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Lisa Gooding

Lisa Gooding

Producer

Lisa Gooding is a film and television producer and the founder of Good Entertainment Inc. She spent 15 years at Universal Pictures, where she oversaw more than 50 films and helped extend major franchises including Bring It On, The Scorpion King, Beethoven, The Little Rascals, and Woody Woodpecker. She later helped launch the development and production department at Sony’s PureFlix, building a slate of faith forward films and television series. Through Good Entertainment, she develops and produces commercial, character driven projects with a particular focus on uplifting and inspirational storytelling.

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Biography from IMDb.

Works as
Producer
Titles
30 on MovieCove
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 156 days to Oct 27Up 49% in 30 days

What are Lisa Gooding's films like?

Across their 27 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Comedy12 titlesTypical Midcredits score: 16th percentile
: browse their Comedy movies
Action11 titlesTypical Midcredits score: 18th percentile, at or above their average across these genres
: browse their Action movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
37%
Morality
20%
Self
16%
Society
10%
Survival
10%
Power
5%
Ideas
2%
Family bonds8 titles, browse their movies with this themeFriendship6 titles, browse their movies with this themeSurvival6 titles, browse their movies with this themeIdentity6 titles, browse their movies with this themeRomantic love4 titles, browse their movies with this themeCommunity6 titles, browse their movies with this themeLoyalty4 titles, browse their movies with this themeJustice4 titles, browse their movies with this theme

What they feel like to watch

their average across 27 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 21 · Serious 3 · Dark 3

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 13 · Stylized 12 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 16 · Charged 6 · Intense 5

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 15 · Shifting 11 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 6 · Some laughs 9 · Funny 12

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 11 · Even-paced 15 · Relentless 1

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 22 · Engaged 5 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 27 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
15
Thrilling
14
Tense
9
Absurd
9
Warm
6
Other
21

How their films linger

Feel-good18 titles, browse their movies with this aftertasteFun19 titles, browse their movies with this aftertasteRousing5 titles, browse their movies with this aftertasteHopeful4 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy22
  • Bittersweet5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Lisa Gooding's films?

As of October 24, 2026, 10 of their 30 MovieCove titles stream on a subscription or free service, most on The Roku Channel (4).

Also on these channels

Subscription and free streaming for Lisa Gooding's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

30 credits, 30 with a MovieCove page.

Career shape

A full career of 9 titles from 2005 to 2024.

Biggest box office

Woody Woodpecker (2017)

$15M worldwide

Highest rated

Unbroken: Path to Redemption (2018)

Midcredits 41st

Most popular right now

The Scorpion King 3: Battle for Redemption (2012)

By role

only this rolewith another role
Producing7 of 9: 7 only producing, 0 with another role · typical Midcredits score19thOther crew2 of 9: 2 only other crew, 0 with another role

By decade

2000s2 · crew2010s6 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Lisa Gooding's films land?

Their typical MovieCove film has a Midcredits score in the 17th percentile, the median of all 30; across their 27 films with reception data, the typical film sits in the 22nd percentile for acclaim.

Acclaim · how much people like their films

22ndpercentile
Typical film, the median of 27

Approval · how many liked their films

15thpercentile
Typical film, the median of 27

Reach · how many have seen their films

82ndpercentile
Typical film, the median of 27

Midcredits score across 30 titles, by percentile

  • 50th to 74th1
  • 25th to 49th10
  • Below 25th19

Shape of the crowd

23 of their 30 titles are Mixed.

  • Universally Panned2
  • Cult Classic4
  • Broadly Agreed1
  • Mixed23

Most divisive · producer

How High 2 (2019)

89th percentile spread · 65% rated it 4 or lower

Most loved · producer

Unbroken: Path to Redemption (2018)

Midcredits 41st · 46% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Lisa Gooding's work okay for kids?

Across up to 9 MovieCove titles with content scores, 3 of the 4 categories sit near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles17–75 · median 49 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity9 titles21–56 · median 28 · mildnear the median of all filmsMedian of all films: 32
Profanity5 titles27–67 · median 38 · moderatenear the median of all filmsMedian of all films: 36
Alcohol & Drugs3 titlesmedian 38 · moderateMedian of all films: 33

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Lisa Gooding work with?

People who share at least 2 of Lisa Gooding's MovieCove titles, grouped by what they did on them; Mike Elliott shares the most, 16.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers