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Jonathan Taylor

Producer · Born May 30, 1976 (50) · England, UK

Jonathan Taylor was born on 30 May 1976 in England, UK. He is a producer, known for Triangle (2009), Creep (2004) and The Double (2013).

Biography from IMDb.

Born
May 30, 1976 (50)
From
England, UK
Works as
Producer
Titles
8 on MovieCove · 9 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 156 days to Oct 27Down 21% in 30 days

What are Jonathan Taylor's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Themes

share of theme weight
Bonds
46%
Morality
24%
Survival
20%
Self
5%
Ideas
5%
Family bonds3 titles, browse their movies with this themeSurvival2 titles, browse their movies with this themeGuilt2 titles, browse their movies with this theme

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 3 · Serious 1 · Dark 3

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 4 · Stylized 2 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 3 · Intense 3

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 2 · Shifting 4 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 5 · Some laughs 1 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 2 · Even-paced 4 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 4 · Full focus 1

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 4 · Affecting 0 · Heavy 3

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 5 · Open-ended 1 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Dread
4
Joyful
3
Contemplative
2
Melancholic
2
Other
4

How their films linger

Haunting4 titles, browse their movies with this aftertasteFeel-good3 titles, browse their movies with this aftertasteHopeful3 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy3
  • Bittersweet1
  • Ambiguous2
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jonathan Taylor's films?

As of October 24, 2026, all 8 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Also on these channels

Subscription and free streaming for Jonathan Taylor's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 8 with a MovieCove page.

  • Something in the Water(2024)

    Executive Producer

    Midcredits score: 3rd percentile of all films

  • Maggie Moore(s)(2023)

    Executive Producer

    Midcredits score: 44th percentile of all films

  • Dead on the Vine(2022)

    Producer

    Midcredits score: 8th percentile of all films (provisional, few ratings)

  • Iris Warriors(2022)

    Executive Producer

    Midcredits score: 6th percentile of all films

  • Four Kids and It(2020)

    Producer

    Midcredits score: 20th percentile of all films

  • Detour(2016)

    Producer

    Midcredits score: 46th percentile of all films

  • Sex After Kids(2013)

    Producer

    Midcredits score: 29th percentile of all films

  • Triangle(2009)

    Associate Producer

    Midcredits score: 77th percentile of all films

  • The Creep (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 7 titles, 6 of them dated from 2009 to 2024.

Biggest box office

Triangle (2009)

$5.1M worldwide

Highest rated

Triangle (2009)

Midcredits 77th

By role

only this rolewith another role
Producing7 of 7: 7 only producing, 0 with another role · typical Midcredits score14th

By decade

2000s1 · crew2020s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Jonathan Taylor's films land?

Their typical MovieCove film has a Midcredits score in the 25th percentile, the median of all 8; across their 7 films with reception data, the typical film sits in the 26th percentile for acclaim.

Acclaim · how much people like their films

26thpercentile
Typical film, the median of 7

Approval · how many liked their films

17thpercentile
Typical film, the median of 7

Reach · how many have seen their films

79thpercentile
Typical film, the median of 7

Midcredits score across 8 titles, by percentile

  • 75th and up1
  • 25th to 49th3
  • Below 25th4

Shape of the crowd

3 of their 8 titles are Mixed.

  • Universally Panned2
  • Crowd Pleaser1
  • Broadly Agreed2
  • Mixed3

Most divisive · producer

Iris Warriors (2022)

82nd percentile spread · 60% rated it 4 or lower

Most loved · producer

Triangle (2009)

Midcredits 77th · 68% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Jonathan Taylor's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity4 titlesmedian 19 · mildMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Jonathan Taylor work with?

People who share at least 2 of Jonathan Taylor's MovieCove titles, grouped by what they did on them; Julie Baines shares the most, 6.

Directors

Producers