Andreas Berger
- Cinematographer
- 14 on MovieCove · 24 credits in all
What are Andreas Berger's films like?
Across their 14 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 11
Light 9 · Serious 1 · Dark 3
A split, not a type: Grounded 7 · Stylized 6 · Heightened 0
Gentle 5 · Charged 6 · Intense 2
Steady 8 · Shifting 5 · Whiplash 0
A split, not a type: Straight-faced 4 · Some laughs 3 · Funny 6
Slow burn 5 · Even-paced 8 · Relentless 0
Casual 10 · Engaged 3 · Full focus 0
Easy watch 7 · Affecting 5 · Heavy 1
Resolved 11 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy9
- Bittersweet3
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Andreas Berger's films?
As of October 24, 2026, 6 of their 14 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Andreas Berger's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
24 credits, 14 with a MovieCove page.

Die Ältern (not in the MovieCove catalog yet)(2026)

Der Spitzname(2024)
Midcredits score: 33rd percentile of all films
A Million Minutes (not in the MovieCove catalog yet)(2024)
Midcredits score: 25th percentile of all films
Sachertorte(2022)
Midcredits score: 77th percentile of all films
Hunting Season (not in the MovieCove catalog yet)(2022)

Prey(2021)
Midcredits score: 3rd percentile of all films
The Last Word(2020)
Midcredits score: 48th percentile of all shows
Granny Nanny(2020)
Midcredits score: 64th percentile of all films
Cold Feet(2018)
Midcredits score: 55th percentile of all films
Midcredits score: 86th percentile of all films
Die Professorin – Tatort Ölfeld (not in the MovieCove catalog yet)(2018)

High Society(2017)
Midcredits score: 26th percentile of all films
Text for You(2016)
Midcredits score: 67th percentile of all films
Suck Me Shakespeer 2(2015)
Midcredits score: 44th percentile of all films
Dreamgirls (not in the MovieCove catalog yet)(2015)

Sarajevo(2014)
Midcredits score: 68th percentile of all films
Resturlaub (not in the MovieCove catalog yet)(2011)

Vincent Wants to Sea (not in the MovieCove catalog yet)(2010)

Anatomy 2(2003)
Midcredits score: 15th percentile of all films
Midcredits score: 72nd percentile of all films
Girls under investigation (not in the MovieCove catalog yet)(1999)

Tempo (not in the MovieCove catalog yet)(1996)
Safe (not in the MovieCove catalog yet)
Career shape
A full career of 23 titles, 22 of them dated from 1996 to 2026.

Biggest box office
Suck Me Shakespeer 2 (2015)

Highest rated
The Most Beautiful Girl in the World (2018)

Most popular right now
Prey (2021)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Andreas Berger's films land?
Their typical MovieCove film has a Midcredits score in the 55th percentile, the median of all 13; across their 13 films with reception data, the typical film sits in the 57th percentile for acclaim.
- 75th and up2
- 50th to 74th5
- 25th to 49th5
- Below 25th2
Shape of the crowd
None of their 14 titles divides audiences: 7 are Crowd Pleasers.
- Universally Panned1
- Crowd Pleaser7
- Broadly Agreed2
- Mixed4
Reviewers score the cinematography 70/100 in their films, across 6 reviewed titles; fans 76, detractors 60. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Andreas Berger's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Andreas Berger work with?
People who share at least 2 of Andreas Berger's MovieCove titles, grouped by what they did on them; Jakob Claussen shares the most, 4.
Directors
- Aron LehmannShared titles: The Last Word (2020), The Most Beautiful Girl in the World (2018)See all 2 shared titles with Aron Lehmann
- Wolfgang GroosShared titles: Granny Nanny (2020), Cold Feet (2018)See all 2 shared titles with Wolfgang Groos
Writers
- Anika DeckerShared titles: High Society (2017), Text for You (2016)See all 2 shared titles with Anika Decker
Actors
- Katja RiemannShared titles: High Society (2017), Text for You (2016), Suck Me Shakespeer 2 (2015)See all 3 shared titles with Katja Riemann

- Iris BerbenShared titles: Der Spitzname (2024), High Society (2017)See all 2 shared titles with Iris Berben

- Hanno KofflerShared titles: Prey (2021), Anatomy 2 (2003)See all 2 shared titles with Hanno Koffler

- Aaron HilmerShared titles: The Last Word (2020), The Most Beautiful Girl in the World (2018)See all 2 shared titles with Aaron Hilmer

Composers and editors
- Helmut ZerlettShared titles: Der Spitzname (2024), Granny Nanny (2020), Cold Feet (2018)See all 3 shared titles with Helmut Zerlett

- Ana de Mier y OrtuñoShared titles: The Last Word (2020), The Most Beautiful Girl in the World (2018)See all 2 shared titles with Ana de Mier y Ortuño

- Boris BojadzhievShared titles: The Last Word (2020), The Most Beautiful Girl in the World (2018)See all 2 shared titles with Boris Bojadzhiev
- Charles LadmiralShared titles: High Society (2017), Suck Me Shakespeer 2 (2015)See all 2 shared titles with Charles Ladmiral
Producers
- Jakob ClaussenShared titles: Granny Nanny (2020), Cold Feet (2018), Anatomy 2 (2003), What to Do in Case of Fire (2001)See all 4 shared titles with Jakob Claussen

- Ulrike PutzShared titles: Granny Nanny (2020), Cold Feet (2018), Anatomy 2 (2003), What to Do in Case of Fire (2001)See all 4 shared titles with Ulrike Putz

- Martin MoszkowiczShared titles: Der Spitzname (2024), Silver and the Book of Dreams (2023), Suck Me Shakespeer 2 (2015)See all 3 shared titles with Martin Moszkowicz

- Andrea WillsonShared titles: Text for You (2016), Anatomy 2 (2003), What to Do in Case of Fire (2001)See all 3 shared titles with Andrea Willson


