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Motif

London Thompson

Composer

Works as
Composer
Titles
3 on Motif

What are London Thompson's films like?

Across a limited sample of 3 Motif titles with a thematic analysis, their films lean Survival and Morality.

Themes

share of theme weight
Survival
30%
Morality
28%
Ideas
20%
Power
12%
Self
10%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 3 · Stylized 0 · Heightened 0

Gentle 0 · Charged 3 · Intense 0

Steady 3 · Shifting 0 · Whiplash 0

A split, not a type: Straight-faced 2 · Some laughs 0 · Funny 1

Slow burn 1 · Even-paced 2 · Relentless 0

Casual 3 · Engaged 0 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
2
Absurd
1
Manic
1
Melancholic
1
Thrilling
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch London Thompson's films?

As of October 24, 2026, 2 of their 3 Motif titles stream on a subscription or free service, most on Tubi (2).

Subscription and free streaming for London Thompson's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

3 credits, 3 with a Motif page.

  • Brothers in Arms(2005)

    Composer

    Midcredits score: 1st percentile of all films
  • County General(2005)

    Composer

    Midcredits score: 3rd percentile of all films (provisional, few ratings)
  • Pastor Jones(2005)

    Composer

    Midcredits score: 14th percentile of all films (provisional, few ratings)

Career shape

Across a limited sample of 3 Motif titles in 2005.

By role

only this rolewith another role
Music3 of 3: 3 only music, 0 with another role

Counts over their Motif titles; a title counts in every role they held on it.

How do London Thompson's films land?

Their typical Motif film has a Midcredits score in the 3rd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 2nd percentile for acclaim.

Acclaim · how much people like their films

2ndpercentile
Typical film, the median of 3

Approval · how many liked their films

6thpercentile
Typical film, the median of 3

Reach · how many have seen their films

22ndpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • Below 25th3

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does London Thompson work with?

People who share at least 2 of London Thompson's Motif titles, grouped by what they did on them; Jean-Claude La Marre shares the most, 3.

Directors

Actors

Composers and cinematographers

Producers

Mixed roles