Philip G. Epstein

What are Philip G. Epstein's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Philip G. Epstein's films?

As of October 24, 2026, 2 of their 6 MovieCove titles stream on a subscription or free service.

• HBO Max1 title, browse their movies on this service
  • Casablanca (1942) · writer
• Tubi1 title, browse their movies on this service
  • Mr. Skeffington (1944) · writer, producer · free

Subscription and free streaming for Philip G. Epstein's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 6 with a MovieCove page.

• 

  Mr. Skeffington(1944)

  Producer · Writer

  Midcredits score: 91st percentile of all films91^st
• 

  Casablanca(1942)

  Writer

  Midcredits score: 99th percentile of all films99^th
• 

  The Bride Came C.O.D.(1941)

  Writer

  Midcredits score: 78th percentile of all films78^th
• 

  The Mad Miss Manton(1938)

  Writer

  Midcredits score: 71st percentile of all films71^st
• 

  Love on a Bet(1936)

  Writer

  Midcredits score: 75th percentile of all films75^th
• 

  The Bride Walks Out(1936)

  Writer

  Midcredits score: 29th percentile of all films29^th

Career shape

Across their 6 MovieCove titles from 1936 to 1944.

Biggest box office

Casablanca (1942)

$4.8M worldwide

Highest rated

Casablanca (1942)

Midcredits 99^th

How do Philip G. Epstein's films land?

Their typical MovieCove film has a Midcredits score in the 77^th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 75^th percentile for acclaim.

Shape of the crowd

None of their 6 titles divides audiences: 3 are Crowd Pleasers.

231

• Universally Loved2
• Crowd Pleaser3
• Broadly Agreed1

Most loved · writer

Casablanca (1942)

Midcredits 99^th · 90% liked

Reviewers score the dialogue 74/100 and the plot and story 50/100 in their films, across 6 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Philip G. Epstein work with?

People who share at least 2 of Philip G. Epstein's MovieCove titles, grouped by what they did on them; Julius J. Epstein shares the most, 4.