Helmut Zerlett

What are Helmut Zerlett's films like?

Across their 17 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Helmut Zerlett's films?

As of October 24, 2026, 4 of their 17 MovieCove titles stream on a subscription or free service.

• Netflix2 titles, browse their movies on this service
  • Over Christmas (2020) · composer
  • Berlin, Berlin (2020) · composer
• Tubi2 titles, browse their movies on this service
  • How About Adolf? (2018) · composer · free
  • Granny Nanny (2020) · composer · free
• Fandor1 title, browse their movies on this service
  • Granny Nanny (2020) · composer

Subscription and free streaming for Helmut Zerlett's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

17 credits, 17 with a MovieCove page.

• 

  Weihnachtsüberraschungen(2025)

  Composer

  Midcredits score: 42nd percentile of all films (provisional, few ratings)~42^nd
• 

  Der Spitzname(2024)

  Composer

  Midcredits score: 33rd percentile of all films33^rd
• 

  Family Affairs(2022)

  Composer

  Midcredits score: 44th percentile of all films44^th
• 

  Confessions of Felix Krull(2021)

  Composer

  Midcredits score: 58th percentile of all films58^th
• 

  Berlin, Berlin(2020)

  Composer

  Midcredits score: 5th percentile of all films5^th
• 

  Granny Nanny(2020)

  Composer

  Midcredits score: 64th percentile of all films64^th
• 

  Over Christmas(2020)

  Show Composer

  Midcredits score: 28th percentile of all shows28^th
• 

  Cold Feet(2018)

  Composer

  Midcredits score: 55th percentile of all films55^th
• 

  How About Adolf?(2018)

  Composer

  Midcredits score: 79th percentile of all films79^th
• 

  Vampire Sisters 3: Journey to Transylvania(2016)

  Composer

  Midcredits score: 37th percentile of all films37^th
• 

  Die Staatsaffäre(2014)

  Composer

  Midcredits score: 10th percentile of all films10^th
• 

  Vampire Sisters 2: Bats in the Belly(2014)

  Composer

  Midcredits score: 40th percentile of all films40^th
• 

  Victor and the Secret of Crocodile Mansion(2012)

  Composer

  Midcredits score: 60th percentile of all films60^th
• 

  Military Academy(2007)

  Composer

  Midcredits score: 24th percentile of all films24^th
• 

  The Vexxer(2007)

  Composer

  Midcredits score: 54th percentile of all films54^th
• 

  Superbabies: Baby Geniuses 2(2003)

  Composer

  Midcredits score: 10th percentile of all films10^th
• 

  The Karate Dog(2002)

  Composer

  Midcredits score: 3rd percentile of all films3^rd

Career shape

Across their 17 MovieCove titles from 2002 to 2025.

Biggest box office

Der Spitzname (2024)

$10M worldwide

Highest rated

How About Adolf? (2018)

Midcredits 79^th

Most popular right now

Cold Feet (2018)

How do Helmut Zerlett's films land?

Their typical MovieCove film has a Midcredits score in the 41^st percentile, the median of all 16; across their 16 films with reception data, the typical film sits in the 52^nd percentile for acclaim.

Shape of the crowd

5 of their 17 titles are Crowd Pleasers.

555

• Universally Panned1
• Divisive1
• Crowd Pleaser5
• Broadly Agreed5
• Mixed5

Most divisive · composer

Superbabies: Baby Geniuses 2 (2003)

99^th percentile spread · 68% rated it 4 or lower

Most loved · composer

How About Adolf? (2018)

Midcredits 79^th · 71% liked

Reviewers score the sound and music 57/100 in their films, across 5 reviewed titles; fans 71, detractors 25. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Helmut Zerlett work with?

People who share at least 2 of Helmut Zerlett's MovieCove titles, grouped by what they did on them; Christoph Maria Herbst shares the most, 5.