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Marivic B. Ong

Producer

Works as
Producer
Titles
37 on MovieCove · 61 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 64 days to Oct 27Up 5% in 30 days

What are Marivic B. Ong's films like?

Across their 37 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Comedy20 titlesTypical Midcredits score: 55th percentile, at or above their average across these genres
: browse their Comedy movies
Drama12 titlesTypical Midcredits score: 41st percentile
: browse their Drama movies
Action2 titlesTypical Midcredits score: 43rd percentile
: browse their Action movies
Horror2 titlesTypical Midcredits score: 36th percentile
: browse their Horror movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
51%
Self
17%
Morality
14%
Survival
12%
Society
2%
Power
2%
Ideas
1%
Romantic love15 titles, browse their movies with this themeFamily bonds14 titles, browse their movies with this themeGrief8 titles, browse their movies with this themeSelf-worth6 titles, browse their movies with this themeIdentity7 titles, browse their movies with this themeFriendship5 titles, browse their movies with this themeMarriage3 titles, browse their movies with this themeLoyalty4 titles, browse their movies with this theme

What they feel like to watch

their average across 37 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 21 · Serious 10 · Dark 6

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 27 · Stylized 6 · Heightened 4

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 10 · Charged 19 · Intense 8

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 20 · Shifting 15 · Whiplash 2

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 15 · Some laughs 15 · Funny 7

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 17 · Even-paced 20 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 26 · Engaged 11 · Full focus 0

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 16 · Affecting 11 · Heavy 10

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 31 · Open-ended 6 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Romantic
15
Tense
12
Melancholic
13
Joyful
11
Hopeful
12
Other
34

How their films linger

Feel-good19 titles, browse their movies with this aftertasteHopeful18 titles, browse their movies with this aftertasteFun9 titles, browse their movies with this aftertasteBittersweet8 titles, browse their movies with this aftertasteThought-provoking7 titles, browse their movies with this aftertasteUnsettling4 titles, browse their movies with this aftertaste

How their films end · 6 with a twist

  • Happy14
  • Bittersweet16
  • Ambiguous7

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Marivic B. Ong's films?

As of October 24, 2026, 17 of their 37 MovieCove titles stream on a subscription or free service, most on Netflix (10).

Also on these channels

Subscription and free streaming for Marivic B. Ong's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

61 credits, 37 with a MovieCove page.

  • Dear Satan (not in the MovieCove catalog yet)(2025)

    Supervising Producer

  • ConMom(2025)

    Supervising Producer

    Midcredits score: 10th percentile of all films

  • My Love Will Make You Disappear(2025)

    Line Producer

    Midcredits score: 67th percentile of all films

  • Whispers in the Wind(2024)

    Supervising Producer

    Midcredits score: 26th percentile of all films (provisional, few ratings)

  • Fuchsia Libre(2024)

    Producer

    Midcredits score: 15th percentile of all films

  • A Very Good Girl(2023)

    Line Producer

    Midcredits score: 31st percentile of all films

  • Single Bells (not in the MovieCove catalog yet)(2023)

    Line Producer

  • My Teacher(2022)

    Line Producer

    Midcredits score: 7th percentile of all films

  • Partners in Crime(2022)

    Line Producer

    Midcredits score: 15th percentile of all films

  • The Entitled(2022)

    Producer

    Midcredits score: 20th percentile of all films

  • Love at First Stream(2021)

    Producer

    Midcredits score: 46th percentile of all films

  • Love Is Color Blind(2021)

    Producer

    Midcredits score: 76th percentile of all films

  • U-Turn (not in the MovieCove catalog yet)(2020)

    Supervising Producer

  • Finding Agnes(2020)

    Producer

    Midcredits score: 20th percentile of all films

  • Nuuk(2019)

    Supervising Producer

    Midcredits score: 70th percentile of all films

  • Unbreakable(2019)

    Producer

    Midcredits score: 71st percentile of all films

  • Kasal(2018)

    Line Producer

    Midcredits score: 64th percentile of all films

  • Finally Found Someone(2017)

    Producer

    Midcredits score: 45th percentile of all films

  • The Third Party(2016)

    Producer

    Midcredits score: 44th percentile of all films

  • The Love Affair(2015)

    Line Producer

    Midcredits score: 51st percentile of all films

  • The Breakup Playlist(2015)

    Producer

    Midcredits score: 56th percentile of all films

  • Bride for Rent(2014)

    Producer

    Midcredits score: 57th percentile of all films

  • Maria, Leonora, Teresa(2014)

    Producer

    Midcredits score: 30th percentile of all films

  • She's the One(2013)

    Line Producer

    Midcredits score: 53rd percentile of all films

  • It Takes a Man and a Woman(2013)

    Line Producer

    Midcredits score: 66th percentile of all films

  • Female, Male, Gay, Lesbian(2013)

    Producer

    Midcredits score: 57th percentile of all films

  • One More Try (not in the MovieCove catalog yet)(2012)

    Line Producer

  • No Other Woman(2011)

    Producer

    Midcredits score: 45th percentile of all films

  • Segunda mano(2011)

    Producer

    Midcredits score: 27th percentile of all films

  • Dalaw(2010)

    Producer

    Midcredits score: 25th percentile of all films

  • You Changed My Life(2009)

    Line Producer

    Midcredits score: 63rd percentile of all films

  • A Very Special Love(2008)

    Line Producer

    Midcredits score: 70th percentile of all films

  • When Love Begins...(2008)

    Producer

    Midcredits score: 36th percentile of all films (provisional, few ratings)

  • Paano kita iibigin(2007)

    Line Producer

    Midcredits score: 48th percentile of all films

  • D' Lucky Ones! (not in the MovieCove catalog yet)(2006)

    Supervising Producer

  • 'Wag kang lilingon(2006)

    Producer

    Midcredits score: 45th percentile of all films

  • Kasal, kasali, kasalo(2006)

    Producer

    Midcredits score: 71st percentile of all films

  • Wherever You Are(2005)

    Line Producer

    Midcredits score: 82nd percentile of all films

  • Can This Be Love (not in the MovieCove catalog yet)(2005)

    Line Producer

  • Otso Otso Pamela-mela Wan (not in the MovieCove catalog yet)(2004)

    Line Producer

  • D' Uragons(2002)

    Producer

    Midcredits score: 71st percentile of all films (provisional, few ratings)

  • Banyo Queen(2001)

    Producer

    Midcredits score: 68th percentile of all films (provisional, few ratings)

  • Abandonada(2000)

    Producer

    Midcredits score: 71st percentile of all films (provisional, few ratings)

  • Paloma(1998)

    Producer

    Midcredits score: 21st percentile of all films (provisional, few ratings)

  • Segurista (not in the MovieCove catalog yet)(1996)

    Associate Producer · Executive Producer

  • Sana Dalawa Ang Puso Ko (not in the MovieCove catalog yet)(1995)

    Associate Producer

  • Urban Rangers (not in the MovieCove catalog yet)(1995)

    Producer

  • P're Hanggang Sa Huli (not in the MovieCove catalog yet)(1995)

    Associate Producer

  • Cuadro de Jack (not in the MovieCove catalog yet)(1994)

    Associate Producer

  • Gagay: Prinsesa ng Brownout (not in the MovieCove catalog yet)(1993)

    Associate Producer

  • Paranaque Bank Robbery (not in the MovieCove catalog yet)(1993)

    Associate Producer

  • Mahirap Maging Pogi (not in the MovieCove catalog yet)(1992)

    Associate Producer

  • Borrowed Face (not in the MovieCove catalog yet)(1992)

    Associate Producer

  • My Heart Is Here (not in the MovieCove catalog yet)(1992)

    Associate Producer

  • Ipagpatawad Mo (not in the MovieCove catalog yet)(1991)

    Associate Producer

  • Boyong Mañalac: Hoodlum Terminator (not in the MovieCove catalog yet)(1991)

    Associate Producer

  • Victim (not in the MovieCove catalog yet)(1990)

    Associate Producer

  • Love at First Sight (not in the MovieCove catalog yet)(1990)

    Associate Producer

  • Immortal (not in the MovieCove catalog yet)(1989)

    Associate Producer

  • Abot Hanggang Sukdulan (not in the MovieCove catalog yet)(1989)

    Production Controller

  • If It's A Sin (not in the MovieCove catalog yet)(1989)

    Production Controller

Career shape

A full career of 39 titles from 1989 to 2025.

Biggest box office

It Takes a Man and a Woman (2013)

$9.1M worldwide

Highest rated

Wherever You Are (2005)

Midcredits 82nd

Most popular right now

Female, Male, Gay, Lesbian (2013)

By role

only this rolewith another role
Producing37 of 39: 37 only producing, 0 with another role · typical Midcredits score53rdOther crew2 of 39: 2 only other crew, 0 with another role

By decade

1980s3 · crew1990s14 · crew2000s7 · crew2010s6 · crew2020s9 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Marivic B. Ong's films land?

Their typical MovieCove film has a Midcredits score in the 48th percentile, the median of all 37; across their 37 films with reception data, the typical film sits in the 50th percentile for acclaim.

Acclaim · how much people like their films

50thpercentile
Typical film, the median of 37

Approval · how many liked their films

48thpercentile
Typical film, the median of 37

Reach · how many have seen their films

47thpercentile
Typical film, the median of 37

Midcredits score across 37 titles, by percentile

  • 75th and up2
  • 50th to 74th16
  • 25th to 49th12
  • Below 25th7

Shape of the crowd

23 of their 37 titles are Divisive.

  • Divisive23
  • Cult Classic8
  • Mixed6

Most divisive · producer

Banyo Queen (2001)

99th percentile spread · 44% rated it 4 or lower

Most loved · producer

Wherever You Are (2005)

Midcredits 82nd · 66% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Marivic B. Ong work with?

People who share at least 2 of Marivic B. Ong's MovieCove titles, grouped by what they did on them; Malou N. Santos shares the most, 20.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles