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Dominga Sotomayor

Dominga Sotomayor

Producer, director and writer, also actor · Born January 1, 1985 (41) · Santiago, Chile

Cannes award nominee

Dominga Sotomayor is a Chilean director and screenwriter. She was born in Santiago de Chile in 1985. Her first feature film, ‘Thursday Till Sunday’ (2012), was developed at the Cinéfondation Résidence, won the Tiger Award at the International Film Festival Rotterdam, and was named best film at IndieLisboa, New Horizons, and the Valdivia International Film Festivals. She co-directed ‘The Island’ (2013), which also claimed a Tiger Award. In 2015, her medium-length film ‘Mar’ had its premiere in the Forum section at the Berlin International Film Festival, and she also released ‘Aqui, Em Lisboa’, a collective film directed with Gabriel Abrantes, Denis Côté, and Marie Losier.

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Biography from TMDB.

Born
January 1, 1985 (41)
From
Santiago, Chile
Works as
Producer, director and writer, also actor
Titles
7 on MovieCove · 31 credits in all
TMDB popularity, last 156 days to Oct 27Down 20% in 30 days

What are Dominga Sotomayor's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Self and Ideas.

Themes

share of theme weight
Self
39%
Ideas
18%
Society
17%
Morality
16%
Power
11%

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 3 · Serious 2 · Dark 1

A split, not a type: Grounded 4 · Stylized 2 · Heightened 0

Gentle 1 · Charged 4 · Intense 1

Steady 5 · Shifting 1 · Whiplash 0

Straight-faced 6 · Some laughs 0 · Funny 0

Slow burn 4 · Even-paced 2 · Relentless 0

Casual 2 · Engaged 4 · Full focus 0

A split, not a type: Easy watch 1 · Affecting 2 · Heavy 3

Resolved 2 · Open-ended 2 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
4
Melancholic
4
Romantic
1
Tense
1
Bittersweet
1
Other
2

How their films end

  • Bittersweet3
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Dominga Sotomayor's films?

As of October 24, 2026, 6 of their 7 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Dominga Sotomayor's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

31 credits, 7 with a MovieCove page.

  • La Perra (not in the MovieCove catalog yet)(2026)

    Director

  • Erratics(2026)

    Actor

    Midcredits score: 2nd percentile of all films (provisional, few ratings)
  • Swim to Me(2025)

    Director · Producer · Screenplay

    Midcredits score: 30th percentile of all films
  • Prison in the Andes (not in the MovieCove catalog yet)(2024)

    Producer

  • Chile '76(2022)

    Producer

    Midcredits score: 72nd percentile of all films
  • Zahorí (not in the MovieCove catalog yet)(2022)

    Co-Producer

  • Los Prisioneros (not in the MovieCove catalog yet)(2022)

    Show 8 episodes · Writer

  • The Year of the Everlasting Storm(2021)

    Director · Cinematographer

    Midcredits score: 39th percentile of all films
  • Brillo (not in the MovieCove catalog yet)(2021)

    Actor

  • Sin Titulo, 2020 (not in the MovieCove catalog yet)(2021)

    Director

  • Correspondence (not in the MovieCove catalog yet)(2020)

    Director · Associate Producer · Editor · Writer

  • The Strong Ones(2019)

    Executive Producer

    Midcredits score: 90th percentile of all films
  • Murder Me, Monster (not in the MovieCove catalog yet)(2019)

    Producer

  • Too Late to Die Young(2018)

    Director · Producer · Screenplay

    Midcredits score: 56th percentile of all films
  • Story of My Name (not in the MovieCove catalog yet)(2019)

    Producer

  • First Born (not in the MovieCove catalog yet)(2016)

    Producer

  • The Last Land (not in the MovieCove catalog yet)(2016)

    Producer

  • Los Barcos (not in the MovieCove catalog yet)(2016)

    Director · Writer

  • Here in Lisbon (not in the MovieCove catalog yet)(2015)

    Director · Co-Producer · Editor

  • Apnea (not in the MovieCove catalog yet)(2015)

    Producer

  • Mar (not in the MovieCove catalog yet)(2014)

    Director · Producer · Writer

  • The Archipelago (not in the MovieCove catalog yet)(2014)

    Co-Producer

  • The Island (not in the MovieCove catalog yet)(2014)

    Director · Writer

  • The Future(2013)

    Thanks

    Midcredits score: 40th percentile of all films
  • Thursday Till Sunday (not in the MovieCove catalog yet)(2012)

    Director · Development Producer · Writer

  • Videogame (not in the MovieCove catalog yet)(2009)

    Director · Editor

  • The Mountain (not in the MovieCove catalog yet)(2008)

    Director · Screenplay

  • November (not in the MovieCove catalog yet)(2007)

    Director · Writer

  • Below (not in the MovieCove catalog yet)(2007)

    Director · Screenplay

  • Cessna (not in the MovieCove catalog yet)(2006)

    Director · Camera Operator · Editor

  • The Weeds on the Road (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 30 titles, 29 of them dated from 2006 to 2026.

By role

only this rolewith another role
Acting1 of 30: 1 only acting, 0 with another roleDirecting16 of 30: 2 only directing, 14 with another roleWriting11 of 30: 1 only writing, 10 with another roleProducing17 of 30: 11 only producing, 6 with another roleCinematography1 of 30: 0 only cinematography, 1 with another roleEditing4 of 30: 0 only editing, 4 with another roleOther crew2 of 30: 1 only other crew, 1 with another role

30 titles, 14 with more than one role — producing and directing overlap on 6 of them.

By decade

2000s5 · crew2010s13 · crew2020s11 · 1 acting · 10 crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

Awards

2 major nominations and no wins, 2021–2026.

  1. 2026
    • Cannes award, nominated
  2. 2021
    • Cannes award, nominated

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Dominga Sotomayor's films land?

Their typical MovieCove film has a Midcredits score in the 40th percentile, the median of all 7; across their 6 films with reception data, the typical film sits in the 53rd percentile for acclaim.

Acclaim · how much people like their films

53rdpercentile
Typical film, the median of 6

Approval · how many liked their films

42ndpercentile
Typical film, the median of 6

Reach · how many have seen their films

68thpercentile
Typical film, the median of 6

Midcredits score across 7 titles, by percentile

  • 75th and up1
  • 50th to 74th2
  • 25th to 49th3
  • Below 25th1

Reviewers score the atmosphere 79/100 and the pacing 44/100 in their films, across 5 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Dominga Sotomayor work with?

People who share at least 2 of Dominga Sotomayor's MovieCove titles, grouped by what they did on them; Omar Zúñiga shares the most, 3.

Actors

Editors

Producers