Amado López

What are Amado López's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Amado López's films?

As of October 24, 2026, 11 of their 13 MovieCove titles stream on a subscription or free service, most on Netflix (5).

• Netflix5 titles, browse their movies on this service
  • The Three Deaths of Marisela Escobedo (2020) · composer
  • Nothing to See Here (2023) · composer
  • Rebelde (2022) · composer
  • Super Monsters (2017) · composer
  • The Search (2020) · composer
• Prime Video3 titles, browse their movies on this service
  • Pinches Momias (2023) · composer · free
  • Profe Infiltrado (2024) · composer · free
  • 13:14. The Challenge of Helping (2022) · composer
• Disney+1 title, browse their movies on this service
  • El Mantequilla (2023) · composer
• Hulu1 title, browse their movies on this service
  • El Mantequilla (2023) · composer

Subscription and free streaming for Amado López's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 13 with a MovieCove page.

• 

  Married with Children(2024)

  Show Composer

  Midcredits score: 13th percentile of all shows (provisional, few ratings)~13^th
• 

  Profe Infiltrado(2024)

  Show Composer

  Midcredits score: 57th percentile of all shows (provisional, few ratings)~57^th
• 

  El Mantequilla(2023)

  Show Composer

  Midcredits score: 50th percentile of all shows50^th
• 

  La Usurpadora: The Musical(2023)

  Composer

  Midcredits score: 55th percentile of all films55^th
• 

  Nothing to See Here(2023)

  Show Composer

  Midcredits score: 78th percentile of all shows78^th
• 

  Pinches Momias(2023)

  Show Composer

  Midcredits score: 63rd percentile of all shows (provisional, few ratings)~63^rd
• 

  13:14. The Challenge of Helping(2022)

  Composer

  Midcredits score: 33rd percentile of all films33^rd
• 

  Rebelde(2022)

  Show Composer

  Midcredits score: 52nd percentile of all shows52^nd
• 

  The Search(2020)

  Show Composer

  Midcredits score: 12th percentile of all shows12^th
• 

  The Three Deaths of Marisela Escobedo(2020)

  Composer

  Midcredits score: 99th percentile of all films99^th
• 

  1994(2019)

  Show Composer

  Midcredits score: 81st percentile of all shows81^st
• 

  Martians vs. Mexicans(2018)

  Composer

  Midcredits score: 29th percentile of all films29^th
• 

  Super Monsters(2017)

  Show Composer

  Midcredits score: 37th percentile of all shows37^th

Career shape

Across their 13 MovieCove titles from 2017 to 2024.

Biggest box office

Martians vs. Mexicans (2018)

$1.2M worldwide

Highest rated

The Three Deaths of Marisela Escobedo (2020)

Midcredits 99^th

Most popular right now

Super Monsters (2017)

How do Amado López's films land?

Their typical MovieCove film has a Midcredits score in the 44^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 48^th percentile for acclaim.

Shape of the crowd

3 of their 13 titles are Divisive.

3323

• Universally Loved1
• Universally Panned1
• Divisive3
• Cult Classic3
• Crowd Pleaser2
• Mixed3

Most divisive · composer

13:14. The Challenge of Helping (2022)

99^th percentile spread · 44% rated it 4 or lower

Most loved · composer

The Three Deaths of Marisela Escobedo (2020)

Midcredits 99^th · 90% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Amado López work with?

People who share at least 2 of Amado López's MovieCove titles, grouped by what they did on them; Santiago Limón shares the most, 5.