Hiroyuki Ishidô

What are Hiroyuki Ishidô's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Survival.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Hiroyuki Ishidô's films?

As of October 24, 2026, 3 of their 5 MovieCove titles stream on a subscription or free service, most on Netflix (3).

• Netflix3 titles, browse their movies on this service
  • Great Teacher Onizuka (1999) · director
  • Neon Genesis Evangelion (1995) · director
  • Evangelion: Death (True)² (1998) · director
• The Criterion Channel2 titles, browse their movies on this service
  • Neon Genesis Evangelion (1995) · director
  • Evangelion: Death (True)² (1998) · director
• Peacock1 title, browse their movies on this service
  • Great Teacher Onizuka (1999) · director
• Prime Video1 title, browse their movies on this service
  • Great Teacher Onizuka (1999) · director

Subscription and free streaming for Hiroyuki Ishidô's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

16 credits, 5 with a MovieCove page.

• 

  Hell Girl (not in the MovieCove catalog yet)(2005)

  Show 1 episode · Director
• 

  Madam is a Magical Girl (not in the MovieCove catalog yet)(2005)

  Show 1 episode · Director
• 

  The Melody of Oblivion (not in the MovieCove catalog yet)(2004)

  Show 1 episode · Director
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  Detective School Q (not in the MovieCove catalog yet)(2003)

  Show 1 episode · Director
• 

  Tokyo Mew Mew (not in the MovieCove catalog yet)(2002)

  Show 2 episodes · Director
• 

  Ghost Stories (not in the MovieCove catalog yet)(2000)

  Show 2 episodes · Director
• 

  Great Teacher Onizuka(1999)

  Show 3 episodes · Director · Storyboard Artist

  Midcredits score: 97th percentile of all shows97^th
• 

  Orphen (not in the MovieCove catalog yet)(1998)

  Show 1 episode · Director
• 

  His and Her Circumstances (not in the MovieCove catalog yet)(1998)

  Show 1 episode · Director
• 

  Evangelion: Death (True)²(1998)

  Director

  Midcredits score: 68th percentile of all films68^th
• 

  Revival of Evangelion(1998)

  Director

  Midcredits score: 93rd percentile of all films93^rd
• 

  Neon Genesis Evangelion: Death & Rebirth(1997)

  Director

  Midcredits score: 90th percentile of all films90^th
• 

  Speed Racer X (not in the MovieCove catalog yet)(1997)

  Show 1 episode · Director · Storyboard Artist
• 

  Alice in Cyberland (not in the MovieCove catalog yet)(1996)

  Show 2 episodes · Director
• 

  Neon Genesis Evangelion(1995)

  Show 5 episodes · Director · Storyboard Artist

  Midcredits score: 97th percentile of all shows97^th
• 

  Magical Hat (not in the MovieCove catalog yet)(1989)

  Show 2 episodes · Director

Career shape

A full career of 16 titles from 1989 to 2005.

Biggest box office

Neon Genesis Evangelion: Death & Rebirth (1997)

$16M worldwide

Highest rated

Neon Genesis Evangelion (1995)

Midcredits 97^th

How do Hiroyuki Ishidô's films land?

Their typical MovieCove film has a Midcredits score in the 90^th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 89^th percentile for acclaim.

Shape of the crowd

2 of their 5 titles are Universally Loved.

221

• Universally Loved2
• Crowd Pleaser2
• Mixed1

Most divisive · director

Revival of Evangelion (1998)

67^th percentile spread · 11% rated it 4 or lower

Most loved · director

Great Teacher Onizuka (1999)

Midcredits 97^th · 91% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Hiroyuki Ishidô work with?

People who share at least 2 of Hiroyuki Ishidô's MovieCove titles, grouped by what they did on them; Akira Takamura shares the most, 4.