Takuma Kuramasu

What are Takuma Kuramasu's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Survival.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Takuma Kuramasu's films?

As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service, most on Netflix (2).

• Netflix2 titles, browse their movies on this service
  • Neon Genesis Evangelion: The End of Evangelion (1997) · producer
  • Evangelion: Death (True)² (1998) · producer
• The Criterion Channel1 title, browse their movies on this service
  • Evangelion: Death (True)² (1998) · producer

Subscription and free streaming for Takuma Kuramasu's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Evangelion: Death (True)²(1998)

  Producer

  Midcredits score: 68th percentile of all films68^th
• 

  Revival of Evangelion(1998)

  Producer

  Midcredits score: 93rd percentile of all films93^rd
• 

  Neon Genesis Evangelion: Death & Rebirth(1997)

  Producer

  Midcredits score: 90th percentile of all films90^th
• 

  Neon Genesis Evangelion: The End of Evangelion(1997)

  Producer

  Midcredits score: 98th percentile of all films98^th

Career shape

Across a limited sample of 4 MovieCove titles from 1997 to 1998.

Biggest box office

Neon Genesis Evangelion: The End of Evangelion (1997)

$24M worldwide

Highest rated

Neon Genesis Evangelion: The End of Evangelion (1997)

Midcredits 98^th

How do Takuma Kuramasu's films land?

Their typical MovieCove film has a Midcredits score in the 92^nd percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 93^rd percentile for acclaim.

Shape of the crowd

2 of their 4 titles are Crowd Pleasers.

121

• Universally Loved1
• Crowd Pleaser2
• Mixed1

Most divisive · producer

Revival of Evangelion (1998)

67^th percentile spread · 11% rated it 4 or lower

Most loved · producer

Neon Genesis Evangelion: The End of Evangelion (1997)

Midcredits 98^th · 87% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Takuma Kuramasu work with?

People who share at least 2 of Takuma Kuramasu's MovieCove titles, grouped by what they did on them; Hideaki Anno shares the most, 4.