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Albert C. Chevalier

Producer and cinematographer

Works as
Producer and cinematographer
Titles
7 on MovieCove

What are Albert C. Chevalier's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
26%
Bonds
16%
Self
16%
Power
12%
Survival
12%
Society
10%
Ideas
8%

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 4 · Serious 2 · Dark 1

Grounded 6 · Stylized 1 · Heightened 0

Gentle 2 · Charged 5 · Intense 0

Steady 6 · Shifting 1 · Whiplash 0

Straight-faced 3 · Some laughs 3 · Funny 1

A split, not a type: Slow burn 4 · Even-paced 2 · Relentless 1

Casual 5 · Engaged 2 · Full focus 0

Resolved 7 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Melancholic
3
Thrilling
2
Dread
1
Absurd
1
Other
5

How their films end

  • Happy4
  • Bittersweet1
  • Tragic1
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Albert C. Chevalier's films?

As of October 24, 2026, 5 of their 7 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Subscription and free streaming for Albert C. Chevalier's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 7 with a MovieCove page.

  • Nora's Hair Salon II(2008)

    Producer

    Midcredits score: 8th percentile of all films
  • Color of the Cross(2006)

    Producer

    Midcredits score: 6th percentile of all films
  • Brothers in Arms(2005)

    Producer

    Midcredits score: 1st percentile of all films
  • County General(2005)

    Cinematographer · Producer

    Midcredits score: 3rd percentile of all films (provisional, few ratings)
  • Midcredits score: 1st percentile of all films (provisional, few ratings)
  • Pastor Jones(2005)

    Cinematographer · Producer

    Midcredits score: 14th percentile of all films (provisional, few ratings)
  • Ride or Die(2005)

    Producer

    Midcredits score: 3rd percentile of all films

Career shape

Across their 7 MovieCove titles from 2005 to 2008.

By role

only this rolewith another role
Producing7 of 7: 5 only producing, 2 with another role · typical Midcredits score3rdCinematography2 of 7: 0 only cinematography, 2 with another role

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Albert C. Chevalier's films land?

Their typical MovieCove film has a Midcredits score in the 3rd percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 2nd percentile for acclaim.

Acclaim · how much people like their films

2ndpercentile
Typical film, the median of 7

Approval · how many liked their films

9thpercentile
Typical film, the median of 7

Reach · how many have seen their films

22ndpercentile
Typical film, the median of 7

Midcredits score across 7 titles, by percentile

  • Below 25th7

Reviewers score the cinematography 33/100 in their films, across 4 reviewed titles; fans 53, detractors 25. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Albert C. Chevalier work with?

People who share at least 2 of Albert C. Chevalier's MovieCove titles, grouped by what they did on them; Jean-Claude La Marre shares the most, 7.

Directors

Writers

Actors

Composers and editors

Producers

Mixed roles