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Nigel Wooll

Producer · Born October 23, 1941 (85) · Chester, Cheshire, England, UK

Born
October 23, 1941 (85)
From
Chester, Cheshire, England, UK
Works as
Producer
Titles
31 on MovieCove
TMDB popularity, last 156 days to Oct 27Up 48% in 30 days

What are Nigel Wooll's films like?

Across their 17 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

What they feel like to watch

their average across 16 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 8 · Serious 5 · Dark 3

Grounded 6 · Stylized 8 · Heightened 2

Gentle 5 · Charged 7 · Intense 4

Steady 7 · Shifting 7 · Whiplash 2

A split, not a type: Straight-faced 10 · Some laughs 2 · Funny 4

Slow burn 5 · Even-paced 11 · Relentless 0

Casual 6 · Engaged 9 · Full focus 1

A split, not a type: Easy watch 7 · Affecting 4 · Heavy 5

Resolved 12 · Open-ended 3 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Melancholic
7
Absurd
4
Hopeful
6
Romantic
4
Other
18

How their films end · 2 with a twist

  • Happy7
  • Bittersweet8
  • Tragic1
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Nigel Wooll's films?

As of October 24, 2026, 16 of their 31 MovieCove titles stream on a subscription or free service, most on Tubi (9).

Subscription and free streaming for Nigel Wooll's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

31 credits, 31 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

  • Tár(2022)

    Executive Producer · Unit Production Manager

    Midcredits score: 91st percentile of all films
  • The Hatching(2014)

    Producer

    Midcredits score: 6th percentile of all films
  • W.E.(2011)

    Line Producer

    Midcredits score: 53rd percentile of all films
  • Miss Potter(2006)

    Executive Producer

    Midcredits score: 78th percentile of all films
  • Keeping Mum(2005)

    Co-Producer

    Midcredits score: 73rd percentile of all films
  • Silence Becomes You(2005)

    Producer

    Midcredits score: 9th percentile of all films
  • Arabian Nights(2000)

    Show Producer

    Midcredits score: 65th percentile of all shows
  • G.I. Jane(1997)

    Co-Producer · Unit Production Manager

    Midcredits score: 47th percentile of all films
  • White Squall(1996)

    Producer

    Midcredits score: 62nd percentile of all films
  • The Run of the Country(1995)

    Executive Producer

    Midcredits score: 53rd percentile of all films
  • Son of the Pink Panther(1993)

    Executive Producer

    Midcredits score: 2nd percentile of all films
  • Year of the Comet(1992)

    Producer

    Midcredits score: 40th percentile of all films
  • Shining Through(1992)

    Co-Producer

    Midcredits score: 61st percentile of all films
  • Shipwrecked(1990)

    Executive Producer

    Midcredits score: 64th percentile of all films
  • Willow(1988)

    Producer

    Midcredits score: 86th percentile of all films
  • Ishtar(1987)

    Associate Producer

    Midcredits score: 22nd percentile of all films
  • Eleni(1985)

    Producer

    Midcredits score: 75th percentile of all films
  • The Dresser(1983)

    Associate Producer

    Midcredits score: 88th percentile of all films
  • Reds(1981)

    Production Manager

    Midcredits score: 89th percentile of all films
  • Yanks(1979)

    Production Manager

    Midcredits score: 56th percentile of all films
  • Force 10 from Navarone(1978)

    Production Manager

    Midcredits score: 56th percentile of all films
  • Crossed Swords(1977)

    Assistant Director

    Midcredits score: 47th percentile of all films
  • That Lucky Touch(1975)

    Assistant Director

    Midcredits score: 13th percentile of all films
  • Madhouse(1974)

    Second Assistant Director

    Midcredits score: 51st percentile of all films
  • Summer Wishes, Winter Dreams(1973)

    Second Assistant Director

    Midcredits score: 54th percentile of all films
  • A Touch of Class(1973)

    Second Assistant Director

    Midcredits score: 61st percentile of all films
  • The Asphyx(1972)

    Second Assistant Director

    Midcredits score: 48th percentile of all films
  • Three Sisters(1970)

    Second Assistant Director

    Midcredits score: 47th percentile of all films
  • Anne of the Thousand Days(1969)

    Second Assistant Director

    Midcredits score: 91st percentile of all films
  • Some Girls Do(1969)

    Second Assistant Director

    Midcredits score: 27th percentile of all films
  • Carry on Spying(1964)

    Third Assistant Director

    Midcredits score: 53rd percentile of all films

Career shape

A full career of 27 titles from 1964 to 2022.

By role

only this rolewith another role
Producing14 of 27: 12 only producing, 2 with another role · typical Midcredits score57thOther crew15 of 27: 13 only other crew, 2 with another role · typical Midcredits score53rd

By decade

1960s3 · crew1970s9 · crew1980s4 · crew1990s6 · crew2000s2 · crew2010s2 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Nigel Wooll's films land?

Their typical MovieCove film has a Midcredits score in the 54th percentile, the median of all 30; across their 16 films with reception data, the typical film sits in the 57th percentile for acclaim.

Acclaim · how much people like their films

57thpercentile
Typical film, the median of 16

Approval · how many liked their films

60thpercentile
Typical film, the median of 16

Reach · how many have seen their films

83rdpercentile
Typical film, the median of 16

Midcredits score across 31 titles, by percentile

  • 75th and up7
  • 50th to 74th13
  • 25th to 49th6
  • Below 25th5

Shape of the crowd

17 of their 31 titles are Crowd Pleasers.

  • Universally Loved2
  • Universally Panned1
  • Crowd Pleaser17
  • Broadly Agreed2
  • Mixed9

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Nigel Wooll's work okay for kids?

Across up to 8 MovieCove titles with content scores, profanity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles11–66 · median 44 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity8 titles14–48 · median 40 · moderatenear the median of all filmsMedian of all films: 32
Profanity5 titles12–67 · median 52 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs4 titlesmedian 28 · mildMedian of all films: 33
Frightening / Intense3 titlesmedian 52 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Nigel Wooll work with?

People who share at least 2 of Nigel Wooll's MovieCove titles, grouped by what they did on them; Peter Yates shares the most, 4.

Directors

Actors

Composers, cinematographers and editors

Producers