Laura Rees
- Producer
- 4 on MovieCove · 5 credits in all
What are Laura Rees' films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
A split, not a type: Light 0 · Serious 3 · Dark 1
A split, not a type: Grounded 3 · Stylized 0 · Heightened 1
Gentle 0 · Charged 3 · Intense 1
Steady 1 · Shifting 3 · Whiplash 0
Straight-faced 4 · Some laughs 0 · Funny 0
Slow burn 1 · Even-paced 3 · Relentless 0
Casual 0 · Engaged 4 · Full focus 0
A split, not a type: Easy watch 1 · Affecting 1 · Heavy 2
Resolved 2 · Open-ended 2 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Laura Rees' films?
As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Laura Rees' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
5 credits, 4 with a MovieCove page.
Broken English(2025)
Midcredits score: 85th percentile of all films
Midas Man(2024)
Midcredits score: 60th percentile of all films
Something in the Water(2024)
Midcredits score: 3rd percentile of all films
Dead on the Vine(2022)
Midcredits score: 8th percentile of all films (provisional, few ratings)
Colette (not in the MovieCove catalog yet)(2010)
Career shape
A full career of 3 titles from 2010 to 2024.
How do Laura Rees' films land?
Their typical MovieCove film has a Midcredits score in the 34th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 39th percentile for acclaim.
- 75th and up1
- 50th to 74th1
- Below 25th2
Shape of the crowd
None of their 4 titles divides audiences: 2 are Universally Panned.
- Universally Panned2
- Crowd Pleaser2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Laura Rees work with?
People who share at least 2 of Laura Rees' MovieCove titles, grouped by what they did on them; Liam Coutts shares the most, 2.
Producers
- Liam CouttsShared titles: Broken English (2025), Midas Man (2024)See all 2 shared titles with Liam Coutts
- Jonathan TaylorShared titles: Something in the Water (2024), Dead on the Vine (2022)See all 2 shared titles with Jonathan Taylor
- Julie BainesShared titles: Something in the Water (2024), Dead on the Vine (2022)See all 2 shared titles with Julie Baines
