- January 1, 1985 (41)
- Santiago, Chile
- Director, producer, writer and editor
- 4 on MovieCove · 15 credits in all
What are Omar Zúñiga's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
A split, not a type: Light 2 · Serious 1 · Dark 1
A split, not a type: Grounded 3 · Stylized 0 · Heightened 1
A split, not a type: Gentle 2 · Charged 1 · Intense 1
Steady 4 · Shifting 0 · Whiplash 0
Straight-faced 4 · Some laughs 0 · Funny 0
Slow burn 2 · Even-paced 2 · Relentless 0
Casual 2 · Engaged 2 · Full focus 0
A split, not a type: Easy watch 2 · Affecting 0 · Heavy 2
Resolved 1 · Open-ended 2 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Omar Zúñiga's films?
As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Omar Zúñiga's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
15 credits, 4 with a MovieCove page.
Prison in the Andes (not in the MovieCove catalog yet)(2024)
Chile '76(2022)
Midcredits score: 72nd percentile of all films
Zahorí (not in the MovieCove catalog yet)(2022)
The Strong Ones(2019)
Midcredits score: 90th percentile of all films
Murder Me, Monster (not in the MovieCove catalog yet)(2019)
Too Late to Die Young(2018)
Midcredits score: 56th percentile of all films
San Cristóbal (not in the MovieCove catalog yet)(2015)
Niagara (not in the MovieCove catalog yet)(2013)
The Color of Time(2012)
Midcredits score: 6th percentile of all films
The Ducks' Migration (not in the MovieCove catalog yet)(2012)
The Plain (not in the MovieCove catalog yet)(2011)
Brussels (not in the MovieCove catalog yet)(2010)
Away (not in the MovieCove catalog yet)(2010)
November (not in the MovieCove catalog yet)(2007)
The Weeds on the Road (not in the MovieCove catalog yet)
Career shape
A full career of 15 titles, 14 of them dated from 2007 to 2024.
How do Omar Zúñiga's films land?
Their typical MovieCove film has a Midcredits score in the 64th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 64th percentile for acclaim.
- 75th and up1
- 50th to 74th2
- Below 25th1
Shape of the crowd
3 of their 4 titles are Crowd Pleasers.
- Crowd Pleaser3
- Mixed1
Reviewers score the atmosphere 78/100 and the pacing 44/100 in their films, across 4 reviewed titles. The element that speaks to their work as a director.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Omar Zúñiga work with?
People who share at least 2 of Omar Zúñiga's MovieCove titles, grouped by what they did on them; Dominga Sotomayor shares the most, 3.
Actors
- Alejandro GoicShared titles: Chile '76 (2022), Too Late to Die Young (2018)See all 2 shared titles with Alejandro Goic
- Antonia ZegersShared titles: Chile '76 (2022), Too Late to Die Young (2018)See all 2 shared titles with Antonia Zegers
Editors
- Catalina Marín DuarteShared titles: The Strong Ones (2019), Too Late to Die Young (2018)See all 2 shared titles with Catalina Marín Duarte
Producers
- Dominga SotomayorShared titles: Chile '76 (2022), The Strong Ones (2019), Too Late to Die Young (2018)See all 3 shared titles with Dominga Sotomayor
