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Araceli Velázquez

Araceli Velázquez

Producer

Araceli Velázquez was born in Guadalajara, Mexico. She is a producer known for Sad Girlz (2026), All the Fires (2023), Lluvia (2023) and Asfixia (2019). She founded Martini Shot Films after earning her degree in Media Studies and specializing in film production at Cuba's renowned EICTV. She has executive produced projects of filmmakers such as Demián Bichir, Jonás Cuarón and Manolo Caro.

Read more

Biography from IMDb.

Works as
Producer
Titles
11 on MovieCove · 17 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 64 days to Oct 27Down 38% in 30 days

What are Araceli Velázquez's films like?

Across their 11 MovieCove titles with a thematic analysis, their films lean Bonds and Power.

Genres

Drama6 titlesTypical Midcredits score: 55th percentile
: browse their Drama movies
Action2 titlesTypical Midcredits score: 39th percentile
: browse their Action movies
Comedy2 titlesTypical Midcredits score: 72nd percentile, at or above their average across these genres
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
25%
Power
19%
Morality
18%
Survival
17%
Self
14%
Society
5%
Ideas
2%
Romantic love3 titles, browse their movies with this themeSurvival2 titles, browse their movies with this themeRedemption3 titles, browse their movies with this themeOppression3 titles, browse their movies with this themeTrauma2 titles, browse their movies with this themeDeception2 titles, browse their movies with this theme

What they feel like to watch

their average across 11 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 3 · Serious 3 · Dark 5

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 10 · Stylized 1 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 7 · Intense 3

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 4 · Shifting 7 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 9 · Some laughs 2 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 8 · Even-paced 3 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 4 · Engaged 7 · Full focus 0

Heavy: How much it costs you emotionally; whether you need recovery time. Browse their heavy movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 0 · Affecting 7 · Heavy 4

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 7 · Open-ended 3 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
8
Melancholic
9
Dread
4
Romantic
2
Hopeful
4
Other
3

How their films linger

Hopeful5 titles, browse their movies with this aftertasteBittersweet3 titles, browse their movies with this aftertasteUnsettling3 titles, browse their movies with this aftertasteThought-provoking3 titles, browse their movies with this aftertasteDevastating2 titles, browse their movies with this aftertasteWistful3 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Bittersweet7
  • Tragic1
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Araceli Velázquez's films?

As of October 24, 2026, 9 of their 11 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Araceli Velázquez's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

17 credits, 11 with a MovieCove page.

  • Sad Girlz(2026)

    Producer

    Midcredits score: 89th percentile of all films

  • The Immaculate Honey (not in the MovieCove catalog yet)(2025)

    Producer

  • Fine Young Men(2024)

    Line Producer

    Midcredits score: 50th percentile of all films

  • Rain (not in the MovieCove catalog yet)(2025)

    Producer

  • A Circus Tale & a Love Song(2024)

    Producer

    Midcredits score: 27th percentile of all films

  • Almost Paradise(2024)

    Producer

    Midcredits score: 66th percentile of all films

  • All the Fires (not in the MovieCove catalog yet)(2023)

    Producer

  • City of Dreams(2023)

    Producer

    Midcredits score: 60th percentile of all films

  • Ana's Desire(2019)

    Producer

    Midcredits score: 32nd percentile of all films

  • No Man's Land(2020)

    Producer

    Midcredits score: 35th percentile of all films

  • Asfixia(2019)

    Producer

    Midcredits score: 62nd percentile of all films

  • North Pacific (not in the MovieCove catalog yet)(2018)

    Producer

  • Desierto(2015)

    Producer

    Midcredits score: 42nd percentile of all films

  • Demon Inside(2013)

    Executive Producer

    Midcredits score: 15th percentile of all films

  • I Don't Know Whether to Slit My Wrists or Leave Them Long(2013)

    Executive Producer

    Midcredits score: 77th percentile of all films

  • Cobrador: In God We Trust (not in the MovieCove catalog yet)(2007)

    Unit Production Manager

  • Charros (not in the MovieCove catalog yet)(2004)

    Production Manager

Career shape

A full career of 11 titles from 2004 to 2026.

Biggest box office

Desierto (2015)

$4.9M worldwide

Highest rated

Sad Girlz (2026)

Midcredits 89th

By role

only this rolewith another role
Producing9 of 11: 9 only producing, 0 with another role · typical Midcredits score50thOther crew2 of 11: 2 only other crew, 0 with another role

By decade

2000s2 · crew2010s3 · crew2020s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Araceli Velázquez's films land?

Their typical MovieCove film has a Midcredits score in the 50th percentile, the median of all 11; across their 11 films with reception data, the typical film sits in the 44th percentile for acclaim.

Acclaim · how much people like their films

44thpercentile
Typical film, the median of 11

Approval · how many liked their films

49thpercentile
Typical film, the median of 11

Reach · how many have seen their films

67thpercentile
Typical film, the median of 11

Midcredits score across 11 titles, by percentile

  • 75th and up2
  • 50th to 74th4
  • 25th to 49th4
  • Below 25th1

Shape of the crowd

6 of their 11 titles are Mixed.

  • Cult Classic1
  • Crowd Pleaser3
  • Broadly Agreed1
  • Mixed6

Most divisive · producer

City of Dreams (2023)

81st percentile spread · 17% rated it 4 or lower

Most loved · producer

Sad Girlz (2026)

Midcredits 89th · 72% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Araceli Velázquez work with?

People who share at least 2 of Araceli Velázquez's MovieCove titles, grouped by what they did on them; Santiago Garcia Galvan shares the most, 5.

Actors

Producers