- January 1, 1953 (73)
- Libano
- Director, also producer
- 14 on Motif · 21 credits in all
Known for
What are Philip Martin's films like?
Across their 8 Motif titles with a thematic analysis, their films lean Morality and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
Light 0 · Serious 4 · Dark 1
Grounded 5 · Stylized 0 · Heightened 0
Gentle 1 · Charged 2 · Intense 2
Steady 3 · Shifting 2 · Whiplash 0
Straight-faced 4 · Some laughs 1 · Funny 0
Slow burn 2 · Even-paced 3 · Relentless 0
Casual 0 · Engaged 3 · Full focus 2
Easy watch 0 · Affecting 1 · Heavy 4
Resolved 5 · Open-ended 0 · Ambiguous 0
Moods and endings
- Bittersweet6
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Philip Martin's films?
As of October 24, 2026, 13 of their 14 Motif titles stream on a subscription or free service, most on BritBox (4).
- BritBox
Subscription and free streaming for Philip Martin's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
21 credits, 14 with a Motif page.

The Agency(2024)
Midcredits score: 75th percentile of all shows
Scoop(2024)
Midcredits score: 61st percentile of all films
Night Sky(2022)
Midcredits score: 66th percentile of all shows
Catherine the Great(2019)
Midcredits score: 18th percentile of all shows
The Crown(2016)
Midcredits score: 98th percentile of all shows
The Forger(2014)
Midcredits score: 29th percentile of all films
The Tunnel(2013)
Midcredits score: 87th percentile of all shows
Japan in a Day (not in the Motif catalog yet)(2012)

Birdsong (not in the Motif catalog yet)(2012)

Mo(2010)
Midcredits score: 90th percentile of all films
Wallander(2008)
Midcredits score: 85th percentile of all shows
Einstein and Eddington(2008)
Midcredits score: 82nd percentile of all filmsThe Girls Who Came to Stay (not in the Motif catalog yet)(2006)

Bloodlines (not in the Motif catalog yet)(2005)

Hawking(2004)
Midcredits score: 90th percentile of all films
Stephen Hawking's Universe (not in the Motif catalog yet)(1997)

Shoot for the Moon (not in the Motif catalog yet)(1995)

Prime Suspect(1991)
Midcredits score: 95th percentile of all shows
Poirot(1989)
Midcredits score: 98th percentile of all shows
Horizon (not in the Motif catalog yet)(1964)
Midcredits score: 93rd percentile of all films
Career shape
A full career of 21 titles from 1962 to 2024.

Biggest box office
The Forger (2014)

Highest rated
Hawking (2004)

Most popular right now
The Agency (2024)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored.
Awards
a Primetime Emmy and 2 BAFTA Awards from 11 major nominations, 2005–2018.
- Primetime Emmy, nominated · Outstanding Drama Series
+1 other major body · 1 nomination
- Producers Guild Award, nominated · Outstanding Producer of Episodic Television, Drama
- Primetime Emmy, nominated · Outstanding Drama Series
- BAFTA Award, won · Best Director Fiction/Entertainment
- BAFTA Award, nominated · Best Single Drama
- Primetime Emmy, nominated · Outstanding Directing for a Miniseries, Movie or a Dramatic Special
- BAFTA Award, won · Best Drama Series
- BAFTA Award, nominated · Best Single Drama
- Primetime Emmy, won · Outstanding Directing for a Miniseries, Movie or a Dramatic Special
- BAFTA Award, nominated · Best Drama Serial
- BAFTA Award, nominated · Best Single Drama
Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.
How do Philip Martin's films land?
Their typical Motif film has a Midcredits score in the 86th percentile, the median of all 6; across their 5 films with reception data, the typical film sits in the 74th percentile for acclaim.
- 75th and up10
- 50th to 74th2
- 25th to 49th1
- Below 25th1
Shape of the crowd
None of their 14 titles divides audiences: 7 are Crowd Pleasers.
- Universally Loved5
- Crowd Pleaser7
- Broadly Agreed1
- Mixed1
Reviewers score the atmosphere 68/100 and the pacing 57/100 in their films, across 5 reviewed titles. The element that speaks to their work as a director.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Philip Martin's work okay for kids?
Across up to 5 Motif titles with content scores, 1 of the 5 categories sits near the median of all films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Philip Martin work with?
People who share at least 2 of Philip Martin's Motif titles, grouped by what they did on them; Peter Moffat shares the most, 3.
Writers
- Peter MoffatShared titles: Scoop (2024), Einstein and Eddington (2008), Hawking (2004)See all 3 shared titles with Peter Moffat

Composers, cinematographers and editors
- Julian CourtShared titles: Mo (2010), Einstein and Eddington (2008), Hawking (2004)See all 3 shared titles with Julian Court
- Kristina HetheringtonShared titles: Scoop (2024), Mo (2010)See all 2 shared titles with Kristina Hetherington
- Nicholas HooperShared titles: Mo (2010), Einstein and Eddington (2008)See all 2 shared titles with Nicholas Hooper

- Trevor WaiteShared titles: Einstein and Eddington (2008), Hawking (2004)See all 2 shared titles with Trevor Waite
Producers
- Charles PattinsonShared titles: Catherine the Great (2019), Einstein and Eddington (2008)See all 2 shared titles with Charles Pattinson

- David M. ThompsonShared titles: Catherine the Great (2019), Einstein and Eddington (2008)See all 2 shared titles with David M. Thompson

- Simon BirdShared titles: Catherine the Great (2019), Hawking (2004)See all 2 shared titles with Simon Bird

