Hüseyin Özsahin
- Cinematographer
- 3 on MovieCove
What are Hüseyin Özsahin's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 2 · Serious 1 · Dark 0
Grounded 2 · Stylized 1 · Heightened 0
A split, not a type: Gentle 1 · Charged 2 · Intense 0
A split, not a type: Steady 2 · Shifting 0 · Whiplash 1
A split, not a type: Straight-faced 1 · Some laughs 0 · Funny 2
A split, not a type: Slow burn 2 · Even-paced 1 · Relentless 0
Casual 3 · Engaged 0 · Full focus 0
Easy watch 2 · Affecting 1 · Heavy 0
Resolved 2 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Hüseyin Özsahin's films?
As of October 28, 2026, none of Hüseyin Özsahin's 3 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for Hüseyin Özsahin's titles on MovieCove; rent and buy are not counted.
Filmography
3 credits, 3 with a MovieCove page.
Tatli Nigar(1978)
Midcredits score: 38th percentile of all films
Smiling Eyes(1977)
Midcredits score: 98th percentile of all films
The Chaos Class(1975)
Midcredits score: 99th percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 1975 to 1978.
Counts over their MovieCove titles; a title counts in every role they held on it.
How do Hüseyin Özsahin's films land?
Their typical MovieCove film has a Midcredits score in the 98th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 96th percentile for acclaim.
- 75th and up2
- 25th to 49th1
Shape of the crowd
None of their 3 titles divides audiences: 2 are Universally Loved.
- Universally Loved2
- Crowd Pleaser1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Hüseyin Özsahin work with?
People who share at least 2 of Hüseyin Özsahin's MovieCove titles, grouped by what they did on them; Ismail Kalkan shares the most, 3.
Directors
- Ertem EğilmezShared titles: Smiling Eyes (1977), The Chaos Class (1975)See all 2 shared titles with Ertem Eğilmez
Actors
- Adile NaşitShared titles: Smiling Eyes (1977), The Chaos Class (1975)See all 2 shared titles with Adile Naşit
- Ayşen GrudaShared titles: Smiling Eyes (1977), The Chaos Class (1975)See all 2 shared titles with Ayşen Gruda
- Halit AkçatepeShared titles: Smiling Eyes (1977), The Chaos Class (1975)See all 2 shared titles with Halit Akçatepe
- Münir ÖzkulShared titles: Smiling Eyes (1977), The Chaos Class (1975)See all 2 shared titles with Münir Özkul
Composers and editors
- Ismail KalkanShared titles: Tatli Nigar (1978), Smiling Eyes (1977), The Chaos Class (1975)See all 3 shared titles with Ismail Kalkan
- Melih KibarShared titles: Smiling Eyes (1977), The Chaos Class (1975)See all 2 shared titles with Melih Kibar
Producers
- Nahit AtamanShared titles: Smiling Eyes (1977), The Chaos Class (1975)See all 2 shared titles with Nahit Ataman