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Jorge Eduardo Ramírez

Jorge Eduardo Ramírez

Producer and director · Born June 13, 1978 (48) · Mexico City, Mexico

Jorge Eduardo Ramírez was born on 13 June 1978 in Mexico City, Mexico. He is a director and producer, known for Facing El Chapo (2026), The Secret of the River (2024) and Nothing to See Here (2023).

Biography from IMDb.

Born
June 13, 1978 (48)
From
Mexico City, Mexico
Works as
Producer and director
Titles
9 on MovieCove

What are Jorge Eduardo Ramírez's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 0 · Dark 2

Grounded 3 · Stylized 1 · Heightened 0

A split, not a type: Gentle 2 · Charged 0 · Intense 2

Steady 3 · Shifting 1 · Whiplash 0

Straight-faced 2 · Some laughs 2 · Funny 0

Slow burn 2 · Even-paced 2 · Relentless 0

A split, not a type: Casual 2 · Engaged 1 · Full focus 1

A split, not a type: Easy watch 2 · Affecting 1 · Heavy 1

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Dread
4
Hopeful
2
Melancholic
3
Warm
2
Other
10

How their films end

  • Happy4
  • Bittersweet2
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jorge Eduardo Ramírez's films?

As of October 24, 2026, all 9 MovieCove titles stream on a subscription or free service, most on Netflix (7).

Subscription and free streaming for Jorge Eduardo Ramírez's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 9 with a MovieCove page.

  • Facing El Chapo(2026)

    Producer

    Midcredits score: 77th percentile of all films
  • The Accident(2024)

    Show Producer

    Midcredits score: 12th percentile of all shows
  • The Secret of the River(2024)

    Show Producer

    Midcredits score: 93rd percentile of all shows
  • Nothing to See Here(2023)

    Show Producer

    Midcredits score: 78th percentile of all shows
  • Pinches Momias(2023)

    Show Producer

    Midcredits score: 63rd percentile of all shows (provisional, few ratings)
  • Midcredits score: 14th percentile of all films
  • Don't Blame Karma!(2022)

    Producer

    Midcredits score: 15th percentile of all films
  • Demon(2018)

    Show Producer

    Midcredits score: 47th percentile of all shows
  • La Niña de la Mina(2016)

    Director · Producer

    Midcredits score: 5th percentile of all films

Career shape

Across their 9 MovieCove titles from 2016 to 2026.

By role

only this rolewith another role
Directing1 of 9: 0 only directing, 1 with another roleProducing9 of 9: 8 only producing, 1 with another role · typical Midcredits score47th

By decade

2010s2 · crew2020s7 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Jorge Eduardo Ramírez's films land?

Their typical MovieCove film has a Midcredits score in the 15th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 25th percentile for acclaim.

Acclaim · how much people like their films

25thpercentile
Typical film, the median of 4

Approval · how many liked their films

8thpercentile
Typical film, the median of 4

Reach · how many have seen their films

80thpercentile
Typical film, the median of 4

Midcredits score across 9 titles, by percentile

  • 75th and up3
  • 50th to 74th1
  • 25th to 49th1
  • Below 25th4

Reviewers score the pacing 46/100 in their films, across 3 reviewed titles; fans 57, detractors 27. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Jorge Eduardo Ramírez work with?

People who share at least 2 of Jorge Eduardo Ramírez's MovieCove titles, grouped by what they did on them; Juan Uruchurtu shares the most, 4.

Writers

Actors

Composers, cinematographers and editors

Producers