2 shared titles with Paul Jan Nelissen
Actors
- Anna RaadsveldShared titles: Riphagen (2016), The Price of Sugar (2013)See all 2 shared titles with Anna Raadsveld
- Benja BruijningShared titles: The Price of Sugar (2013), The Gang of Oss (2011)See all 2 shared titles with Benja Bruijning
- Jaap SpijkersShared titles: The Price of Sugar (2013), The Gang of Oss (2011)See all 2 shared titles with Jaap Spijkers
Editors
- Jessica de KoningShared titles: De ordening (2003), Character (1997)See all 2 shared titles with Jessica de Koning
Producers
- Bert NijdamShared titles: Offside (2006), De ordening (2003)See all 2 shared titles with Bert Nijdam
- Esther WoudaShared titles: Offside (2006), De ordening (2003)See all 2 shared titles with Esther Wouda
- Hans de WeersShared titles: Offside (2006), De ordening (2003)See all 2 shared titles with Hans de Weers
- Hans de WolfShared titles: Offside (2006), De ordening (2003)See all 2 shared titles with Hans de Wolf