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Mark Thomas

Producer

Mark Thomas lives in Glasgow and has worked in the Scottish/UK Screen Industry since 1998 having graduated from Glasgow School of Art with a BA Hons in Fine Art Photography in1992. He has over 18 years experience working for Screen Scotland as an Executive Producer for drama, animation and specializing in theatrical documentary feature film.

Read more

Biography from IMDb.

Works as
Producer
Titles
27 on MovieCove · 41 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 156 days to Oct 27Down 6% in 30 days

What are Mark Thomas' films like?

Across their 26 MovieCove titles with a thematic analysis, their films lean Self and Society.

Genres

Documentary23 titlesTypical Midcredits score: 79th percentile, at or above their average across these genres
: browse their Documentary movies
Drama2 titlesTypical Midcredits score: 52nd percentile
: browse their Drama movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
23%
Society
22%
Survival
18%
Ideas
13%
Morality
9%
Bonds
9%
Power
7%
Legacy9 titles, browse their movies with this themeArt6 titles, browse their movies with this themeCommunity6 titles, browse their movies with this themeTrauma5 titles, browse their movies with this themeIdentity4 titles, browse their movies with this themeSurvival3 titles, browse their movies with this themeFriendship3 titles, browse their movies with this themeMemory3 titles, browse their movies with this theme

What they feel like to watch

their average across 26 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 10 · Serious 8 · Dark 8

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 20 · Stylized 4 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 12 · Charged 6 · Intense 8

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 19 · Shifting 5 · Whiplash 2

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 23 · Some laughs 2 · Funny 1

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 23 · Even-paced 2 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 10 · Engaged 15 · Full focus 1

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 11 · Affecting 6 · Heavy 9

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 15 · Open-ended 9 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
19
Melancholic
15
Tense
9
Warm
6
Hopeful
5
Other
21

How their films linger

Bittersweet12 titles, browse their movies with this aftertasteThought-provoking8 titles, browse their movies with this aftertasteHopeful7 titles, browse their movies with this aftertasteRousing7 titles, browse their movies with this aftertasteUnsettling5 titles, browse their movies with this aftertasteWistful5 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy2
  • Bittersweet15
  • Ambiguous8
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mark Thomas' films?

As of October 24, 2026, 20 of their 27 MovieCove titles stream on a subscription or free service, most on Tubi (7).

Also on these channels

Subscription and free streaming for Mark Thomas' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

41 credits, 27 with a MovieCove page.

  • Amongst Men (not in the MovieCove catalog yet)(2026)

    Executive Producer

  • When the Fires Stop (not in the MovieCove catalog yet)(2026)

    Executive Producer

  • Molly vs the Machines(2026)

    Executive Producer

    Midcredits score: 45th percentile of all films

  • Douglas Gordon by Douglas Gordon (not in the MovieCove catalog yet)(2026)

    Executive Producer

  • Everybody to Kenmure Street(2026)

    Producer

    Midcredits score: 92nd percentile of all films

  • Still Pushing Pineapples (not in the MovieCove catalog yet)(2025)

    Executive Producer

  • Bogancloch (not in the MovieCove catalog yet)(2025)

    Executive Producer

  • The Tattooist's Son: Journey to Auschwitz(2025)

    Executive Producer

    Midcredits score: 78th percentile of all films

  • Silent Men (not in the MovieCove catalog yet)(2024)

    Executive Producer

  • Made in England: The Films of Powell and Pressburger(2024)

    Executive Producer

    Midcredits score: 98th percentile of all films

  • Mogwai: If the Stars Had a Sound(2024)

    Producer

    Midcredits score: 71st percentile of all films

  • Is There Anybody Out There? (not in the MovieCove catalog yet)(2023)

    Executive Producer

  • Bill Douglas - My Best Friend(2023)

    Producer

    Midcredits score: 78th percentile of all films (provisional, few ratings)

  • Tish(2023)

    Producer

    Midcredits score: 94th percentile of all films

  • Hong Kong: City on Fire (not in the MovieCove catalog yet)(2022)

    Executive Producer

  • Sound for the Future (not in the MovieCove catalog yet)(2022)

    Executive Producer

  • War and Justice: The Case of Marine A(2022)

    Executive Producer

    Midcredits score: 12th percentile of all films (provisional, few ratings)

  • My Old School(2022)

    Executive Producer

    Midcredits score: 83rd percentile of all films

  • Merkel(2022)

    Producer

    Midcredits score: 79th percentile of all films

  • Off the Rails(2022)

    Producer

    Midcredits score: 85th percentile of all films

  • The Artist & the Wall of Death(2022)

    Producer

    Midcredits score: 64th percentile of all films (provisional, few ratings)

  • The Hermit of Treig(2022)

    Producer

    Midcredits score: 90th percentile of all films

  • The Wolf Suit (not in the MovieCove catalog yet)(2021)

    Executive Producer

  • Eye of the Storm(2021)

    Producer

    Midcredits score: 81st percentile of all films (provisional, few ratings)

  • Killing Escobar(2021)

    Producer

    Midcredits score: 50th percentile of all films

  • Poly Styrene: I Am a Cliché(2021)

    Producer

    Midcredits score: 83rd percentile of all films

  • Prince of Muck(2021)

    Producer

    Midcredits score: 77th percentile of all films

  • The Storms of Jeremy Thomas(2021)

    Producer

    Midcredits score: 56th percentile of all films

  • Flint(2020)

    Producer

    Midcredits score: 75th percentile of all films

  • Final Ascent: The Legend of Hamish MacInnes (not in the MovieCove catalog yet)(2019)

    Executive Producer

  • Scheme Birds(2019)

    Executive Producer

    Midcredits score: 83rd percentile of all films

  • Elizabeth Is Missing(2019)

    Producer

    Midcredits score: 92nd percentile of all films

  • Prophecy(2019)

    Producer

    Midcredits score: 95th percentile of all films (provisional, few ratings)

  • The Small Hand (Ghost Story)(2019)

    Producer

    Midcredits score: 12th percentile of all films

  • Anna and the Apocalypse(2017)

    Executive Producer

    Midcredits score: 49th percentile of all films

  • The Eyes of Orson Welles(2018)

    Executive Producer

    Midcredits score: 73rd percentile of all films

  • Aquarela(2018)

    Producer

    Midcredits score: 67th percentile of all films

  • You've Been Trumped Too (not in the MovieCove catalog yet)(2016)

    Executive Producer

  • Hamish (not in the MovieCove catalog yet)(2016)

    Executive Producer

  • From Scotland with Love(2014)

    Producer

    Midcredits score: 91st percentile of all films

  • The Story of Documentary Film (not in the MovieCove catalog yet)

    Show 4 episodes · Executive Producer

Career shape

A full career of 22 titles, 21 of them dated from 2016 to 2026.

Biggest box office

Anna and the Apocalypse (2017)

$674K worldwide

Highest rated

Made in England: The Films of Powell and Pressburger (2024)

Midcredits 98th

Most popular right now

Anna and the Apocalypse (2017)

By role

only this rolewith another role
Producing22 of 22: 22 only producing, 0 with another role · typical Midcredits score76th

By decade

2010s6 · crew2020s15 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Mark Thomas' films land?

Their typical MovieCove film has a Midcredits score in the 78th percentile, the median of all 27; across their 26 films with reception data, the typical film sits in the 82nd percentile for acclaim.

Acclaim · how much people like their films

82ndpercentile
Typical film, the median of 26

Approval · how many liked their films

78thpercentile
Typical film, the median of 26

Reach · how many have seen their films

46thpercentile
Typical film, the median of 26

Midcredits score across 27 titles, by percentile

  • 75th and up17
  • 50th to 74th6
  • 25th to 49th2
  • Below 25th2

Shape of the crowd

12 of their 27 titles are Crowd Pleasers.

  • Universally Loved2
  • Loved with Detractors1
  • Divisive1
  • Cult Classic2
  • Crowd Pleaser12
  • Mixed9

Most divisive · producer

The Artist & the Wall of Death (2022)

93rd percentile spread · 31% rated it 4 or lower

Most loved · producer

Made in England: The Films of Powell and Pressburger (2024)

Midcredits 98th · 90% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Mark Thomas work with?

People who share at least 2 of Mark Thomas' MovieCove titles, grouped by what they did on them; Dani Carlaw shares the most, 4.

Directors

Cinematographers and editors

Producers