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Matteo Zoppis

Matteo Zoppis

Director and writer · Born October 16, 2021 (5) · Rome, Italy

Cannes award nominee

Matteo Zoppis (1986, Italy) is an Italian-American filmmaker who works as a director, cinematographer and editor. After studying Law, he moved to New York enrolling at New York University SCPS to study directing. He currently lives in Berlin and works with his friend Alessio Rigo de Righi. He has directed All Tears Drop (2010, short), My Wildest Dark (2011, short), The Falconer (2012, short), Black Beast (2013, short doc, co-dir), Il solengo (2015, doc, co-dir) and Re granchio (2021, co-dir).

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Biography from TMDB.

Born
October 16, 2021 (5)
From
Rome, Italy
Works as
Director and writer
Titles
3 on MovieCove · 4 credits in all
TMDB popularity, last 155 days to Oct 26Up 49% in 30 days

What are Matteo Zoppis' films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Ideas.

Themes

share of theme weight
Self
31%
Ideas
30%
Morality
19%
Power
13%
Society
7%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 1 · Stylized 2 · Heightened 0

Gentle 1 · Charged 2 · Intense 0

Steady 3 · Shifting 0 · Whiplash 0

Straight-faced 2 · Some laughs 1 · Funny 0

Slow burn 3 · Even-paced 0 · Relentless 0

A split, not a type: Casual 1 · Engaged 2 · Full focus 0

Resolved 1 · Open-ended 1 · Ambiguous 1

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Contemplative
3
Melancholic
2
Joyful
1
Tense
1
Warm
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Matteo Zoppis' films?

As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Matteo Zoppis' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 3 with a MovieCove page.

  • Heads or Tails?(2025)

    Director · Writer

    Midcredits score: 53rd percentile of all films
  • The Tale of King Crab(2021)

    Director · Screenplay · Story

    Midcredits score: 75th percentile of all films
  • Il solengo(2015)

    Director · Editor

    Midcredits score: 66th percentile of all films
  • Black Beast (not in the MovieCove catalog yet)(2013)

    Director · Cinematographer · Editor · Writer

Career shape

A full career of 4 titles from 2013 to 2025.

By role

only this rolewith another role
Directing4 of 4: 0 only directing, 4 with another roleWriting3 of 4: 0 only writing, 3 with another roleCinematography1 of 4: 0 only cinematography, 1 with another roleEditing2 of 4: 0 only editing, 2 with another role

4 titles, 4 with more than one role — directing and writing overlap on 3 of them.

By decade

2010s2 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

Awards

3 major nominations and no wins, 2021–2025.

  1. 2025
    • Cannes award, nominated
  2. 2021
    • Cannes award, nominated · Directors' Fortnight
    • Cannes award, nominated

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Matteo Zoppis' films land?

Their typical MovieCove film has a Midcredits score in the 66th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 62nd percentile for acclaim.

Acclaim · how much people like their films

62ndpercentile
Typical film, the median of 3

Approval · how many liked their films

68thpercentile
Typical film, the median of 3

Reach · how many have seen their films

68thpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 75th and up1
  • 50th to 74th2

Shape of the crowd

None of their 3 titles divides audiences: 2 are Crowd Pleasers.

  • Crowd Pleaser2
  • Mixed1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Matteo Zoppis work with?

People who share at least 2 of Matteo Zoppis' MovieCove titles, grouped by what they did on them; Alessio Rigo de Righi shares the most, 3.

Directors

Actors

Composers, cinematographers and editors

Producers