Mark Bell

What are Mark Bell's films like?

Across their 25 MovieCove titles with a thematic analysis, their films lean Society and Ideas.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mark Bell's films?

As of October 24, 2026, 19 of their 25 MovieCove titles stream on a subscription or free service, most on BritBox (7).

• BritBox7 titles
  • Jane Austen: Behind Closed Doors (2017) · producer
  • This Is Joan Collins (2022) · producer
  • Art of France (2017) · producer
  • Art, Passion & Power: The Story of the Royal Collection (2018) · producer
  • Harry Potter: A History of Magic (2017) · producer
  • Civilizations (2018) · producer
  • Saints and Sinners: Britain's Millennium of Monasteries (2015) · producer
• Tubi4 titles, browse their movies on this service
  • A Stitch in Time (2018) · producer · free
  • Hockney (2014) · producer · free
  • Queers (2017) · producer · free
  • Titian - Behind Closed Doors (2020) · producer · free
• Prime Video2 titles, browse their movies on this service
  • A Stitch in Time (2018) · producer
  • Queers (2017) · producer
• AMC+1 title, browse their movies on this service
  • Tea With the Dames (2018) · producer
• HBO Max1 title, browse their movies on this service
  • The Eyes of Orson Welles (2018) · producer
• The Criterion Channel1 title, browse their movies on this service
  • The Eyes of Orson Welles (2018) · producer

Subscription and free streaming for Mark Bell's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

25 credits, 25 with a MovieCove page.

• 

  McCartney: The Hunt for the Lost Bass(2026)

  Producer

  Midcredits score: 87th percentile of all films87^th
• 

  Made in England: The Films of Powell and Pressburger(2024)

  Producer

  Midcredits score: 98th percentile of all films98^th
• 

  Mad About the Boy: The Noël Coward Story(2023)

  Producer

  Midcredits score: 81st percentile of all films81^st
• 

  This Is Joan Collins(2022)

  Producer

  Midcredits score: 93rd percentile of all films93^rd
• 

  African Apocalypse(2020)

  Producer

  Midcredits score: 80th percentile of all films80^th
• 

  Titian - Behind Closed Doors(2020)

  Producer

  Midcredits score: 34th percentile of all films (provisional, few ratings)~34^th
• 

  The Changin' Times of Ike White(2019)

  Producer

  Midcredits score: 58th percentile of all films58^th
• 

  Unstoppable(2019)

  Producer

  Midcredits score: 85th percentile of all films (provisional, few ratings)~85^th
• 

  A Stitch in Time(2018)

  Show Producer

  Midcredits score: 96th percentile of all shows96^th
• 

  Art, Passion & Power: The Story of the Royal Collection(2018)

  Show Producer

  Midcredits score: 85th percentile of all shows (provisional, few ratings)~85^th
• 

  Billy Connolly: Made in Scotland(2018)

  Show Producer

  Midcredits score: 96th percentile of all shows96^th
• 

  Civilizations(2018)

  Show Producer

  Midcredits score: 72nd percentile of all shows72^nd
• 

  Tea With the Dames(2018)

  Producer

  Midcredits score: 92nd percentile of all films92^nd
• 

  The Eyes of Orson Welles(2018)

  Producer

  Midcredits score: 73rd percentile of all films73^rd
• 

  Yuli(2018)

  Producer

  Midcredits score: 84th percentile of all films84^th
• 

  Art of France(2017)

  Show Producer

  Midcredits score: 89th percentile of all shows89^th
• 

  Harry Potter: A History of Magic(2017)

  Producer

  Midcredits score: 77th percentile of all films77^th
• 

  Jane Austen: Behind Closed Doors(2017)

  Producer

  Midcredits score: 95th percentile of all films95^th
• 

  Queers(2017)

  Show Producer

  Midcredits score: 66th percentile of all shows66^th
• 

  Empire of the Tsars: Romanov Russia with Lucy Worsley(2016)

  Show Producer

  Midcredits score: 79th percentile of all shows79^th
• 

  The Renaissance Unchained(2016)

  Show Producer

  Midcredits score: 89th percentile of all shows89^th
• 

  Saints and Sinners: Britain's Millennium of Monasteries(2015)

  Show Producer

  Midcredits score: 46th percentile of all shows (provisional, few ratings)~46^th
• 

  Hockney(2014)

  Producer

  Midcredits score: 76th percentile of all films76^th
• 

  The Real History of Science Fiction(2014)

  Show Producer

  Midcredits score: 59th percentile of all shows59^th
• 

  The Dark Ages: An Age of Light(2012)

  Show Producer

  Midcredits score: 90th percentile of all shows90^th

Career shape

Across their 25 MovieCove titles from 2012 to 2026.

Biggest box office

Tea With the Dames (2018)

$3.2M worldwide

Highest rated

Made in England: The Films of Powell and Pressburger (2024)

Midcredits 98^th

Most popular right now

The Real History of Science Fiction (2014)

How do Mark Bell's films land?

Their typical MovieCove film has a Midcredits score in the 83^rd percentile, the median of all 14; across their 14 films with reception data, the typical film sits in the 83^rd percentile for acclaim.

Shape of the crowd

13 of their 25 titles are Crowd Pleasers.

7135

• Universally Loved7
• Crowd Pleaser13
• Mixed5

Most divisive · producer

Unstoppable (2019)

78^th percentile spread · 15% rated it 4 or lower

Most loved · producer

Made in England: The Films of Powell and Pressburger (2024)

Midcredits 98^th · 90% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Mark Bell work with?

People who share at least 2 of Mark Bell's MovieCove titles, grouped by what they did on them; Sebastian Barfield shares the most, 3.